Tag Archives: chuck austen

Preview: The Tormented #2

The Tormented #2

Written by Chuck Austen
Art by Patrick Olliffe
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Ryan’s new friends, Opal and Sahir, convince him to take the job hosting the ghost hunting show, but only after he explains to them why he doesn’t want to do it, and that their lives might be in danger.

Opal and Sahir dismiss it, and set off with the new team hunting ghosts. But Ryan is right. Something is now out there looking for him, and now they’re all in danger.

The Tormented #2

Preview: The Tormented #1

The Tormented #1

(W) Chuck Austen
(A) Patrick Olliffe
(C) Lee Loughridge
(L) Jodi Wynner
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A quiet, no-drama production assistant, Ryan has unexpectedly been promoted to Host an online children’s cooking show after the original host abruptly quits. Surprisingly, Ryan has a gift for being natural and charming in front of the camera, which prompts the producer—Brad—to research him. He is stunned to find Ryan is the son of the world famous ghost hunters, Brigid and Adam Austerhölle! Then without telling Ryan, he sells a ghost hunting show around him—but without telling Ryan.

When he finally does tell Ryan, he gets a reaction he never expected.

The Tormented #1

Crowdfunding Corner: Cherry’s Jubilee Collection by Underground Comics Legend Larry Welz

Backer Beware: Crowdfunding projects are not guaranteed to be delivered and/or delivered when promised. We always recommend to do your research before backing.

Cherry ‘Poptart’ is most likely the Best-Selling Adult comic book of all time. Now is your chance to own an entire chapter of Cherry Herstory in one book

Discordia has launched a Kickstarter for the first ever trade paperback collection of Cherry’s Jubilee #1-4! It features the work of Larry Welz as well as a cast of guest artists and writers.

From 1992-1994 the Cherry’s Jubilee Spin-Off series featured stories by various writers and artists joined together to pen spin-off stories in from the Cherryverse, where anything can happen, and everything comes off! NSFW art ranges in style from Archie-esque to Manga to everything Underground. An Historic archive of American Erotic Arts!

This Kickstarter release features a new cover by Larry Welz. It also includes a new foreword by Jason Atomic UK. It’s140 Pages of Total Carnal Mayhem!

Writers and Artist included in the original issues: Mark Bode, Molly Kiely, Dave Warren, Jim Pitts, Chuck Austen, Geoffrey C. Everts, R.C. Harvey, Dan Fogel, Greg Espinoza, S.E. Mills, Ross Ptasynski, Zoot Vlezenbeek, Duke Roosevelt, Marv Wolfman, Justine Blanco, Chris Tirri, John J. Wozniak, Richard ‘Grass’ Green, Leslie Sternbergh, Kate Worley, Forg, Steven Crompton, Lee Terry, Lew Reid, and Larry Todd.

People’s History of the Marvel Universe, Week 21: X-Men Blue Origins and the Power of the Additive Retcon

(WARNING: heavy spoilers for X-Men Blue Origins)

Introduction

If you’ve been a long-time X-Men reader, or you’re a listener of Jay & Miles or Cerebrocast or any number of other LGBT+ X-Men podcasts, you probably know the story about how Chris Claremont wrote Mystique and Destiny as a lesbian couple, but had to use obscure verbiage and subtextual coding to get past Jim Shooter’s blanket ban on LGBT+ characters in the Marvel Universe.

Likewise, you’re probably also familiar with the story that, when Chris Claremont came up with the idea that Raven Darkholme and Kurt Wagner were related (a plot point set up all the way back in Uncanny X-Men #142), he intended that Mystique was Nightcrawler’s father, having used her shapeshifting powers to take on a male body and impregnate (her one true love) Irene. This would have moved far beyond subtext – but it proved to be a bridge too far for Marvel editorial, and Claremont was never able to get it past S&P.

This lacuna in the backstories of Kurt and Raven – who was Kurt’s father? – would remain one of the enduring mysteries of the X-Men mythos…and if there’s one thing that comic writers like, it’s filling in these gaps with a retcon.

Enter the Draco

Before I get into the most infamous story in all of X-Men history, I want to talk about retcons a bit. As I’ve written before:

“As long as there have been comic books, there have been retcons. For all that they have acquired a bad reputation, retcons can be an incredibly useful tool in comics writing and shouldn’t be dismissed out of hand. Done right, retcons can add an enormous amount of depth and breadth to a character, making their worlds far richer than they were before. Instead, I would argue that retcons should be judged on the basis of whether they’re additive (bringing something new to the character by showing us a previously unknown aspect of their lives we never knew existed before) or subtractive (taking away something from the character that had previously been an important part of their identity), and how well those changes suit the character.”

For a good example of an additive retcon, I would point to Chris Claremont re-writing Magneto’s entire personality by revealing that he was a Jewish survivor of the Holocaust. As I have argued at some length, this transformed Magneto from a Doctor Doom knockoff into a complex and sympathetic character who could now work as a villain, anti-villain, anti-hero, or hero depending on the needs of the story.

For a good example of a subtractive retcon, I would point to…the Draco. If you’re not familiar with this story, the TLDR is that it was revealed that Kurt’s father was Azazel – an evil ancient mutant with the same powers and the same appearance (albeit color-shifted) as Kurt, who claims to be the devil and is part of a tribe of demonic-looking mutants who were banished to the Brimstone Dimension, and who fathered Nightcrawler as part of a plot to end this banishment.

I don’t want to belabor Chuck Austen, because I think that Connor Goldsmith is right about his run actually being a camp cult classic in retrospect. However, I think we both agree that the Draco was a misfire, because of how the retcon undermined Kurt’s entire thematic purpose as established in Giant-Size X-Men that Nightcrawler was actually a noble and arguably saintly man who suffered from unjust prejudice due to the random accident that his mutation made him appear to be a demon, and because of how the retcon undermined the centrality of Mystique and Destiny’s relationship.

X-Men Blue Origins

This brings us to the Krakoan era. In HOXPOX and X-Men and Inferno, Jonathan Hickman had made Mystique and Destiny a crucial part of the story in a way that they hadn’t been in decades: they were the great nemeses of Moira X, they were the force that threatened to burn Krakoa to the ground by revealing the devil’s bargain that Xavier had struck with SInister (and Moira), they were the lens through which the potential futures of Krakoa were explored, and they ultimately reshaped the Quiet Council and the Five in incredibly consequential ways.

This throughline was furthered after Hickman’s departure, with Kieron Gillen exploring the backstories of Mystique and Destiny in Immortal X-Men and Sins of Sinister, and both Gillen and Si Spurrier exploring their relationship with Nightcrawler in AXE Judgement Day, Sins of Sinister, Way of X, Legion of X, Nightcrawlers, and Sons of X. One of the threads that wove through the interconnected fabric of these books was an increasing closeness between Kurt and Irene that needed an explanation. Many long-time readers began to anticipate that a retcon about Kurt’s parentage was coming – and then we got X-Men Blue: Origins.

In this one issue, Si Spurrier had the difficult assignment of figuring out a way to “fix” the Draco and restore Claremont’s intended backstory in a way that was surgical and elegant, that served the character arcs of Kurt, Raven, and Irene, and that dealt with complicated issues of trans and nonbinary representation, lesbian representation, disability representation, and the protean nature of the mutant metaphor. Thanks to help from Charlie Jane Anders and Steve Foxe, I think Spurrier succeeded tremendously.

I don’t want to go through the issue beat-by-beat, because you should all read it, but the major retcon is that Mystique turns out to be a near-Omega level shapeshifter, who can rewrite themselves on a molecular level. Raven transformed into a male body and impregnated Irene, using bits of Azazel and many other men’s DNA as her “pigments.” In addition to being a deeply felt desire on both their parts to have a family together, this was part of Irene’s plan to save them both (and the entire world) from Azazel’s schemes, a plan that required them to abandon Kurt as a scapegoat-savior (a la Robert Graves’ King Jesus), and to have Xavier wipe both their memories.

Now, I’m not the right person to write about what this story means on a representational level; I’ll leave it to my LGBT+ colleagues on the Cerebrocast discord and elsewhere to discuss the personal resonances the story had for them.

What I will say, however, is that I thought this issue threaded the needle of all of these competing imperatives very deftly. It “fixed” the Draco without completely negating it, it really deepened and complicated the characters and relationships of both Raven and Irene (by showing that, in a lot of ways, Destiny is the more ruthless and manipulative of the two), and it honored Kurt’s core identity as a man of hope and compassion (even if it did put him in a rather thankless ingénue role for much of the book).

It is the very acme of an additive retcon; nothing was lost, everything was gained.

I still think the baby Nightcrawler is just a bad bit, but then again I don’t really vibe with Spurrier’s comedic stylings.

Edgeworld Volume 2 Coming to Print From Dark Horse Books March 2024

An edgy, potent adventure series that’s part science-fiction, part detective series, part western, Edgeworld is a unique blend of energy, comedy and darkness like nothing you’ve ever read. Edgeworld Volume 2 is written by Chuck Austen with art by Patrick Olliffe.

On the edge of known space, on the backwater, frontier planet of Pala, magistrate Killian Jess, and native Palan Cheela fight to protect a planet, and people, the rest of the galaxy has forgotten. Battling military occupation, alien invasions, otherworldly infestations, drug running, gang violence, black market traders, and the disastrous, ecological aftermath of a brutal, planet-wide war, they must learn to work together and collect any allies they can from the castoffs, misfits, and aliens occupying Pala, in order to save the place they love.

Edgeworld Vol 2 [144 pages / color / MSRP $22.99/$29.99 pbk / ISBN: 978-1-506742120 / on sale March 19, 2024 bookstores and March 20, 2024 comic shops / Dark Horse Books] is available for pre-order through Amazon, Barnes and Noble, and your local comic shop.

Edgeworld Vol 2 

Preview: Edgeworld #6

Edgeworld #6

Written by Chuck Austen
Art by Patrick Olliffe
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After a shocking revelation about his own part in Cheela’s life, the Historian begins to suspect that the old woman he has been paying for glimpses into the past is conning him. In an effort to prove that the past she shows him is real, and that he really is Cheela’s brother, the old woman shows him the day that Killian adopted Cheela, giving more insight into their contentious and violent relationship. This vision gives the Historian a new drive to discover if Killian, Shay, Doc, and Jasper might possibly have been real people, lost in a dark, and misunderstood time. What he finds only leaves him not only shocked, but more deeply confused.

Edgeworld #6

The Miracleman Omnibus, the Definitive Collection returns with a new printing

Last month, Marvel honored the 40th anniversary of Miracleman’s transformative reinvention with the brand-new Miracleman Omnibus! This long-awaited omnibus collected the influential work on the character from all of its legendary creators such as Alan Davis, Garry Leach, John Totleben, and more. A hit with fans, this extraordinary omnibus will return with a second printing this March.

This new printing will give readers another chance to witness Miracleman’s incredible origins, his most breathtaking feats, and the relevant and dramatic struggles of his alter-ego, freelance reporter Michael Moran, who must reconcile his life as the lesser half of a god—all depicted in glorious Omnibus format! Considered one of the medium’s greatest masterpieces, Miracleman’s adventures launched a new wave of comic book storytelling, and its extraordinary impact on the Super Hero genre is still felt to this day.

Middle-aged reporter Michael Moran always knew he was meant for something more. When an unexpected series of events leads him to reclaim his destiny, Miracleman is reborn. But Miracleman’s return threatens unravel Moran’s life. Their connections to Dr. Emil Gargunza and Project Zarathustra bring with them disturbing revelations and trigger the return of a childhood friend who, beneath his sinister smile, has become something terrifying. Pushing the concept of the Super Hero to its logical conclusion, Miracleman is nothing short of a revelation. This first-ever Omnibus edition, complete with a massive trove of covers, original artwork and rare features, includes:

  • Material from Warrior (1982) #1-18, #20-21
  • Miracleman (1985) #1, #3, #6-16
  • Marvelman Special (1984) #1
  • Material from A1 (1989) #1
  • All-New Miracleman Annual (2014) #1

Check out the cover by comics great Alan Davis, and don’t miss your chance to experience the series that transformed the Super Hero and stands as one of the most influential works in the comic book art form this March.

Miracleman Omnibus

Amazon Studios is Developing an Animated Series Based on Edgeworld

Another comiXology Originals series is being developed by Amazon Studios. Edgeworld, the comic series written by Chuck Austen and illustrated by Patrick Olliffe, is being developed as an original animated series. The five-issue comic series debuted in 2020. Amazon Studios and comiXology share a parent company in Amazon.

Austen and Olliffe will serve as executive producers.

In EdgeworldKillian Jess is the magistrate and a former United Authority soldier who knows the system, upholds the law, and delivers the verdict—with a vengeance. Alongside native Palan Cheela, Killian fights to protect the planet Pala, a backwater, frontier planet on the edge of known space located beneath a riftgate—the greatest and most valuable discovery in galactic history. Together, the duo must battle alien invasions, military forces, black market traders, otherworldly infestations, drug runners and the disastrous, ecological aftermath of a brutal, planet-wide war, in order to save the world they love.

Edgeworld

Find Avengers, Blade, X-Force, and More New Comics on comiXology

There are five new comics available now on comiXology. There’s four comics from Marvel and one from Harlequin. You can get shopping now or check out the individual issues below.

Avengers: Once An Invader

Written by Chuck Austen, Allan Jacobsen
Art by Scott Kolins, C.P. Smith
Cover by Scott Kolins
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Collects Avengers (1998) #82-84, New Invaders (2004) #0, Avengers (1963) #71, Invaders Annual (1977) #1.

Who is the mysterious figure that claims to be Captain America, and what mission is he recruiting the super-soldiers of past wars to accomplish? As the new Invaders hit the battlefield, Namor the Sub-Mariner marshals his forces against a crucial island nation! But whose side will the Avengers come down on?

Avengers: Once An Invader

Blade: Black & White

Written by Chris Claremont, Marv Wolfman
Art by Gene Colan, Tony DeZuniga
Cover by Gene Colan
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Collects Vampire Tales #8-9, Marvel Preview #3, 6, Blade: Crescent City Blues #1, Marvel Shadows And Light #1.

A war is raging, and he has a job to do; for Blade the Vampire Hunter, there are no shades of gray! Now, for the first time ever, the House of Ideas reprints the best of Blade in bold black and white from its legendary ’70s-era horror magazines – including VAMPIRE TALES and MARVEL PREVIEW!

Blade: Black & White

Identity Disc

Written by Robert Rodi
Art by John Higgins
Cover by Tony Harris
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Collects Identity Disc #1-5.

Six of Marvel’s most violent and cunning villains – Sabretooth, Bullseye, the Juggernaut, Deadpool, Sandman and the Vulture – are forced to work together by a mysterious agent who somehow knows every dark and dirty secret in their violent lives. Their mission: to retrieve the nearly priceless Identity Disc – purported to contain the true identities, the home addresses and even the credit reports of every hero in the Marvel Universe!

Identity Disc

Rider On Fire

Written by Sharon Sala
Art by Matsuri Akino
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Sonora is a DEA agent. While on a mission, she shoots a mafia boss. They’re now out for her life after what she’s done. In order to escape her pursuant, Sonora continues on her journey and ends up arriving at a small village. It is there that a man named Adam Two Eagles is waiting for her. It should be their first time ever meeting, but Sonora recognizes his eyes… He was the mysterious man who would appear in Sonora’s dreams every single night! Sonora and Adam are guided by a mysterious power as their fates become intertwined and begin to move as one!

Rider On Fire

X-Force: Famous, Mutant And Mortal

Written by Peter Milligan
Art by Mike Allred
Cover by Mike Allred
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Collects X-Force (1991) #116-129.

What happens when mutants become celebrities? Peter Milligan and Mike Allred offer this insightful, irreverent and wickedly entertaining deconstruction of the human/mutant dynamic – spiced with sex, drugs and death!

X-Force: Famous, Mutant And Mortal

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