Tag Archives: avengers: infinity war

Aquaman Passes Batman vs. Superman While Alita Beats Expectations

Comic film adaptations are big dollars and we track how they do each week to see trends and what’s working and what’s not.

2018 is a record setting year for comic film adaptations. It has topped 2017’s record year and then some. Currently, comic adaptations have earned $2.686 billion domestically, $4.536 billion internationally, $7.222 billion worldwide, with a “profit” of $6.010 billion. That’s off of 10 films. 2017, with 16 films, saw domestic earnings of $2.365 billion, international earnings of $3.755 billion, worldwide earnings of $6.120 billion, and “profits” of $4.442 billion.

Alita: Battle Angel came in first place at the box office this past weekend beating expectations with an estimated $27.8 million for the three-day weekend and is expected to earn a bit over $33 million for the four-day weekend. Over five days the film will have earned around $41 million which is well ahead the $30 million expectation. Still, the film has a $170 million price tag and would need somewhere around $500-$550 million worldwide to break even.

Internationally the film debuted in 11 markets last weekend and expanded to 86 markets this weekend. There it earned $56.1 million to bring its foreign earnings to $94.3 million. It’ll release in China and Japan on February 22.

Dragon Ball Super: Broly is still bringing in the dollars though not charting on the weekend box office. Domestic grosses increased by about $250,000 million an international earnings increased by about $700,000 million. Currently the film has earned $30.7 million domestically and $72.3 million internationally for a worldwide total of $103 million.

Spider-Man: Into the Spider-Verse dropped two spots from the previous weekend to come in at #11. It earned an estimated $2 million to bring its domestic total to $182.7 million after 10 weeks. With foreign earnings of $173.3 million the film has earned $356 million worldwide. It has passed X-Men: First Class in worldwide earnings.

Aquaman has crossed $331 million domestically and is now the second highest grossing domestic release for a DC Extended Universe film only behind Wonder Woman’s $412.6 million. It came in at #12 for the weekend down from last weekend’s #8. The film earned $1.9 million to bring its domestic total to $331.4 million. Internationally the film has earned $799.4 million to bring its worldwide total to $1.131 billion.

Deadpool 2 is still bringing it in internationally adding about $90,000 to that total. With a total of $784.9 million worldwide, it is the top grossing “X” film ever (not adjusting for inflation).

Here’s where this year’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.686 billion
Total International Gross: $4.536 billion
Worldwide Gross: $7.222 billion
Total Reported Budgets: $1.187 billion
Total “Profit”: $6.010 billion

Average Domestic Gross: $268.6 million
Average International Gross: $453.6 million
Average: Worldwide Gross: $722.2 million
Average Budget: $131.9 million
Average Profit: $590.3 million

Below is where the films released stand when it comes to being compared to this year’s averages. Those in green are above average while those below are red.

Where the Data Ranks 2018’s Comic Book Films. Deadpool 2 Becomes the Top Grossing X Film

Comic film adaptations are big dollars and we track how they do each week to see trends and what’s working and what’s not.

2018 is a record setting year for comic film adaptations. It has topped 2017’s record year and then some. Currently, comic adaptations have earned $2.680 billion domestically, $4.528 billion internationally, $7.208 billion worldwide, with a “profit” of $5.996 billion. That’s off of 10 films. 2017, with 16 films, saw domestic earnings of $2.365 billion, international earnings of $3.755 billion, worldwide earnings of $6.120 billion, and “profits” of $4.442 billion.

Dragon Ball Super: Broly made waves debuting in the top five and dropped off of the weekend box office quickly. The film crossed the $100 million mark as domestic grosses increased by about $1.2 million an international earnings increased by about $1.6 million. Currently the film has earned $30.4 million domestically and $71.6 million internationally for a worldwide total of $102 million.

Aquaman dropped from fourth to #8 at the past weekend’s box office with an estimated $3.3 million to bring its domestic total to $328.5 million. Worldwide it has earned $1.120 billion after opening in Japan this past weekend.

Spider-Man: Into the Spider-Verse continues to play right behind Aquaman dropping from fifth to #9 at the weekend box office with an estimated $3 million. Its domestic total stands at $179.8 million. Worldwide the film has earned $352.6 million.

Deadpool 2 got a big boost over the week with $13 million at the international box office. With a total of $784.8 million worldwide, it has passed the original Deadpool to become the top grossing “X” film ever (not adjusting for inflation).

Here’s where this year’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.680 billion
Total International Gross: $4.528 billion
Worldwide Gross: $7.208 billion
Total Reported Budgets: $1.187 billion
Total “Profit”: $5.996 billion

Average Domestic Gross: $268 million
Average International Gross: $452.8 million
Average: Worldwide Gross: $720.8 million
Average Budget: $131.9 million
Average Profit: $588.9 million

Below is where the films released stand when it comes to being compared to this year’s averages. Those in green are above average while those below are red.

Where the Data Ranks 2018’s Comic Book Films. Aquaman Continues to Rock

Comic film adaptations are big dollars and we track how they do each week to see trends and what’s working and what’s not.

2018 is a record setting year for comic film adaptations. It has topped 2017’s record year and then some. Currently, comic adaptations have earned $2.671 billion domestically, $4.506 billion internationally, $7.176 billion worldwide, with a “profit” of $5.965 billion. That’s off of 10 films. 2017, with 16 films, saw domestic earnings of $2.365 billion, international earnings of $3.755 billion, worldwide earnings of $6.120 billion, and “profits” of $4.442 billion.

Dragon Ball Super: Broly made waves debuting in the top five and dropped off of the weekend box office quickly. The film earned about $150,000 domestically and $200,000 internationally to $29.1 million and $70 million for a worldwide total of $99.1 million.

Aquaman dropped one spot to come in fourth place. It earned an estimated $4.8 million to bring its domestic total to $323.6 million. It also added $4.6 million internationally to bring that total to $783.4 million and $1.1 billion worldwide. The film opens in Japan February 8 so is looking at quite a few more dollars before its run is over. There’s a chance the film passes Captain America: Civil War before its run is over, it needs just $47 million.

Rounding out the top five was Spider-Man: Into the Spider-Verse with an estimated $4.4 million to bring its domestic total to $175.3 million. It also added $1.6 million internationally to bring that total to $172 million and $347.3 million worldwide.

Deadpool 2 has slowed domestically but earned a little over $4.4 million internationally. The film stands at $324.6 million domestically and $447.4 million internationally. The film is now the second highest grossing X film behind Deadpool. It’ll have to earn a lot more to be as successful as that film as it has a budget about double of it. The film has passed both Avengers: Infinity War and Black Panther when it comes to budget multiplier. It’s in second for the year with a current 7.02x.

Here’s where this year’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.671 billion
Total International Gross: $4.506 billion
Worldwide Gross: $7.176 billion
Total Reported Budgets: $1.187 billion
Total “Profit”: $5.965 billion

Average Domestic Gross: $265.1 million
Average International Gross: $450.6 million
Average: Worldwide Gross: $717.6 million
Average Budget: $131.9 million
Average Profit: $585.7 million

Below is where the films released stand when it comes to being compared to this year’s averages. Those in green are above average while those below are red.

Where the Data Ranks 2018’s Comic Book Films. Aquaman Passes Dark Knight Rises

Comic film adaptations are big dollars and we track how they do each week to see trends and what’s working and what’s not.

2018 is a record setting year for comic film adaptations. It has topped 2017’s record year and then some. Currently, comic adaptations have earned $2.657 billion domestically, $4.490 billion internationally, $7.148 billion worldwide, with a “profit” of $5.936 billion. That’s off of 10 films. 2017, with 16 films, saw domestic earnings of $2.365 billion, international earnings of $3.755 billion, worldwide earnings of $6.120 billion, and “profits” of $4.442 billion.

The 2019 way of comic based films has launched and already making news. This past weekend at the box office Dragon Ball Super: Broly dropped 63.3% from last weekend and earned an estimated $3.6 million to bring its domestic total to $29 million. The film has also earned $69.8 million from foreign markets for a worldwide total of $98.8 million. This is after a debut weekend in the top five of the box office.

Aquaman came in third place and brought in $7.4 million to bring its domestic total to $316.6 million. The film has now earned $1.091 billion making it the top grossing film based on a DC character. It’s also the third largest WB movie of all time and 25th largest worldwide release ever. It’s the seventh highest grossing comic film and it’s unlikely it’ll move higher as the film has $63 million to go to do that.

Rounding out the top five was Spider-Man: Into the Spider-Verse which repeated in that spot. It earned an estimated $6.2 million to bring its domestic total to $169 million. It will likely become the highest grossing domestic release ever for Sony Animation some time this week. Internationally the film added $2.8 million to bring that total to $169.1 million to bring its worldwide total to $338.1 million.

This past weekend Venom didn’t chart but earned about $25,000 domestically and $1,000 internationally over the week. The film now stands at $213.5 million domestically and $642.3 internationally for a worldwide total of $855.8 million.

The film also shows that budget isn’t everything. It has the best return in multiplier when it comes to budget for a comic film of 2018, so far. With 8.56x it beats Avengers: Infinity War‘s 6.83x and 6.73x for Black Panther.

With a budget of just $100 million, the film is quite profitable and another success for Sony’s Spider-Man franchise which previously earned on average $318.8 million domestically, $488.4 million internationally, and $807.2 million worldwide. The film is likely to be the second or third worst performing Spider-Man related film domestically for Sony but first currently internationally. The difference is the budget is almost half the other films allowing for a healthy profit. The film is leaning heavily on the international market where it has earned 75.07% of its earnings compared to 62.65% for other Spider-Man films.

Deadpool 2 opened in China earning $21 million and giving the film new life. The film stands at $324.6 million domestically, about $5,000 more than last week and $443 million internationally an increase of $24 million. The film is now the second highest grossing X film behind Deadpool. It’ll have to earn a lot more to be as successful as that film as it has a budget about double of it. The film has passed both Avengers: Infinity War and Black Panther when it comes to budget multiplier. It’s in second for the year with a current 6.98x.

Here’s where this year’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.657 billion
Total International Gross: $4.490 billion
Worldwide Gross: $7.148 billion
Total Reported Budgets: $1.187 billion
Total “Profit”: $5.936 billion

Average Domestic Gross: $265.7 million
Average International Gross: $449.0 million
Average: Worldwide Gross: $714.8 million
Average Budget: $131.9 million
Average Profit: $582.9 million

Below is where the films released stand when it comes to being compared to this year’s averages. Those in green are above average while those below are red.

Black Panther Gets a Best Picture Oscar Nomination While Spider-Verse Gets Best Animated

Black Panther

It was a solid Oscar nomination announcement for Black Panther which is the first superhero movie in history to be nominated for “Best Picture.” The film had seven nominations in total.

Spider-Man: Into the Spider-Verse continues its praise earning a “Best Animated Picture” nomination, one that it leads the pack based off of its consistent wins.

Avengers: Infinity War also got a nomination for best “Visual Effects.”

The 2019 Academy Awards will take place on Sunday, February 24, and will air live on ABC at 8 pm Eastern/5 pm Pacific.

Check out below for the full list of nominees. We’ve put all comic related nominations in bold.

Best Picture
Black Panther
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
A Star Is Born
Vice

Actor in a Leading Role
Christian Bale, Vice
Bradley Cooper, A Star Is Born
Willem Dafoe, At Eternity’s Gate
Rami Malek, Bohemian Rhapsody
Viggo Mortensen, Green Book

Actress in a Leading Role
Yalitza Aparicio, Roma
Glenn Close, The Wife
Olivia Colman, The Favourite
Lady Gaga, A Star Is Born
Melissa McCarthy, Can You Ever Forgive Me?

Actress in a Supporting Role
Amy Adams, Vice
Marina de Tavira, Roma
Regina King, If Beale Street Could Talk
Emma Stone, The Favourite
Rachel Weisz, The Favourite

Actor in a Supporting Role
Mahershala Ali, Green Book
Adam Driver, BlacKkKlansman
Sam Elliott, A Star Is Born
Richard E. Grant, Can You Ever Forgive Me?
Sam Rockwell, Vice

Directing
BlacKkKlansman, Spike Lee
Cold War, Paweł Pawlikowski
The Favourite, Yorgos Lanthimos
Roma, Alfonso Cuarón
Vice, Adam McKay

Adapted Screenplay
The Ballad of Buster Scruggs, Joel Coen and Ethan Coen
BlacKkKlansman, Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee
Can You Ever Forgive Me?, Nicole Holofcener and Jeff Whitty
If Beale Street Could Talk, Barry Jenkins
A Star Is Born, Eric Roth, Bradley Cooper, and Will Fetters

Original Screenplay
The Favourite, Deborah Davis and Tony McNamara
First Reformed, Paul Schrader
Green Book, Nick Vallelonga, Brian Currie, and Peter Farrelly
Roma, Alfonso Cuarón
Vice, Adam McKay

Foreign Language Film
Capernaum, Lebanon
Cold War, Poland
Never Look Away, Germany
Roma, Mexico
Shoplifters, Japan

Animated Feature
Incredibles 2
Isle of Dogs
Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

Original Score
Black Panther
BlacKkKlansman
If Beale Street Could Talk
Isle of Dogs
Mary Poppins Returns

Original Song
“All the Stars,” Black Panther
“I’ll Fight,” RBG
“The Place Where Lost Things Go,” Mary Poppins Returns
“Shallow,” A Star Is Born
“When a Cowboy Trades His Spurs for Wings,” The Ballad of Buster Scruggs

Documentary Short
Black Sheep
End Game
Lifeboat
A Night at the Garden
Period. End of Sentence.

Cinematography
Cold War, Lukasz Zal
The Favourite, Robbie Ryan
Never Look Away, Caleb Deschanel
Roma, Alfonso Cuarón
A Star Is Born, Matthew Libatique

Best Documentary Feature
Free Solo
Hale County This Morning, This Evening
Minding the Gap
Of Fathers and Sons
RBG

Production Design
Black Panther
The Favourite
First Man
Mary Poppins Returns
Roma

Sound Mixing
Black Panther
Bohemian Rhapsody
First Man
Roma
A Star Is Born

Costume Design
The Ballad of Buster Scruggs
Black Panther
The Favourite
Mary Poppins Returns
Mary Queen of Scots

Film Editing
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Vice

Sound Editing
Black Panther
Bohemian Rhapsody
First Man
A Quiet Place
Roma

Animated Short Film
Animal Behavior
Bao
Late Afternoon
One Small Step
Weekends

Live Action Short
Detainment
Fauve
Marguerite
Mother
Skin

Makeup and Hairstyle
Border
Mary Queen of Scots
Vice

Visual Effects
Avengers: Infinity War
Christopher Robin
First Man
Ready Player One
Solo: A Star Wars Story

Where the Data Ranks 2018’s Comic Book Films. Spider-Verse Passes LEGO Batman

Comic film adaptations are big dollars and we track how they do each week to see trends and what’s working and what’s not.

2018 is a record setting year for comic film adaptations. It has topped 2017’s record year and then some. Currently, comic adaptations have earned $2.618 billion domestically, $4.420 billion internationally, $7.038 billion worldwide, with a “profit” of $5.826 billion. That’s off of 10 films. 2017, with 16 films, saw domestic earnings of $2.365 billion, international earnings of $3.755 billion, worldwide earnings of $6.120 billion, and “profits” of $4.442 billion.

The 2019 way of comic based films has launched and already making news. In third place this past weekend was a surprise with Dragon Ball Super: Broly. The movie is based on the popular manga which has spun out numerous anime shows and films. The film was close with Aquaman and is expected to beat that film with an estimated earning between $9.3 million and $10.7 million for the weekend. The studio isn’t reporting domestic grosses so this one is definitely estimates. On the lower end, the film will be in fourth place with Aquaman in third. The film opened on Wednesday so is estimated to have earned around $21 million domestically since then. Internationally, the film is in its seventh week and earned an estimated $5.3 million from 18 markets for an international total of $65.8 million for a worldwide total of $87 million. An anime film debuting in the top five is big news and kicks off the year nicely.

Aquaman earned an estimated $10.3 million domestically this past weekend to bring that total to $304.3 million. It also added $14.3 million from 79 international markets to bring that total to $759.1 million internationally. Worldwide the film has earned $1.06 billion and will likely pass The Dark Knight Rises to become to the top grossing DC Comics adaptation worldwide.

Interestingly, the film is the third lowest (really the middle of the pack out of six films) DC Cinematic film so far beating just Justice League and Man of Steel. There’s a chance it will beat both Suicide Squad and Dawn of Justice domestically when its done in the theater. The film is first when it comes to international earnings by over $200 million. That’s the difference. It’s also rather average when it comes to the budget for those films.

Rounding out the top five this past weekend was Spider-Man: Into the Spider-Verse which had a small drop of 19.8% from the previous weekend and earned $7.25 million for the three day and around $9 million for the for day. The domestic total is $158.3 million. Internationally the film added $4.7 million to bring that total to $164.6 million for a worldwide total of $322.9 million. The film passed last year’s animated release LEGO Batman for worldwide earnings.

This past weekend Venom didn’t chart but earned about $50,000 domestically and $60,000 internationally over the week. The film now stands at $213.5 million domestically and $642.3 internationally for a worldwide total of $855.8 million.

The film also shows that budget isn’t everything. It has the best return in multiplier when it comes to budget for a comic film of 2018, so far. With 8.56x it beats Avengers: Infinity War‘s 6.83x and 6.73x for Black Panther.

With a budget of just $100 million, the film is quite profitable and another success for Sony’s Spider-Man franchise which previously earned on average $318.8 million domestically, $488.4 million internationally, and $807.2 million worldwide. The film is likely to be the second or third worst performing Spider-Man related film domestically for Sony but first currently internationally. The difference is the budget is almost half the other films allowing for a healthy profit. The film is leaning heavily on the international market where it has earned 75.07% of its earnings compared to 62.65% for other Spider-Man films.

Deadpool 2 will soon be opening in China which will give the film a nice boost. It’s still bringing in money as is adding about $12,000 to its domestic total and $230,000 to its international total. Those amounts are being added to the original film, Deadpool 2‘s, earnings. Deadpool 2 has earned $324.6 million domestically, $419.3 internationally, and $743.9 million worldwide.

Avengers: Infinity War saw an adjustment for its international earnings bringing that total down by about $300,000.

Here’s where this year’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.618 billion
Total International Gross: $4.420 billion
Worldwide Gross: $7.038 billion
Total Reported Budgets: $1.187 billion
Total “Profit”: $5.826 billion

Average Domestic Gross: $261.8 million
Average International Gross: $442.0 million
Average: Worldwide Gross: $703.8 million
Average Budget: $131.9 million
Average Profit: $571.9 million

Below is where the films released stand when it comes to being compared to this year’s averages. Those in green are above average while those below are red.

Black Panther and Spider-Man: Into the Spider-Verse Both Win at the Critics’ Choice Awards

Cast of Black Panther

This Sunday the Critics’ Choice Awards were held and both Black Panther and Spider-Man: Into the Spider-Verse walked away winners.

Spider-Man: Into the Spider-Verse won “Best Animated Feature” repeating its Golden Globe win in the same category. The film has momentum going into the Oscars. It beat The Grinch, Incredibles 2, Isle of Dogs, Mirai, and Ralph Breaks the Internet to walk away with the latest win.

Ruth Carter won for “Best Costume Design” for Black Panther besting Alexandra Byrne for Mary Queen of Scots, Julian Day for Bohemian Rhapsody, and Sandy Powell for The Favourite and Mary Poppins Returns.

Black Panther also walked away a winner for “Best Visual Effects” besting Avengers: Infinity War, First Man, Mary Poppins Returns, Mission: Impossible – Fallout, and Ready Player One.

But it wasn’t all celebrations. Black Panther walked away empty handed in numerous categories as well.

Black Panther was nominated for “Best Picture” which it lost to Roma. in “Best Acting Ensemble” this film lost to The Favourite. Michael B. Jordan was nominating for “Best Supporting Actor” for his role as Killmonger in Black Panther. He lost to Mahershala Ali for his role in Green Book. Ryan Coogler and Joe Robert Cole were nominated for “Best Adapted Screenplay” for Black Panther. They lost to Barry Jenkins and If Beale Street Could Talk. Rachel Morrison was nominated for “Best Cinematography” for Black Panther and lost to Alfonso Cuarón and Roma. Black Panther was also nominated for “Best Hair and Makeup” losing to Vice.

Numerous comic films lost in “Best Action Movie” to Mission: Impossible – Fallout. Avengers: Infinity War, Black Panther, and Deadpool 2 were all nominated as well as Ready Player One and Widows.

In “Best Comedy,” Deadpool 2 and The Death of Stalin lost to Crazy Rich Asians. The Favourite, Game Night, and Sorry to Bother You were nominated as well.

Ryan Reynolds lost in “Best Actor in a Comedy” to Christian Bale for his role in Vice. Reynolds starred in the title role in Deadpool 2.

When it comes to music Black Panther came up empty handed as well. “All the Stars” lost to A Star is Born‘s “Shallow” in “Best Song” and and in “Best ScoreLudwig Göransson lost to Justin Hurwitz for First Man.

Comic adaptations were absent from television awards at the show.

Where the Data Ranks 2018’s Comic Book Films. Aquaman Crosses $1 Billion

Comic film adaptations are big dollars and we track how they do each week to see trends and what’s working and what’s not.

2018 is a record setting year for comic film adaptations. It has topped 2017’s record year and then some. Currently, comic adaptations have earned $2.607 billion domestically, $4.410 billion internationally, $7.018 billion worldwide, with a “profit” of $5.806 billion. That’s off of 10 films. 2017, with 16 films, saw domestic earnings of $2.365 billion, international earnings of $3.755 billion, worldwide earnings of $6.120 billion, and “profits” of $4.442 billion.

In second place at this past weekend’s box office was Aquaman which dropped from first place after three weeks on top. The film added an estimated $17.26 million domestically and $27.9 million internationally. That pushed the film to $1.020 billion worldwide which has it as the second highest grossing DC Comics film worldwide. It’s the first film in the DC Cinematic universe to cross the billion dollar mark and the ninth comic film to do so. It currently is the eighth highest grossing comic film worldwide ever.

Interestingly, the film is the second lowest DC Cinematic film so far beating just Justice League. It needs about another $4 million to pass Man of Steel. The film is first when it comes to international earnings by almost $200 million. That’s the difference. It’s also rather average when it comes to the budget for those films.

The film’s box office success has China to thank where it has earned almost the same amount as it has domestically. Domestically, the film has brought in $287.9 million while in China it has earned $284.9 million.

The film needs to earn $64.6 million to be the top grossing DC film ever and it is likely to do just that before its run is over. It opens in Japan on February 8 so will likely succeed in doing that and more.

In fourth place this past weekend was Spider-Man: Into the Spider-Verse fresh off of its Golden Globe win. The film earned an estimated $9 million in its fifth week. Domestically the film has earned $147.7 million. Internationally it added. $9.4 million to bring that total to $154.6 million and worldwide earnings to $302.4 million. With a budget of just $90 million, the film has done well and will likely have longer legs with award season showering it with accolades.

This past weekend Venom didn’t chart but earned about $70,000 domestically and $100,000 internationally over the week. The film now stands at $213.4 million domestically and $642.2 internationally for a worldwide total of $855.7 million. There’s a chance the film will become the highest grossing “Spider-Man” film before its run is done and make it into the top ten comic based films of all time.

The film also shows that budget isn’t everything. It has the best return in multiplier when it comes to budget for a comic film of 2018, so far. With 8.56x it beats Avengers: Infinity War‘s 6.83x and 6.73x for Black Panther.

With a budget of just $100 million, the film is quite profitable and another success for Sony’s Spider-Man franchise which previously earned on average $318.8 million domestically, $488.4 million internationally, and $807.2 million worldwide. The film is likely to be the second or third worst performing Spider-Man related film domestically for Sony but first currently internationally. The difference is the budget is almost half the other films allowing for a healthy profit. The film is leaning heavily on the international market where it has earned 75.07% of its earnings compared to 62.65% for other Spider-Man films.

Once Upon a Deadpool didn’t chart for the weekend but did bring in dollars over the week. It added $40,000 to its domestic total and $880,000 to its international total. Those amounts are being added to the original film, Deadpool 2‘s, earnings. Deadpool 2 has earned $324.6 million domestically, $419.1 internationally, and $743.6 million worldwide.

Avengers: Infinity War has gained some more dollars. The film added about $1,200 to its international earnings.

Here’s where this year’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.607 billion
Total International Gross: $4.410 billion
Worldwide Gross: $7.018 billion
Total Reported Budgets: $1.187 billion
Total “Profit”: $5.806 billion

Average Domestic Gross: $260.7 million
Average International Gross: $441 million
Average: Worldwide Gross: $701.8 million
Average Budget: $131.9 million
Average Profit: $569.9 million

Below is where the films released stand when it comes to being compared to this year’s averages. Those in green are above average while those below are red.

Comic Movies Domestic Earnings
Comic Movies International Earnings
Comic Movies Worldwide Earnings
Comic Movies "profits"
Comic Movies multiplier

Where the Data Ranks 2018’s Comic Book Films. Aquaman Swims to the Top Ten.

Comic film adaptations are big dollars and we track how they do each week to see trends and what’s working and what’s not.

2018 is a record setting year for comic film adaptations. It has topped 2017’s record year and then some. Currently, comic adaptations have earned $2.565 billion domestically, $4.345 billion internationally, $6.910 billion worldwide, with a “profit” of $5.698 billion. That’s off of 10 films. 2017, with 16 films, saw domestic earnings of $2.365 billion, international earnings of $3.755 billion, worldwide earnings of $6.120 billion, and “profits” of $4.442 billion.

Aquaman is the little film that could. After a domestic debut that some called a failure the film is now the top grossing DC Cinematic Universe film as it has now earned $940.7 million worldwide and will be the first of that film universe to cross $1 billion (though not the first DC related film).

This past weekend the film earned an estimated $30.7 million to come in first place for the third weekend. It has now earned $259.7 million domestically which is about what Wonder Woman did after the same time period. Wonder Woman went on to gross $407.2 million domestically to be the highest grossing domestic film of the DC Cinematic Universe.

Internationally is where the film has really taken off adding another $56.2 million this past weekend from 79 markets to bring its international total to $681 million. The film has passed Black Panther in international earnings to be the second highest grossing internationally comic film of the year and third for all films.

The film is the top of the new batch of DC films beating the previous king Batman v Superman: Dawn of Justice by nearly $70 million and that will only expand. As far as all films based on DC Comics, it currently ranks third behind The Dark Knight and The Dark Knight Rises. It will need about $150 million to become the highest grossing DC film of all time worldwide and it will likely cross $1 billion. The film still hasn’t opened in Japan and will do so in February 8. That’s the last key market to see release.

The movie is now the ninth highest grossing comic film of all time worldwide and will need to pass those two Batman films to move higher on the list. While there’s a chance it’ll do that, it’d need over $230 million to get to #6 on the list.

Spider-Man: Into the Spider-Verse held on to fourth place this past weekend with an estimated $13 million to bring its domestic total to $133.9 million. It added $11.7 million overseas to bring that total to $141.5 million and $275.4 million worldwide. The recent Golden Globe win should boost the film’s box office over the next week or two and a likely Oscar win will do the film well. It shouldn’t be expected for this film to do numbers like other Spider-Man films and with a much smaller budget, the film has done quite fine.

This past weekend Venom didn’t chart but earned about $165,000 domestically and $180,000 internationally over the week. The film now stands at $213.4 million domestically and $642.1 internationally for a worldwide total of $855.5 million. There’s a chance the film will become the highest grossing “Spider-Man” film before its run is done and make it into the top ten comic based films of all time.

The film also shows that budget isn’t everything. It has the best return in multiplier when it comes to budget for a comic film of 2018, so far. With 8.56x it beats Avengers: Infinity War‘s 6.83x and 6.73x for Black Panther.

With a budget of just $100 million, the film is quite profitable and another success for Sony’s Spider-Man franchise which previously earned on average $318.8 million domestically, $488.4 million internationally, and $807.2 million worldwide. The film is likely to be the second or third worst performing Spider-Man related film domestically for Sony but first currently internationally. The difference is the budget is almost half the other films allowing for a healthy profit. The film is leaning heavily on the international market where it has earned 75.07% of its earnings compared to 62.65% for other Spider-Man films.

Once Upon a Deadpool didn’t chart for the weekend but did bring in dollars over the week. It added $70,000 to its domestic total and $50,000 to its international total. Those amounts are being added to the original film, Deadpool 2‘s, earnings. Deadpool 2 has earned $324.5 million domestically, $418.1 internationally, and $742.7 million worldwide.

Avengers: Infinity War has gained some more dollars. The film added about $3,000 to its international earnings.

Here’s where this year’s comic films stand as far as the actual numbers.

Total Domestic Gross: $2.565 billion
Total International Gross: $4.345 billion
Worldwide Gross: $6.910 billion
Total Reported Budgets: $1.187 billion
Total “Profit”: $5.698 billion

Average Domestic Gross: $256.5 million
Average International Gross: $434.5 million
Average: Worldwide Gross: $691 million
Average Budget: $131.9 million
Average Profit: $559.1 million

Below is where the films released stand when it comes to being compared to this year’s averages. Those in green are above average while those below are red.

Comic Movie's Domestic Gross
Comic Movie's International Gross
Comic Movie's Worldwide Gross
Comic Movie's Profit
Comic Movie's Multiplier

Top Movies of 2018

Well, 2018 was quite a year. While I didn’t have a hard time picking my top five favorite films of the year, what I was surprised by was the “big middle” of everything I saw this year. Of the hundreds of movies I saw between theaters, film festivals, and originals thanks to streaming services like Netflix and Hulu, my average for everything I rated was a 3.461765 stars (out of 5). And while I only had a single 5 star movie (spoiler, it’s my #1), my most common rating for the year was a 4.5 (15 films) and a 3.5 (14 films). In terms of raw scores, my #36 isn’t that far off of my #6. That’s all to say we had a lot of really good movies– mixed with a few truly greats.

Because of that (call it indulgent, IDC) I’m giving you my Top 40, just like Casey Kasem back in the day.

The Top 40- 11:
(if you skip these to get to the top ten I won’t be offended)

40. Operation FinaleOscar Isaac leads a Mossad team to take down Adolf Eichman (Ben Kingsley) are you kidding me?!? Had to see this. File under: Jews kicking ass.
39. Overlord – the corollary to #40, but a black paratrooper taking out crazy Nazi scientists doing superhuman experiments. Reminds us Nazis are the bad guys.
38. The Rachel Divide -A Netflix documentary about Rachel Dolezal, mostly in her own words, the activist who claims she is trans-racial. It’ll make you think.
37. Ready Player One – This was my 13 yr old daughter’s favorite movie of the year. It reminds us that fun Spielberg is fun.
36. Ralph Breaks the Internet – It makes the list just for the Disney princess scene and “A Place Called Slaughter Race.”
35. A Simple Favor – Heavy on style, Anna Kendrick plays up the fun angle with director Paul Feig as a mommy blogger whose new best friend disappears. There’s a fun sort of “true crime” type mystery with the comedy here.
34. Mandy – this movie feels like a relic of another time — specifically, the 80’s with definite hints of Heavy Metal — and feels like it was made under the influence of a lot of drugs as Nicholas Cage takes revenge on a crazy cult who murdered his wife.

33. BlackkKlansman – I should’ve loved this movie more, but its weird tacked-on ending sort of blew it, and only in one shot in the entire movie did it feel like this was the same Spike Lee who gave us Do the Right Thing.
32. QuincyRashida Jones gives us the most intimate look at her father, master composer Quincy Jones. A great watch on Netflix.
31. Deadpool 2 – It’s a Deadpool movie. It’s great.
30. Widows – It’s a high stakes, high concept heist movie with an amazing female cast and political intrigue. It’s great.
29. Mary Poppins Returns – I love Mary Poppins. And Lin Manuel Miranda. It’s not as immediately classic as the original, but who expected it to? Emily Blunt is still amazing. And it’s great.
28. Hereditary – This is the movie that stuck with me the longest. Still, thinking about this movie makes me want to turn on all the lights in my house. Also, an amazing acting job by Toni Collette.
27. Number 37 – A movie you probably never heard of! I caught this gem at SXSW and fell in love. A South African slum gangland take on Rear Window by a first time black female director. Yes please.
26. RBG – This was a great year for documentaries. This one on the Notorious Ruth Bader Ginsburg checks all my boxes.
25. Incredibles II – This sequel to one of the greatest animated movies of all time (and one of the greatest superhero movies of all time) did some really amazing things thanks to director Brad Bird,, but the ending took it down a few notches. But the fact that this ended up at 25 tells you just how competitive this year was.
24. BlindspottingDaveed Diggs and Rafael Casal‘s tale of police violence, Oakland, and hip hop was a little too pat in its ending, but was otherwise masterful. A main reason Oakland ended up on my list of “Who won 2018?”

23. Searching – We’ve now seen several of these movies where they’re told only through what we can see on the screen of a computers. Like found footage, there are good and bad, and this is a good one. John Cho and Debra Messing deliver powerful performances in a story about trying to piece together the mystery of a missing daughter through her social media footprint, intertwined with a father losing touch with his daughter in the age of screens.
22. Bad Times at the El Royale – This might’ve ended up higher on the list if it had delivered more on substance over style, but this was still pretty amazing. And that soundtrack!
21. Minding the Gap – An amazing documentary about young adults growing up as friends in a rust belt town as skate punks and how life and domestic abuse has kept them back. Fascinating and maybe a bit too real.
20. A Quiet Place – Wow. Nothing quite shocked audiences as much as this, as well as exposed the worst theater-goers in America. Shut up or the monsters win! One of several reasons why I said Emily Blunt and John Krasinski won the year of 2018.
19. Leave No Trace – Props to writer/director Debra Granik and to amazing performances by Ben Foster and breakout star Thomasin McKenzie in this heartwrenching look at a dad dealing with PTSD who lives a solitary existence off the grid in the woods with his young teen daughter. Of course, when Child Protective Services finds out. . . well, you’re not exactly allowed to do that. And drama ensues.
(18.- tie) The Ballad of Buster Scruggs – There’s a debate as to whether this is a movie, as it is currently being presented by Netflix, or a tv miniseries, which was how the Coen Brothers originally pitched it. This is peak Coen in all their forms, but if this is a movie, this is where it would fall.
18. Mission Impossible: Fallout – Finally it feels like writer/director Christopher McQuarrie leveled up his directing to the level of his writing ability. The perfect summer movie, even if I liked a few other movies from the summer of ’18 a little more.
17. Annihilation – Along with Hereditary, this was the movie that stuck with me (in my nightmares). Astounding visuals and an amazing ending, and an amazing cast.
16. Avengers: Infinity War – We knew we’d get to this eventually, right? There isn’t much more to add. Bring on 2019’s conclusion and Captain Marvel.

15. Upgrade – Done on a tiny budget, this movie packs a punch of a $150 million blockbuster. Brutal, fun, and thoughtful.
14. Vice – Dear Writer/Director Adam McKay, Don’t lie– you made this movie just for me to enjoy, right? Built to my tastes? The fact this isn’t in my top 10 (it would be in any other year) says a lot about the other films on this list.
13. The Favourite – Dear Writer/Director Yourgos Lanthimos, Same Question. Also, thanks for bringing back the fish-eye lens.
12. Crazy Rich Asians – I haven’t wholeheartedly loved a romantic comedy like this in ages. Just pure fun, and its stellar cast is amazing.
11. Won’t You Be My Neighbor – The movie most likely to make me cry in 2018. This is just sheer goodness. Again, how is this not in my top 10?

The answer is because those movies in my top 10 are just so great themselves. Here you go, without any further ado:

10. Roma

Roma

“We are alone. No matter what they tell you, we women are always alone.” A beautiful film by one of the best directors working today, Alfonso Cuaron. An ode to his maid, growing up in an upper-middle class house in Mexico City, this has some of the most beautiful and thoughtful cinematography of any film. The fact that it’s in black and white should also be telling. Even more importantly, the fact that Netflix is going to be in the mix for a Best Picture this year should have every movie studio quaking in their boots. If you watch this at home in your pajamas instead of in a theater, no one will think less of you, or at least I won’t. Just watch it.

9. Hearts Beat Loud

Hearts Beat Loud

Without a John Carney movie musical around for me to adopt this year as one of my favorites, I went with this one. Nick Offerman owns a record shop and tries to connect with his daughter who is about to leave for college through playing music together, when she falls in love with her first serious girlfriend. She writes a great song, they put it on Spotify, it gets some notice… and more. Just beautiful performances, great music, and a movie about love and family. Also, Ted Danson as a bartender.

8. Las Sandinistas!

Las Sandinistas!

Wait, what? Who? This documentary about the women behind the Sandinista revolution in Nicaragua is one of my favorite documentaries of the year in a year with amazing documentaries. (This isn’t the last one in my list) I first saw this at SXSW and fell in love. You will too if you can find a way to see this.

7. Paddington 2

Paddington 2

There isn’t a better word for this film than just “charming,” or perhaps “nice” or “good.” This is comfort food you didn’t think you needed. It will heal your soul and fill you with good cheer. Also? Hugh Grant for Best Supporting Actor.

6. Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-verse

Dear Sony, THIS is what you should be doing with your extended Spider-Man universe instead of. . . well, Venom. Every single one of your spider-personas in the film was perfect, but especially Spider-Gwen and Miles Morales. Peter Parker means a lot to so many of us. But it’s great that there are others who can take up that mantle: Spider-Man isn’t an everyman unless literally anyone could be him, regardless of age, gender, race, or species. This new, fresh take is so important, but so so is this animation. I’ve never seen anything like this, and I can’t wait to see more. More Miles and Spider-Gwen please! And Spider-Ham and Spider-Man Noir. Ok, just all of them.

5. Eighth Grade

Eighth Grade

This was another movie I adopted as a favorite ever since seeing it at SXSW. I can’t state this enough: as a father of a 13 year old girl, this is the most true depiction of what her life is like that I have ever seen. The rest of my favorites don’t seem to be getting much notice for major awards, so I’ll be pulling heavily for writer/director Bo Burnham and especially breakout star Elsie Fisher.

4. First Reformed

First Reformed

I sadly missed this at SXSW, and only recently caught up with it. I wish someone had grabbed me by the lapels sooner and made me watch it. What I dreaded as homework and maybe another stolid but off-putting performance by Ethan Hawke I instead found a complex narrative about faith, pain, moral imperatives, and a Christian view of our responsibility to take care of the earth. That REALLY checks a lot of boxes for me. “Will God forgive us?” Not if you don’t see this movie, she won’t.

3. Black Panther

Black Panther

Here it is. The big kahuna. The mothership. The single largest, most important piece of pop culture phenomenon in America for 2018. I literally de-friended a few fellow critics on Facebook because they didn’t like this movie, and when I pressed them for why, their reasons were bull$#!t and a cover for racism. If you can’t appreciate the filmmaking prowess on display here by Ryan Coogler, you have no business calling yourself a film critic.No other Marvel film has ever felt so little like it came off the assembly line. No other feels crafted quite so carefully, so deftly, with precision in every shot, in the delivery of every line. And to that, we have to give credit to this amazing cast. Michael B. Jordan is the greatest Marvel villain, and when he demands to see the Wakandan sunset, and die rather than live in chains, my heart breaks every time. “Show them who you are!” You did, Black Panther, you did.

2. Three Identical Strangers

Three Identical Strangers

This documentary came out of nowhere and astounded me. Sold to me as a story of three identical triplets adopted by different families who reunite by happenstance seemed like it would just be a fun little romp. Oh, cool! Nature vs. nurture– look at all the similarities between these boys even though they were separated at birth. And then. . . you find out what’s really going on. There’s a crazy twist that I still won’t reveal because not enough people have seen this. But once you find out, it will challenge everything you think you know about nature vs. nurture, no matter which side of the debate you are on.

1. Sorry to Bother You

Sorry to Bother You

This is the best movie of the year and the only film I gave 5 stars out of 5 to. Is it, in fact, a perfect movie? No. But, it’s so audacious in what it is trying to do that I will forgive any small problems it may have. And what this tries to do is skewer the intersection of class and race, delivering a stunning repudiation of Bay Area neoliberalism and technocracy. This is about the closest we get to Terry Gilliam, Spike Jonze or Michel Gondry doing a woke black power narrative, and it is fantastic. I heard from a lot of folks that liked this movie ok, until the ending, which they hated. To me, the ending was perfect and what made this so audacious– I, usually silent in most movie screenings, literally gasped, “What the f@$%?!!?!” As crazy as it was, it fit with the film’s themes and made me love it even more. For being that willing to reach for it — no compromises — this was my favorite of the year.

Fin.

So, that’s it. What do you think? You may have noticed some pretty big snubs in there. Some of those were intentional, some of those I never got around to see. Tell us what you loved and what you think I missed, overrated, underrated down in the comments.

And also here’s my list of the worst movies, and my Top 5 of Everything, along with “Who Won 2018?”

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