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By The Numbers: October 2018

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with Outre Press, Alterna Comics and Nemesis Studios. Submitting a comic to Comixology is slowly breaking Glenn’s spirit.  Next month he will be replaced by Garth Ennis.  There will be a lot more swearing.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  When She-Ra dropped on Netflix, Ray outlasted several little girls in a sleepover to watch it first while completely forgetting how on demand worked.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn: We get closer to the end of the year and things are actually relatively quiet.  Both companies seemingly have events going on but the results of both are rather muted.  This means that books that sell well on their own merits rise to the top and this months sales of October 2018 exemplifies that perfectly.

Image result for batman 56

Without many big launches or high profile books in its path, the measuring stick of monthly sales Batman takes the top spot with issue 56 selling over 107.5k with issue 57 selling over 95.2k at 4.  Returning to its ever so gentle slide, everything is business as usual here but without anything really ‘big’ hitting this month that means the most consistent book on the chart wins the day.  It does mean the lowest number one selling book for a while though which might be a problem if this was the case long term but that isn’t likely, we’ve got plenty of big launches to come over the next few months.
Ray: It’s been a while since we had a sales chart with numbers this low. Only three books above 100K is pretty rare, but it’s not surprising given how few a-list titles launched. There’s a few books I would have expected to do higher, but how amazing is it that the 57th issue of a title can still command 100K in this day and age? Given the Mark Buckingham side story this issue, though, that might be 100K+ lawsuits for mental trauma…
Glenn:  Continuing to break every rule in comics, Walking Dead is the second best selling book of the month but not in the form of its regular issue, oh no that would be too easy.  A reprint of the first issue from 15 years ago gets an anniversary edition that sells a whopping 106k+.  When this issue came out way back when it sold just over 7,200 copies but now Walking Dead is a genuine phenomenon and people can’t get enough.  This issue has been reprinted more times than you can imagine but here it is, selling like hot cakes none the less.  Its insane how successful this property is and how it has literally changed the landscape of comics forever.
Ray: A reprint. A full-price reprint from fifteen years ago. This blows the performance of any True Believers one-shot out of the water – and those are a dollar! It’s insane what Walking Dead has become.
Glenn:  At 3 is a somewhat muted debut for the super hyped Spider-Geddon which is a sequel to the massively successful Spider-Verse from a few years ago.  Last time, the story was told in the pages of Amazing with numerous tie-ins but this time around gets its own mini.  It debuts with sales over 104.8k which is lower than I would have imagined.  The event is missing the architect of the previous chapter, Dan Slott true but I would have thought that the concept enough would have got people more excited.  I do think it’ll perform very well in itself and the various mini’s will do well but I doubt we’ll see a trilogy out of this concept.
Ray: This feels like an epilogue to the Slott era in some ways, and this result shows how much nostalgia there is for that run. But even with all the tie-ins, this event seems a little disconnected from the main Marvel Universe. The upcoming Spider-Verse movie will likely give it a slight boost, but this definitely isn’t a sequel topping the original.
Glenn:  With a new number 1, a new creative team, a new direction and a new event to ride the wave off of, Spider-Gwen: Ghost Spider launches at 5 in the charts with sales over 88.9k.  Miles ahead of where the book was before and a promising start. if the book can manage to do a bit better or around the same as the previous book it will live a long happy life.  This version of Gwen is about to hit the mainstream in a big way with Sony’s upcoming Spider-Verse movie so the stock in this character is only going to rise.
Ray: Gwen is definitely the most popular new character out of Marvel in recent years, even eclipsing Miles and Kamala who are huge in their own right. It’s great to see her sales getting a huge shot in the arm from the new creative team and event.
Glenn:  At 6 is the bizarre case of Heroes In Crisis and I’m not just talking about the murder mystery in the title.  The second issue sales are over 88.5k which is a lot lower than the hype machine at DC has been pushing it as.  The bizarre true nature of the event of course has got a lot of people scratching their heads and a lot of divided opinion.  If it was looked at as a offshoot character piece then yes, this is a great number but as an event as it seems to have been turned into then as Ray predicted this looks to be performing at the same trajectory as other secondary events that people couldn’t figure out long term did too such as Fear Itself.  Will this be a long run winner for DC or quickly smushed under the rug?  We’re too early to tell.
Ray: DC sort of took everyone by surprise with this miniseries, not really hyping it properly, and it shows. But the repercussions are seemingly going to be HUGE, so this is primed for reorders.
Glenn:  At 7 is the new issue of Venom, the insanely successful title from Marvel that without anyone paying attention has become their highest selling ongoing.  It sells over 87.1k which is just the result of a perfect storm for this book.  The right creative team at the right time telling the right story.  Everything just works and this is the direct result.
Ray:  I’m really, really reminded of the trajectory of Green Lantern here, with an a-list creative team turning a B-lister into a franchise. We’ll probably have multiple books by this time next year. 
Glenn:  The first issue to dive into big story, Drowned Earth is the 10th issue of Justice League which sells over 84.1k.  There seems to be genuine interest in this story and the run as a whole.  It even seems that though solicitations indicate that this is more of a Snyder/Tynion book than a Snyder book alone, it doesn’t seem to be making much of an impact.  Issue 9 also sells well at 13 getting sales over 72.6k.  Hype for a new story seems to be enough to give this some solid legs long term, another nice addition to DC’s top line of books.
Ray: This is the second mini-event like this from a Justice League title this month, and we’ll get to the other shortly. We saw great numbers from both, boosting the sales of the parent title. We’ll likely see more small-scale events like Drowned Earth, The Witching Hour, The Button, and Flash War as they seem to work well for DC.
Glenn:  Finishing out the top ten is the newest issues of Amazing Spider-Man which sell over 83k and 82.8 respectfully for issues 7 and 8 in the new direction.  Another book with a glacial slide, it seems that this one can be left pretty much unattented while there are more pressing matters elsewhere in the company line.

Ray:  It seems pretty clear that ASM is still stable, as the near-decade long halo Dan Slott gave it hasn’t worn off yet. The general response to this new run from readers seems to be “It’s okay”, so it’ll take more than that for retailers to start shedding copies of their long-time best-selling book. 

Return of Wolverine #2 sheds about 2/3rds of its sales to sell 80K at #11. Pretty predictable, given its absurd number of variants the first one, but this is a pretty healthy number overall. We’ve gotten some word today about the character’s new series going in a cosmic direction in Avengers recently, so we’re likely to have another new #1 after this to keep sales high.
Glenn: Return Of Wolverine was always a mini so I figured we’d be getting another number 1 with the character soon but I must admit, I didn’t imagine it going in that direction.  Maybe this is Wolverine’s future now, never ending mini’s instead of an Ongoing.
Ray:  #12 brings that dastardly Venom again, selling 75K for an annual at #12. This issue didn’t have Donny Cates except in a brief framing sequence, but brought back several iconic Venom creators including David Michelinie for short stories about Venom’s past. At only 12K below the main title, it’s more evidence that Venom Fever is in full swing.
Glenn: Eating brains is officially back in fashion
Ray:  The performance of Catwoman’s new solo series is quickly becoming one for the ages. It inexplicably jumps 17K this month to land at #14, selling 72K. That’s a huge boost and reflects the fact that retailers actually underordered during the initial preorder phase. Huge coup for Joelle Jones and for Tom King in raising the character’s profile.
Glenn: That’s great for any book but especially for a Catwoman one, this is a character whose title has always been middling sales at best.  Perhaps in some ways she is the DC equivalent of Venom where everything has clicked at the right time to make the book a runaway hit.
Ray:  The gap continues to narrow between Superman (#15, 67K) and Action Comics (#19, 60K), as Bendis’ Superman run builds momentum. The character definitely seems to have benefited from the new high-profile creative teams, and Action seems to be the better-received of the two.
The weirdest thing about those crazy sales for the Walking Dead reprint up above is that it outsold this month’s new issue by over 45K, as we find old reliable Walking Dead down here at #18, selling 60K.
Glenn: It’ll be back at the top in no time but Walking Dead outselling itself is the most Walking Dead thing to happen ever.
Ray:  The Batman anthology issue Batman Secret Files lands at #20 with sales of 58K. This had stories by Tom King, Tom Taylor, and several new creators. These are very impressive sales for an anthology, but this was a $4.99 one rather than the giant $10 ones that DC does.
Glenn: Very good performance but it had the Bat boost and King’s name attached at that.  I was a bit iffy on this one but it was mostly good, it doesn’t seem to have any real significance so for a throwaway one shot priced at 4.99, those are great numbers.
Ray:  This month brought us a lot of one-shots, including the five-part X-Men: Black villain-based series. Emma Frost’s issue did the best, selling 55K at #23, with Magneto not far behind at #31 and 49K. Mystique is down at #42, selling 43K, followed by Juggernaut three spots lower at 41K. It’s Mojo bringing up the rear down at #52, selling 37K for his bizarre incel cautionary tale.
Image result for x-men black emma frost
Glenn: I thought Clairemont back at Marvel and back writing X-Men might have caught a bit more interest but these are fine numbers for a mini based on some X-Men bad guys.  The best thing to to come out of this is all the Emma Frost meme’s, all of them are priceless.
Ray:  Event comic one-shots are always weird, as the launch issue for Drowned Earth is down at #25, selling 53K. That’s over 25K below where the Justice League issue tying in landed, which means there’s going to be a lot of very confused readers.
Glenn: It reminds me of the big sales gap between Clone Conspiracy and Amazing back in the day.  Its odd because Marvel and DC go to a lot of effort to put check lists of these types of things in their books but its ultimately inconsequential.  They probably would have been better just doing extra issues of Justice League.
Ray: Drowned Earth wasn’t the only event comic in the Justice League line this month. The five-week Justice League Dark/Wonder Woman: The Witching Hour crossover had all five issues this month, with the launch one-shot landing at #32 with sales of 48K. The first WW issue tying in sold 55K at #24, followed by 53K at #27 for the Justice League Dark issue and 42K at #43 for the second WW issue. Then the concluding issue is at #41 with 43K. All over the place in no particular order, but very solid sales as both titles get a boost and Wonder Woman continues to recover in advance of the G. Willow Wilson run starting next month.
Glenn: The Witching Hour sounds like it was a damn fine read and has done well for both titles.  Justice League Dark will continue chugging away most likely but it’ll be interesting to see where the new creative team takes Wonder Woman sales wise.
Ray:  A surprisingly big drop for Spider-Geddon #2 at #26, selling 53K. If that’s the actual level of the series sans variants, that’s not great for Marvel at all.
Glenn: That…is really surprising. I guess if they can get the trade out before the movie then it might all be worth it? Hopefully the tie ins bring in some respectful returns.
Ray:  This is the level where we see a lot of those long-standing and new top books that have leveled out, including Avengers, Detective Comics, Flash, Captain America, Immortal Hulk, Thor and both Star Wars books. These are the cream of the crop for the companies right now, selling 65-50K. I do notice some odd hiccups in the sales of Detective and Flash this month, with the first issue of the month getting a boost and then the second issue dropping over 10K. Strange. Might be due to special variant covers – DC had some novelty foil covers last month.
Glenn: I’d say its the foil covers for sure.  This time next year, scratch and sniff variants!
Ray:  Justice League Odyssey also seems to be leveling off nicely, selling 46K at #36 for its second issue. But we’ll see what it looks like when the preorders wear off, because unlike its sister titles its more isolated from the rest of the DCU.
The new direction for Supergirl definitely seems to be paying off, with the latest issue selling 44K at #37. That’s about double what it was consistently doing under the previous run, despite growing buzz.
Black Panther vs. Deadpool lands at #38 selling 44K. Pretty standard for a Deadpool miniseries, with Black Panther boosting numbers, but I bet it would have sold double if it was just Deadpool making bad Get Out jokes until T’Challa decked him because they don’t get American movies in Wakanda.
Glenn: I also think Deadpool referring to Wakanda as Zamunda would have had a superior sales effect also.  Dear readers, why Marvel has not called us remains a mystery
Ray:  The Old Man Logan series wraps with its fiftieth issue, selling 39K at #49. This is a small boost, but it’s relaunching next month for the year-long Dead Man Logan, which will probably result in a bigger increase.
Another title that’s benefiting from a new direction is Batgirl, which is down at #50 selling 37K. This book was hovering around 20K a few months back, so the new creative team of Mairghread Scott dealing with Barbara’s recovery from her shooting is definitely catching on.
#54 brings us the next Spider-Geddon tie-in, the one-shot Superior Octopus. It sells 36K, and the upcoming ongoing will need to do better than that for its first issue to have a chance at a long run. Otto’s profile obviously went up a lot thanks to Superior Spider-Man, but we’ll see if he’s solo series material yet.
Glenn:  I’m surprised Superior Octopus didn’t sell better given how high Otto’s profile is following Superior and such.  Rebranding the new ongoing title Superior Spider-Man seems to have been a good move.  I think there might be some reissues here as this is essentially the 0 issue for the ongoing.
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Ray:  Arguably the most puzzling comic released in recent years, the poorly received one-off Frank Tieri AU that closed his Harley Quinn run is now its own miniseries, Old Lady Harley, which lands at #56 with sales of 36K. Pretty standard for a random Harley spin-off, so I don’t think we’ll be getting Harley Quinn vs. Black Lightning or Harley Tsum Tsum Adventures any time soon.
Glenn: Remember when Marvel Zombies was first done and it was on the back of a gag but was initially mega successful?  This seems to want to be like that but very much isn’t.
Ray:  The other Marvel one-shot wave of the month was a new round of What Ifs, and they didn’t do nearly as well as X-Men: Black. The top-selling one was What If: Punisher, which saw Peter Parker become a darker, more murderous Spider-hero. It’s at #58 selling 35K. Next is What If: Spider-Man featuring Flash Thompson under the webs, selling 29K at 85. What If: Thor sells 27K at #91, showing what would happen if Thor was raised by King Laufey. A complex cyber-AU they called What If: X-Men is at #95 selling 27K, and What If: Ghost Rider (which wasn’t a What If at all, but some weird meta parody about black metal and demons) rounds them out at #98 selling 25K. All in all, this wave feels like kind of a misfire.
Glenn: These one shots were all a bit odd.  Retailers probably just played a guessing game with them because not all fans would seek out material like this because ultimately, none of it matters.  We definitely won’t be seeing a return for the classic series anytime soon.
Ray:  The second issue of Stranger Things from Dark Horse is down at #63, selling 34K. Still the top-selling Dark Horse book on the charts by a wide margin, even as it loses almost 50% of its first issue sales.
Glenn: Stranger Things is a bit of a tank of a property so I’m not surprised that it seems destined to become Dark Horse’s best performer.  I have no doubt when its collected that fans of the show will seek it out too.

Ray:  Maybe the oddest crossover in recent memory, Batman/The Maxx: Arkham Dreams launches at #64, selling 34K. The Maxx is an obscure Image character from the 1990s that hasn’t had new material in well over a decade, so this likely boils down to “Well, Batman’s in it”. Definitely a big number for IDW, their only book in the top 100. The second issue ships this month as well, selling 23K at #111.

Glenn: Yeah pretty much this is probably the lowest you can go when ordering Batman and still expect a return given that who he’s teaming up with here has no sales power at all.  You know for a loner, Batman isn’t fussy about who he teams up with is he?
Ray:  Not an impressive launch for Shuri’s solo series at #65, selling 34K. Despite the main series being in a very healthy place, the spinoffs have failed to launch high. The only question here is if this well-received first issue can find a place in the new comic market and render its direct market sales irrelevant.
Glenn:  I would have thought this would have done better for sure.  While Black Panther and the characters supporting cast has never had a higher profile than the one they got this year, it doesn’t seem to be able to translate over to comics, not in the singles market anyway.

Ray:  The other Spider-Geddon tie-ins are down around this level, with the Jody Houser-penned Spider-Girls (teaming Anya, Mayday, and Annie) selling 33K at #67. A little lower at #73 brings us the black-ops Spider-Force, written by Priest and selling 32K. If these short minis hold these numbers, they’ll be fine. But these are hidden gems that I wish more people were checking out.

Glenn:  Same, Spider-Girls especially is excellent.  Decent enough for tie-ins but it seems like these ones will have major implications on the main story so they might get some reorders that way.

A bit of an increase for the 200th Anniversary issue for Moon Knight at 68 which sells over 33.3k  The number on the front will help but this also had Jeff Lemire return to the character which probably didn’t do any harm either.  For the time being, Moon Knight is going on vacation.
At 72 is the newest Sandman universe title, Books Of Magic which sells over 32.2k is the first book of this line that is eventually also a relaunch. This seems like a good number to me and I think this one might have an advantage over its peers with old fans returning but new fans checking it out too.
Ray:  Tim Hunter hasn’t had a presence in the market for well over a decade. He last appeared in the New 52 Justice League Dark title as a supporting player, so given that it seems like a decent number. Overall, I don’t think any of these books will reach the numbers of The Dreaming
Glenn:  The wacky Infinity Warps combos continue this month at 74 with Arachknight which sells over 32k.  This likely sells the best this month cause of the connection to Spider-Man who unless you couldn’t tell, is the ‘Arach’ part of the title.  Next one is Weapon Hex at 31.1k which benefits due to Wolverine being connected to this particularly pairing.
Ray: These sold very similarly to each other, and neither sold nearly as well as Soldier Supreme or Iron Hammer. Spider-Man aside, neither the characters involved or the characters involved were as high-profile as last month’
Image result for infinity warps arachknight
Glenn:  At 78 and 79 are the first of many, many Walking Dead ‘blind bag’ reprintings of key Walking Dead issues.  Keeping in mind these reprints are full price and the material has reproduced multiple times over the years that issue 1 (yes again) sells over 31k (making it the highest selling comic of the month combining it with the sales of the OTHER Walking Dead 1 that came out) and issue 19 sells over 30.8k.  It literally is like printing money.
An odd mini focusing on Typhoid Mary begins at 82 selling over 30.6k which has her taking on Spider-Man.  Given that Spidey comics always do well, its no surprise that this particular part of the Typhoid mini sold these numbers.  Not mind blowing but not too bad, especially at 4.99.
Ray:   This Typhoid Mary series is very similar in structure to the Wakanda Forever series a few months back. Only, you know, without the Billion-dollar movie driving sales.
Glenn:  The ever slightest of boosts for Nightwings 50th issue and the new direction spinning out of Batman at 86 selling over 29.4k.  This new direction DC has taken Nightwing in is controversial to say the least and the months ahead will determine if it was the right thing to do.
Ray: (It won’t be the right decision.)
Glenn:  At 90 is the relaunch of Lucifer under the Sandman universe banner which sells over 28.2k.  This one probably didn’t do as well as the other title’s because it wasn’t that long that the title had been relaunched previous to this so this isn’t as much of a novelty.  Still the sales are a good bit ahead of the previous incarnation and all these Sandman Universe books will do well in trades.
Ray: Lucifer barely played a role in the Sandman Universe one-shot and isn’t as firmly associated with Sandman as the others, so that played a role too, I’m sure.
Glenn: No that’s definitely the ‘lead’ book as it were.
At 93 is Avengers Halloween Special which sells over 27.3k as Marvel tries to get in on the anthology game that DC has been doing so well the last few years.  This is a decent result, we’ll see if the company makes this type of thing a regular occurrence.
Ray: Much like Batman Secret Files, it seems like these $4.99 anthologies do better than the bigger ones.
Glenn: Being $5 cheaper likely helps
At 102 is Batman Blank Comic which was something DC sold to retailers to sell onto people for 24 hour comic day.  This means you pay to basically make your own comic.  Given that it sells over 25.4k and is priced at 2.99 this just shows how much you can sell bu just putting ‘Batman’ on a cover and literally nothing else.
Ray: Damnit, Glenn, we should have been putting Batman stickers on blank pages long ago!
Glenn:  Right below it at 103 is the first part of the Solo comic adaption which sells over 25.2k.  This film got an unfair lukewarm response I feel and these sales reflect that.  Still not bad for a comic based on a movie that was only out a few months ago.
Ray: Despite the movie disappointing, Marvel seems to have a bit of faith in the Solo franchise – there’s also a Solo mid-quel original comic coming next month about Han’s time in the Imperial service.
Glenn:  Asguardians of the Galaxy loses less than half its first issue sales at 106 selling over 24.7k which actually isn’t too bad for a comic with a team full of b listers and below.  This one could stick around.
At 107 is Marvel Zombie, the once mega successful franchise lives again!  It sells over 24.7k which tells me that while the property is well past its prime, it might be decent enough for Marvel to trot it out now and then to eat into some fans wallets.
Ray: This was a weird one-shot that came out of nowhere, but it shows that zombies continue to sell. I wonder if there’s another comic this month that proved that…
Glenn:  Big increase for Batman Beyond for its 25th issue which sells over 24.2k at 109.  This series has never been at the top of the charts but has been a solid lower tier performer for the company for years despite it never really getting any special marketing or big stories or the usual stuff.  There are title’s that are worse off.
Ray: This is also the return of the original Joker to the title, so that’s undoubtedly driving sales to this future-set title.
Glenn:  Umbrella Academy returns at 110 for a new mini, hotel oblivion selling over 24.1k.  I’m not sure how the original series sold but this is a good number for publisher Dark Horse and the first two stories of this series have probably made quite a bit in collections which this one ultimately will as well.
Image result for the umbrella academy hotel oblivion #1
Ray: Given that the franchise has been in…oblivion for a while, those are good numbers. Thank you! We’ll be here all week! Try the veal!
Glenn: I’m allergic to Veal, why you try kill me
At 117 is Shatterstar, a new mini from Marvel about a character that is ridiculously obscure.  It sells over 23.1k and that’s a lot better than I would expect from a book about a character I couldn’t point out in a line up between him and various versions of Micky Mouse.
Ray: Tim Seeley’s writing this, which is probably why it managed to top 20K. Otherwise, this is obviously a niche book.
Glenn:  DC rising star, Sam Humbries releases a new Image title at 118 in the form of Blackbird which is some fantasy based mystery from what I understand from the description.  It sells over 23k which is pretty on par with what I would expect from a book written by someone who is gaining momentum at the big two.

Ray:  That’s a really healthy Image debut, well above what we normally see unless you’re talking about a megawatt creative team like a Millar or Snyder joint. Both Humphries and Bartel are fast-rising talents. 

It’s time for another wave of Hanna-Barbera/DC crossover one-shots. These four were actually all ordered in very similar numbers, but once again it’s the weak link that tops the sales. That would be Superman/Top Cat special, where Superman and a talking cat fight a Kale monster. It sells 22.6K at #122. Not far behind that, selling 22.2K at #125 is Deathstroke/Yogi Bear, where there is both carnage and pic-a-nic baskets. Then at 130/131, both selling 21.2K, are Green Lantern/Huckleberry Hound and Nightwing/Magilla Gorilla. Sales likely reflect the DC character involved more than anything, and it seems like retailers are just ordering them as a set now. With lots of Hanna-Barbera properties left to go, I could see this oddball mini-event continuing for some time.
Glenn: They seem to do decent for what they are and can be a lot of fun with the potential of landing another Batman/Fudd type scenario so why not?
Ray:  More Walking Dead at #133, as the one hundredth issue gets an anniversary reprint that takes in 20.9K.
The latest jumbo-sized DC anthology, Cursed Comics Cavalcade, has a healthy debut at #135, selling 20.2K. Any time a $9.99 comic breaks 20K, that’s impressive. DC continues to deliver with these anthologies.
Two more blank comics, with Wonder Woman at #136 (20.2K) and Superman at #141 (19.4K). That’s about 40K in comics with nothing inside. Talk about a money-maker. Let those sucker readers make their own comics for a change!
Glenn: I’d be surprised if more companies don’t do it next year.  Imagine what Walking Dead could do with a blank version if old issues can sell so well without any discount on their original pricing?
Ray:  Infinity Wars: Sleepwalker debuts at #139, selling 19.6K. Given that this is a Sleepwalker comic, a character who hasn’t been relevant since the 90s, well…insert the Arrested Development “I don’t know what I was expecting” meme here.
Another strong Image debut at #142, as Dead Rabbit from Gerry Duggan and John McCrae sells 19K. This noir-accented retired-criminal tale had some top creators and a good concept, but trouble may be ahead – a mandatory recall of both issues was issued today due to trademark issues, so we’ll see what this comic’s future is.
Glenn: Hopefully it can stick through it and at worst it will be a simple title change, I like both these creators and was glad so see this do well
Ray:  More Walking Dead! The second issue sells another 19K at #143.
IDW had another successful weekly Star Wars event, Tales from Vader’s Castle. This horror-accented story of a group of rebels telling scary stories as they tried to infiltrate Mustafar debuted at #144 with sales of 18.7K, and the other four issues landed at #155, #162, #165, and #167 bottoming out at 16.2K. These were the top five IDW comics this month that didn’t feature Batman.
Glenn: Having Vader in the title of your book will help.  Its like having a slightly more goth Batman with magic powers.
Ray:  The Terrifics Annual #1 is down at #146, selling 18.6K. That’s well below where the regular title sells – but then, this annual didn’t have Jeff Lemire. Lemire is leaving the title with #14 as he says goodbye to work-for-hire, and I doubt it’ll be continuing from there. This is his book.
Glenn: Then these odd new DC hero books will never be mentioned again.  Let us hope lessons were learned.
Ray:  Six more Walking Dead issues down here – #27, #7, #53, #108, #48, and #167. They’re scattered between #148 and #166, selling between 18K and 16K. These are basically True Believers one-shots at full price, so the way they’re selling is bizarre and impressive.
The relaunch of Unstoppable Wasp is waaaaaaaaay down at #151, selling 17.2K. To put this into perspective, this is between the latest issues of Damage and Sideways, two series almost a year old that are likely to be cancelled soon. I assume this series is getting its sales elsewhere, because it’s sure not getting them here.
Glenn: Got to love Marvel for try, try, trying again but this doesn’t indicate any strong presence for this character as a solo lead anytime soon.
Ray:  Another new Vertigo series, the supernatural Stepford Wives pastiche Hex-Wives, lands at #154 with sales of 17.1K. It’s another strong debut like Border Town last month, but as we’ll talk about down the list, that may be fleeting.
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Speaking of True Believers, this month’s wave of $1 Marvel reprints was classic What If issues. These are largely all clustered together, since none of them are really key issues and retailers ordered them more for the die-hards. The top-selling one is “What if Silver Surfer had wielded the Infinity Gauntlet?” at #157, selling 16.8K. From there, we see “What if the alien costume had possessed Spider-Man” at #170, “What if Spider-Man rescued Gwen Stacy” at #175, and “What if Jane Foster had found the Hammer of Thor” at #182. These are all issues featuring top characters or concepts, and they all sell between 16K and 14K.
Glenn: Given that these books are out of continuity and are from way back when, retailers probably found it hard to gage demand which is why they’re all lumped together at similar numbers.  Most retailers probably just ordered them to have inexpensive back stock for the back issue divers.
Ray:  Four more Walking Dead issues – #127, #92, #171, #132 – down here selling between 16K and 14K in the #169-#180 range. So. Much. Walking. Dead.
Glenn: Its like they’re coming through the walls man!
Ray:  Daniel Warren Johnson, the cult creator behind the brilliant Extremity, debuts his new comic at #179. It’s Murder Falcon, the story of a grieving musician who learns to live again through the power of…a giant talking bird superhero who needs heavy metal to fight? It’s a real book, I swear! It’s also brilliant and it sells 14.8K but should be selling 10x that.
Glenn: I’m calling the mental asylum, its time.  It sounds like a good book in all seriousness but very much has a niche hook so the number doesn’t surprise me.
Ray: Another offbeat Image book, the supernatural action-comedy Exorsisters, debuts at #183 selling 13.9K. This book seemed to get a good response all around and might be a sleeper hit for Image. Is “feminist supernatural satire” becoming the new “deep space murder mystery” for Image?
Glenn: Female Supernatural seems like a trend lately doesn’t it?  Lots of books with similar hooks/feels and its likely all coincidence.  This is within the Image safe zone for creators without a high profile and I think will pick up a bigger audience through trades, its also begging for a TV adaption.
Ray:  Wytches makes its long-awaited return – sort of – with the terrifying Bad Egg Halloween Special. This 80-page comic for $7.99 sold 13.7K at #188, but that’s kind of a deceptive number – this comic was serialized long ago in the Image + magazine both digitally and in print. So many people have already read this, making this a much healthier number. When Wytches does come back, it’ll be just fine.
Glenn: You nailed it, people who wanted this desperately likely read it through Image+ so this is just a few extra sales.  Given that the creative team is doing one last stop to do a mini about the Batman Who Laughs before coming back to Wytches, this could easily be Image’s number 2 book for as long as it comes out next volume.
Ray:  The rest of the What If True Believers issues are down here, with “What if Kraven the Hunter had killed Spider-Man” at #186, “What if Doctor Doom had become a hero” at #191, “What if the FF had not gained their powers” at #196, “What if the Avengers had fought evil during the 1950s” at #198, and “What if the FF had different super-powers” at #200. All of these sell 13K to 12K, a pretty decent range. The only outlier is “What if Legion had killed Magneto“, down at #212 selling 11K. This one was from a much later What If run, with VERY 90s art.
Glenn: The 90’s were dark and full of terrors.

Ray:  Tee Franklin, the creator of the very popular Bingo Love, made her monthly comic debut this month with the feminist horror comic Jook Joint, about an enchanted bar that helps victims of domestic abuse get their revenge. Her popularity doesn’t seem to have translated, as the title lands at #205 with sales of 11.8K. I think the massive tonal difference between the sweet Bingo Love and this incredibly dark title didn’t help.

Glenn:  It does seem like a very different direction to go in.  Likely most retailers didn’t make the connection with who Franklin was and ordered it like they would any other horror title.  I would say her next project will likely be closer in tone to her first.
At 214 is the second issue of Bully Wars selling over 11.2k.  I might have expected higher with something that has Scottie Young’s name on it but he’s only doing the writing.  Its at a level with a lot of newer Image books so it’ll likely stay fine if it stabelizes here.
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Another month, another KISS comic from Dynamite.  KISS Blood Stardust sells over 10.5k which seems to be the range for these odd band comics.  Stable numbers are stable numbers.
Ray: This one was by Bryan Hill, but it doesn’t seem to have made much of a difference. I guess only so many people want to see Gene Simmons fight demons.
Glenn:  Infinite Dark, a new sci-fi mystery which is the latest genre that is suddenly everywhere debuts from Dark Horse at 220 selling over 10.2k.  Pretty standard debut for a new Image book with a decent premise and no huge names attached.
Ray: It’s also Lovecraft-inspired, which is one of the public domain genres that keep cropping up. Odd book without much of a built-in audience.
Glenn:  Pretty expected second issue sales for MST3k (over 10.2k at 221), Vampirella Dejah Thoris (over 10.1k at 222) and United States Vs Murder Inc (Over 9.7k at 224) in the case of the latter, it seems the new Bendis titles are faring much better than the ones he brought back.
At 225 is Mars Attacks which sells over 9.7k which is a lot better than I might have expected for a property that hasn’t been hot in like 20 years.  It likely helps they that they have Kyle Starks on board, his name will likely bring in some attention.
Ray: Mars Attacks seems to be falling into the Nancy Drew/Lone Ranger pool of taking characters that don’t have much of a market presence and giving them shiny new creative teams from up-and-coming writers. Dynamite makes some puzzling choices, but they seem to be able to attract some top-creators lately and it’s paying dividends.
Glenn: All I know is that they came in peace *releases bird*
In the end of an era, the final issue of the Simpsons Comic (issue 245) sells over 8.8k at 230.  Slightly better than what it usually would do but this comic never made its money in the direct market, instead of being sold in every type of place you could think of worldwide.  As Bongo comics goes away, we’ll likely see the franchise farmed out to BOOM or IDW or some such who will be able to buy a new pool with all that sweet Simpson royalty money.
As Ray indicated earlier, there’s quite a fall for Border Town’s second issue as it drops down to 232 with sales over 8.8k.  This is pretty much been normal level for Vertigo for anything non Sandman and/or Snyder related for years.  There’s a lot of books from this new line of Vertigo so we’ll see if they all do the same and how DC processes that in the months to come.
Rainbrow Brite is the newest property to get a comic version, Dynamite releases the first issue this month at 235 and it sells over 8,5k. I’m not sure how much appeal this character has to a wide audience but this seems probably about as good as you can get at launch.
Ray: Rainbow Brite is one of Dynamite’s only forays into the all-ages genre, and it has Unstoppable Wasp creator Jeremy Whitley writing. I’m not sure this will be one of the direct market, but Dynamite is really trying a lot of new things lately.
Glenn:  At 237 is Marvel Super Heroes Captain Marvel Spooktacular which sells over 8.3k.  All ages kids comic to tie in with a show aimed at young girls, this is not its place to make its money.
Right below it at 238 is definitely not a comic aimed at young girls, reorders for Batman: Damned get another 8.3k+ in sales.  Fans and retailers will have to live with a version that will feature less male genitalia but the titles been a hit regardless.
Ray: Nananananananaa Bat-wang!
Glenn:  At 243 is TMNT Macroseries Donatello which sells over 7.9k, these one shots focusing on each of the turtles will very depending on the popularity of each.  I doubt many people think of Donatello as their favorite turtle but this is a number in line with how turtle comics usually do.
A new mini from Image, Errand Boys is the latest in another odd trend of ‘delivery boys with a twist’ titles that all seem to be coming out at once.  It sells over 7,8k at 244 on its first issue.  Pretty standard stuff.
Ray: Errand Boys has a pair of new creators on board, so these numbers aren’t a surprise. The play here is usually to hope for good trade sales and some nice buzz, leading to a sequel. First two issues indicate it might deserve it.
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Glenn:  New BOOM ongoing, Sparrowhawk is a fantasy selling 7.1k which is pretty normal for a BOOM comic with no big names attached.  At least this books premise sounds unique.
At 265 is the latest attempt to make Lone Ranger a thing, it sells over 6.5k which shows that he is still not a thing.  A team up with Batman may be the only thing that can help him at this point, I demand a cook off between Alfred and Tonto stat.
Ray: This Lone Ranger reboot has Mark Russell on board and is getting some very good reviews, but it’s been relaunched so often already that it probably didn’t matter. Too many false starts for the property.
Glenn:  At 268 is reorders for the uber controversial Heroes In Crisis 1 as it racks up additional sales over 6.3k.  Nothing huge reorder wise, pretty standard for a high profile story but its still something.
Season 11 of popular kids show Adventure Time launches at 270 selling over 6.2k.  I have no idea what this show is about and I’m sure the comics sell great outside the direct market to legions of die hard fans of whatever the heck this is about.  In my day, cartoons had Batman in them and we liked it!  These new things confuse and scare me.
Ray: Adventure Time is coming off a popular series finale with a major twist, so I imagine that boosted sales. This is definitely one for the bookstore market, though.
Glenn:  Two halloween one shots starring two female comic characters from Dynamite sell at 273 and 274 respectively.  First we have Red Sonja which sells 6k and Vampirella which sells over 5.9k.  Seems retailers ordered these close together which to me suggests a similar fan base for specials starring these characters.
First issue of the adaption of Ray’s favorite cartoon ‘Rise Of The TMNT‘ sells over 5.9k.  I don’t think this version will be still talked about in 10 years time, or five, or two.
Ray: But when we think of TMNT, we definitely think of…evil invading aliens and magical sci-fi weapons?
Glenn: Technically Krang is an alien…I think.  I’m actually not sure.
A new book from Steve Orlando hits from Aftershock at 285 which sells over 5.4k.  Even though Orlando has been a heavy feature of DC the last few years, it seems that still can’t get sales out of an Aftershock launch for him but not many people can.                                                                                                                                                                                       Ray: Orlando overall has struggled to find an audience for his creator-owned books, be they at Image, Boom, or Aftershock. They get good reviews, but he hasn’t gotten to the point where his name sells books on their own.
Glenn:  Spookhouse 2, a reprint of an all ages kids anthology dealing with stories likely more Muppets Christmas Carol than Heriditory sells over 5.3k at 287.  Another book that likely isn’t depending on the direct market for most of its sales.
Lodger, an interesting sounding thriller that is put out through IDW’s Black Crown line sells over 5.3k at 288.  These Black Crown books actually usually seem interesting but seem to not be capturing the markets attention.  Black Crown seems to essentially be IDW’s Vertigo and even DC Vertigo isn’t what it used to be.
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Ray: Lodger is a David Lapham book, and he’s always been a niche creator. These numbers are pretty close to what can be expected.
Glenn:  Getting in on the halloween one shot craze this month is Bettie Page who has a spooky themed one shot at 290 selling over 5.2k.  Horror and Bettie PAge aren’t things my mind would usually link together and its not as if there’s a lot of demand for the character and the market (especially this month) is overloaded with horror so I guess this is fine?
More reorders for Venom 1 at 294 selling another 5.1k+ of copies.  Reorders are slowing down but they’re still there, even with the trade out soon.
At 295 is an Army Of Darkness Halloween special which sells over 5.1k.  See?  This makes sense but somehow gets outsold by Bettie Page, I don’t know what to tell you.
New Judge Dredd book with the subtitle Toxic sells a shade over 5k at 297 which like all other Dredd stuff is pretty standard for the direct market for the character.  For die hard Dreddheads only.
Thankfully nothing to do with annoying singing people, Lollipop Kids from Aftershock seems to almost be a more family friendly version of American Gods.  It sells over 4.8k at 206 which is pretty standard for the publisher when no big names are attached.
At 312 we have another new Aftershock title Last Space Race selling over 4.7k, see above
Ray: Aftershock puts out a surprising number of books, and very few of them get anywhere near healthy numbers. I’m not sure what the company’s long-term is, but they do seem to be able to get a surprising number of top creators.
Glenn:  At 313 is Barack Panther which sells over 4.7k.  No its not a type although I really wish it was.  I miss the good old days of the top 300, I had far less tearing in my soul then.

Ray: But is he facing Trumpmonger? The world may never know, because most of us aren’t reading this book. 

Ryan Ferrier’s Death Orb debuts at #316 from Dark Horse, selling 4.6K. This post-apocalyptic sci-fi comic got a lot of advance promotion, but like many creator-owned books without a clear hook it struggled.
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Man-Eaters continues to do two covers a month, and so they sort of have to be combined. They’re at #277 and #317, selling about 10K combined. Odd plan, but the numbers are overall decent but unspectacular.
Glenn: Cain’s usual audience might be trade waiting but yeah, seeing it show up twice on the charts like this is odd.  It seems her controversial end at Marvel didn’t get many people to follow her to indieland.
Ray:  #330 brings us an oversized Planet of the Apes one-shot, selling 4K. This is based on the classic continuity, which has a smaller audience than the recent hit movie series. This is overall a niche property that Boom continues to do some occasional content for, just like they do with Kong.
At #340 is an interesting entry, the From Hell Master Edition from IDW. This reprint of Frank Miller’s classic thriller sells 3.7K, an impressive number for a $7.99 reprint of an old comic most people probably read in collections.
Glenn: This is a graphic novel that I see a lot outside comic shops so these single issue sales don’t matter ultimately.  They’re likely just for those that consider the book their favorite.
Ray:  The newest Tangled: The Series miniseries lands at #342, selling 3.7K. This one is definitely part of IDW’s fast-growing all-ages line geared towards bookstores with small, affordable trades.
Zenoscope’s Black Knight debuts at #349 with sales of 3.6K, and is…apparently a comic about a sexy black knight lady in armor with a lot of conspicuous gaps in it? Glenn, strike up the Rachel Bloom!
Glenn: I am shocked to learn this.  Shocked.
Ray:  A new Dragon Age: Deception miniseries is at #350, selling 3.6K. This is mostly notable for me given that it’s written by two of my favorite comic book creators, Nunzio DeFilippis and Christina Weir. Marvel’s loss is Dragon Age’s gain?
Glenn: Its still just a video game tie-in and those will only go so far.
Ray:  At #351 is Nancy Drew #5, wrapping up Kelly Thompson’s original miniseries. It sells 3.6K, but it needs to sell a lot more than that in collections. It ended on a cliffhanger! Me need sequel now!
Glenn: If we don;t get a sequel, I might cry.  Please don’t make me cry.
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Ray:  #362 has the Archie Halloween Spectacular, selling just under 3.4K. This is part of a series of a single-issue sized digests combining about five short stories into one volume. Definitely more of a newsstand market book.
At #366 is The Devil Within, a new Black Mask horror comic that sells 3.2K. It’s basically The Exorcist but more political. “Your mother sucks at bringing progressive policies into effect!”
Glenn: Something for everyone I guess?  Politically themed comics also can only go so far.  People read comics and other forms of fiction to forget about the political mess we’re all in.
Ray:  The adaptation of Shades of Magic, based on the classic fantasy series by V.E. Schwab, lands at #374 with sales of 3K. Titan gets a healthy amount of business based on adaptations and reprints of foreign comics.
For once, it’s another company doing the public domain comic thing! American Mythology revamps Zorro with a new series launching at #378 with sales of 3K. This is a supernatural take with Zorro fighting demons, but these are actually pretty healthy numbers for this company.
Glenn: In the immortal words of Homer Simpson ‘You go Zorro!’
Ray:  After a lot of reprints and all-ages ongoings like Lumberjanes that aren’t meant for this market anymore, we get a new #1 – Sex Death Revolution from Black Mask, selling 2.7K at #390. These numbers are both shocking and not – it’s a creator-owned comic from a company that struggles in sales and was a double-sized $6 issue, but it’s also by Mags Visaggio, the writer of arguably the company’s ongoing signature book, Kim & Kim. Although she’s rising fast, her star apparently doesn’t lift the company she got her start at yet.
Glenn:  Its also an odd book that I find hard to describe.  There’s no one sentence that describes what it is to potential readers so that will make it a hard sell.
Ray:  Ahoy Comics had a wildly successful debut with Wrong Earth last month, but it doesn’t seem to have translated to their other launches. Their horror anthology, Edgar Allen Poe’s Snifter of Terror, lands this month at #393 selling exactly 2.7. Still not a bad launch for a completely new company.
It feels like I reviewed the zero issue of Artifact One from Aspen on our podcast ages ago, but the #1 issue is finally here and selling 2.6K at #396. The long wait couldn’t have helped, but in general Aspen’s numbers tend to be low.
After more reorders and some creator-owned gems that should be selling much better, we see our next launch with Source from Scout Comics. This story of an ordinary teacher who gets caught up in a cosmic war sells 2.3K at #410. It’s from the cowriter of The Mall, one of Scout’s more buzzworthy titles, but the company as a whole is still struggling to sell comics that aren’t Stabbity Bunny.
Glenn: Maybe all their comics should star homicidal rabbits?
Ray:  And the other Ahoy Comics launch of the month is at #414. Captain Ginger, the story of a bunch of talking cats traveling a post-apocalyptic cosmos and doing cat-like things, sells 2.3K. Sometimes, Glenn, it still is wonderful down here.

Glenn:  No its not, even if they’re clearly pandering.

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Some reorders for Stranger Things at 415 with additional sales 2.2k+  This is probably Dark Horse’s best launch in a while and they’re be eager for more asap.
At 426 is Albert Einstein, Time Mason which sells over 2k.  It doesn’t seem like many people want to read about Einstein’s adventures in time and space.
Magica De Spell Halloween Hex from IDW sells over 1.9k at 429.  I have no clue what this is and apparently not many people did.  In a month full of halloween one shots with big prices, this one got lost in the shuffle.
A new comic from Vault, These Savage Shores sells over 1.8k at 438.  The premise doesn’t seem to grab me and I’m not sure of the creators so yeah, this is what you get.
I’m surprised to see an Archie comic featuring Betty & Veronica at 440 selling over 1.8k.  Usually books starring these characters do a lot better.  Archie is an odd place as a company now and maybe this is an effect of that?
Ray: This Betty and Veronica book is a mini-digest of sorts, reprinting a small collection of themed stories. It’s not really new content and sold accordingly.
Glenn:  More people wanting that True Believers reprint of the Punisher’s first appearance at 441 selling more copies of over 1.8k.  Not too bad for a very old comic that’s earned its money countless times over.
Usual performance for Dave Sim and his increasingly punny titles at 442 as League Of Extraordinary Cerebi sells over 1.8k.
At 445 we have Midnight Mystery from Alterna which sells over 1.8k which is about normal for new Alterna books that don’t get major news coverage.
Ray: We’ll see how many new Alterna books are coming, given their recent bad PR.
Glenn:  At 446 is Backstagers Halloween Intermission selling over 1.8k.  This book has never found its place in the direct market despite its writer being a major fixture at DC.  Since it still carries on, I assume that it sells in some sort of format.
Ray: Backstagers has definitely found a big audience in bookstores, along with other Boom titles like Lumberjanes. You’ll see a series of YA novels featuring the characters soon, but the comic seems to live on in these occasional specials.
Glenn:  Garfield TV or not to TV at 446 selling over 1.8k is the typical level of sales for the grumpy cat with at least 1.6k of those copies being bought by Ray.
Ray: Garfield > Grumpy Cat. I support the OG Cat.
Glenn:  I’m a big sucker for Ripleys Believe it or not museum in Florida and New York but I can’t imagine the odd tales transferring well to comics and I wouldn’t imagine Zenescope being the best choice to deliver them.  Its an odd mesh up priced at 5.99 (!!!!!!) that results in sales over 1.7k at 452
Another Dredd comic from another publisher shows up at 455 selling over 1.7k.  I’m not sure who this publisher is but they are likely a lot smaller than IDW who usually bring Dredd comics to America in single issue format so that explains the massive gap.  Again, Dredd isn’t a monthly market guy and this small press company will benefit off various reprints and collections for quite some time.
If Zenescope is too classy for you, Boundless comics has you covered!  They release Hellina Ravening Nude which sells over 1.7k at 456.  She has her boobies out and everything, what’s not to love?
Pellucidar at 458 seems to be an adaption of at the earths core which is good for sales over 1.6k apparently.  Perhaps the odd choice of title made it easy to miss for those that might be interested in the novels comic adaption?
Source Point Press releases Ogre, the first part of a 3 issue mini which sells over 1.5k.  Under the radar.
William The Last which reprints a webcomic that also had a Kickstarter comes out in monthly form from Antartic Press selling over 1.3k at 478 indicating most of the people interested already likely checked it out.
The non booby version of Hellina Ravening sells over 1.3k at 480.  Sex sells kids.
Ray: And just think, this is two of the roughly 30 covers this issue released!
Glenn:  Hachet Vengeance (from Adam Green apparently) is some sort of horror book that sells over 1.3k at 481.  Its a thing that exists.
At 492 is the Three Stooges comics that somehow continue selling over 1.2k.  How do these keep happening?!?!?!?!?
At 500 we have more reorders for Doomsday Clock 6 which sells more copies, 1.2k+ more to be precise.  At the end of these articles, I too feel like Doctor Manhattan with a greater understanding of the universe beyond what any man should know.

Ray:  Good ol’ Doctor Manhattan, ending this article on a classy note. 

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Looking ahead to December, it’s kind of a quiet month for DC. We’ll see a few specials from the company, including their latest Apocalypse-themed seasonal anthology. The Drowned Earth event concludes, and we see the kind of sales boost G. Willow Wilson brings to Wonder Woman. Plus, another Vertigo launch from Bryan Hill. But the heavyweight release of the month is undoubtedly The Green Lantern from Grant Morrison and Liam Sharp, which has a decent shot at #1.
Marvel will be putting up a fight, though, with the weekly Uncanny X-Men kicking off this month and a Carnage one-shot from Donny Cates. In smaller releases, Ironheart launches her solo series, Han Solo gets a miniseries tying into the movie, and the Black Order go their own way from Thanos.
The biggest Marvel release of the month, though, might not be from Marvel. That would be Marvel Action: Spider-Man from IDW, the launch of their new all-ages Marvel line. If it’s a hit, this could be a game-changer. Also look for Dark Horse to make a splash on the charts with a Joss Whedon Doctor Horrible spin-off.
What will rise? What will fall? Will Ray cry when he sees the numbers on his favorite books? Find out next month on By the Numbers!
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Liked what you read?  Have a comment or question?  Hit us up here or on Twitter @glenn_matcett and @raygoldfield

By The Numbers: September 2018

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with Outre Press, Alterna Comics and Nemesis Studios. After binge watching Haunting Of Hill House, Glenn spends the majority of his time rocking back and forward silently weeping to himself.  He’s much happier this way.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  When told the news about how American Vandal was cancelled at Netflix, Ray decided to conduct his own acts of vandalism in order to justify the show coming back.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn:  There wasn’t much to talk about last month as there was only one big headline release.  That all changes this month of course because now there are TWO headline releases.

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One of which is the top selling comic of the month, Return Of Wolverine 1 which is the start of a new mini detailing how Wolverine comes back from the dead,  It sells over 260.4k which on the surface is incredibly impressive.  It helped of course that the issue came with 25 variants (!!!!!) and Marvel wheeled out Steve McNiven for this issue (he’ll be back for the finale) and he’s arguably still their biggest sales draw in terms of artists (Marvel certainty thinks so).  Still smoke and mirrors with variants is hardly anything new but its hard to know how this mini will perform long term.  I don’t fancy its chances to sell above 70-75k at best from here on out.  We can probably expect a lot more variant incentives like this from Marvel cause of this.

Ray:  Yeah, first-issues sales from Marvel are notoriously unreliable these days. With the incentives and number of variants, a ridiculous second-issue drop is almost guaranteed. There’s been very little buzz about this event, as well.
Glenn:  The other major release, DC’s Heroes In Crisis is an odd one.  When this was initially announced, writer Tom King indicated it was going to be a small scale book addressing mental health issues in the superhero community.  Now it seems to have turned into a murder mystery which has annoyed a lot of people.  It sells over 140.6k which is nothing to sneeze at for sure but its not really big event numbers.  I would wager that this will perform similarly to how Fear Itself did a few years ago as from what we’ve managed to gleam about the background of each story and what it was vs what it turned into are remarkably similar.
Ray:  There’s been a TON of buzz about Heroes in Crisis, but very little is good. The audience is not happy, but there’s a lot of story to be told. The rollout here is very odd, with the way it changed into a mega-event and the shocking moments in the first issue. It’s a nine-month series now, so it’ll have a lot of time to build an audience. DC can’t be too happy with how this debuted, but there’s a lot of story still to be told in this book’s sales.
Glenn:  Long term with collection sales and stuff, Heroes In Crisis will probably deliver but short term there may be some fallout from a modern day audience who want things to happen yesterday.
At 3 is the near unstoppable Doomsday Clock which sells over 130.9k.  This one featured the full return of Doctor Manhattan so we’ll likely see some decent reorders.  This is a book that’s basically out on its own, separate from everything else that is one of the most stable books in the charts, its astonishing.
Ray:  Doomsday Clock is performing like a combination of a major event comic and a Black Label book, with the sky-high sales of the former and the stability of the latter. That’s about as big a win as any company can hope for, and I imagine DC has to be thrilled to have Johns back writing full-time.
Glenn:  It’ll be interesting to see how Shazam does, I have no doubt in my mind that Three Joker’s will be a mega hit but with Johns at the helm, Mr. Batson could be in for a sales high.
At 4 is old releable Batman which seems to have escaped any great loss from the people that seemed to claim to want to abandon the title following the events of issue 50.  Issue 55 sells over 105.6k while the previous issue sells over 94.6k at 6.  Issue 55 likely sold more due to the events in it regarding Nightwing which seemed to have worked out well for Batman in terms of sales but I doubt will have the same effect on ol Ric Grayson in the months to come.
Ray:  Yeah, this sales boost was definitely the result of DC leaking the events of Batman #55 in advance, allowing retailers to up their orders. Sadly, this means we’re probably getting spoiled a lot more in the future.
Glenn:  At 5 is Batman Donged….errr Damned, the first official Black Label release which sells over 95.6k which for an adult orientated prestige line that’ priced at 6.99 is incredibly impressive.  Of course, this issue has drawn a lot of attention for one very specific thing but despite that, the reviews have been strong and this could be a line for DC that performs incredibly well for them long term in singles and collections.
Ray:  This is an extremely similar number to Batman: White Knight despite the fact that it has a much higher price tag and comes in a prestige format. That’s a testament to the power of Batman, of course, but it also bodes well for the line as a whole. There’s a Frank Miller Superman project and a few Wonder Woman projects down the line, so we’ll see if they can hold these numbers. Reorders might be coming, but they will be Batwangless.
Glenn:  I think all of the Black Label books we’ve had announced so far will perform really well with titles like Three Jokers, Last Knight, the White Knight sequel and Superman: Year One being at the top of the pack.  There are some potential dark horse contenders in there though.
At 7 is Thanos Legacy which sells over 92.1.  This is a special one shot that sees Marvel MVP, Donny Cates return to the character and the massive sales on this is a testament to how quickly Cates has shot up in terms of name power in comics.  This is a great number no matter what way you look at it and I’m sure Marvel is already looking into ways to clone Cates so he can write more books.
Ray:  This was both an epilogue to the Cates Thanos run and a tie-in to Duggan’s run on Guardians and Infinity Wars. This is an amazing number, well above what Infinity Wars is normally doing, and shows just how much pull Cates has right now. His Guardians run is going to be huge come January.
Glenn:  At 8 is the second issue of Dan Slott’s Fantastic Four which sells over 85.5k which is a brilliant hold from the first issue.  The title is still within the 3 month safety zone but most books already drop quite heavily despite that.  This looks to be a win for Marvel and it’ll be interesting to see if Fantastic Four can be Marvel’s highest selling ongoing.
Ray:  Yeah, I think it’s safe to say that Slott’s Fantastic Four is going to be one of Marvel’s top ongoings going forward. Another perfect match of creator and characters.
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Glenn:  Its main competition for that title, Amazing Spider-Man is at 9 and 10 selling over 84.3k and 82.9k respectfully.  Interestingly, issue 6 sells higher than issue 5 despite it being the first issue without Image grab Ryan Ottely on the title.  The writer of Amazing Spider-Man hasn’t exactly had a steady past few years but this seems to be working so far at least.
Ray:  The sales on Amazing Spider-Man are staying very solid through the three-month buffer zone, but that comes to an end next issue – the same month as Spider-Geddon debuts proper and this doesn’t tie in. Not a good combo. I wouldn’t be surprised if the sales bump this month is due to the tie-in with the writer’s past Superior Foes of Spider-man, one of his best-regarded works. 
Glenn:  I didn’t think of that!  I wonder if it had been a bit higher then if artist Steve Lieber’s involvement had been solicited.  Maybe he moves the needle?
Ray:  We’re starting to get a new picture of the top books on the market as we see what fills out the top twenty. Justice League, Venom, Avengers, and Brian Michael Bendis’ new run on Superman are all selling in the 75-70K range several months in, demonstrating a very solid floor. That’s expected for most of them – but it’s Venom that once again stuns with how it climbs every month. This month’s jump may be due to retailers ordering higher in advance of the movie.
Glenn:  We’ll see if the boost holds next month on Venom but the resurrection of this property has been quite a sight to behold.
Ray:  Speaking of Spider-Geddon, its #0 issue lands at #12 this month, selling 74K. A very strong debut for a comic that featured the debut of the new video game version of Spider-man but didn’t play a huge role in the event itself. If the #0 issue does this well, there’s a good chance that Spider-Geddon #1 tops the charts next month.
Glenn:  This is sort of a Spider-Geddon tie-in but is mostly something to link in to the incredibly popular video game (over 86% completion!).  By video game comic numbers, this is an excellent result.  The hype for this is event is really something, going back to revisit this concept is going to pay off in a big way for Marvel I think.
Ray:  Spider-Man, Spider-Man, sells almost as many comics as Batman… The wall-crawler shows up again at #14 with the Amazing Spider-Man Annual #1. This is a symbiote story by Saladin Ahmed, taking place during the Black Costume era, and sells within 10K of the main series. I credit this to a combination of Ahmed being a fast-rising writer and the ties to Venom. Ahmed is taking over Miles Morales’ title in December, so this performance bodes well.
Glenn:  Its a popular era in Spider-Man mythos too but yeah this is a great number.  I would say that we can’t expect to experience a slow down in Spidey related comics anytime soon but we’re about to experience an avalanche in Spider-Geddon crossovers so…
Ray:  Infinity Wars #3 is down to #18 at 63K. This is a really fun old-school event, but the buzz for it seems to have faded a lot given the extended buildup. The tie-ins start this month, so we’ll see how they do below.
Glenn:  Its not event level sales but its still in the upper tier so its not too bad but Marvel likely expected more and will probably get the performance from Spider-Geddon they wanted out of Infinity Wars.
Ray:  It was such a competitive month that Walking Dead barely scraped into the top 20 at #19, selling a standard 62K for this absurdly steady title.
#20 sees the highest appearance for Dark Horse in a long time with the debut of Stranger Things by Jody Houser. Focusing on Will’s time in the Upside Down, its sales of 60K show just how hot this series is right now. Season 3 when?
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Glenn:  This is a hot property and Dark Horse being able to bag it is what will keep them in the game.  Much like Walking Dead, Stranger Things has become a bigger entity than anyone could expect and people will take whatever they can of the property while we wait on the third season.
Ray:  The third issue of Bendis’ Action Comics is about 10K behind Superman, selling 57K at #22. That’s a similar separation to what we saw at the start of Rebirth, and I wouldn’t be surprised to see it narrow again. Action is definitely the superior series.
Justice League Odyssey, the much delayed space series by Williamson and Sejic (for the first two issues), launches at #23 with sales of 57K. That’s a very strong debut for a series featuring no a-list characters, but the art shift might hurt it in the future. I’m not expecting it to have the rock-solid hold of Justice League Dark (still at around 75% of its first issue sales, at #35 selling 44K this month)
Glenn: Being a part of the very powerful Justice League brand will help Odyssey live a respectful existence.  It’ll be the lowest selling of the three but still earn its keep for as long as this current direction lasts most likely.
Ray:  More rock-solid sales in the 55K to 45K range here filling out the top forty, as we see newer titles (or relaunched titles) like Catwoman, Thor, Captain America, and Immortal Hulk settle down here for the third month in a row alongside long-runners like Flash, Detective Comics (which is holding well despite having a fill-in arc this month) and the two Star Wars titles.
I was a bit surprised Punisher held so well with its second issue, selling 42K at #38. Punisher isn’t really a top-selling  character and not much has shifted in the creative team, but this is a decent second-issue hold. It manages to outsell the third issue of X-“event” Extermination.
Glenn:  It seemed like no time at all since the last Punisher relaunch but it seems to have done no harm.  The sales on the True Believer one shot does show interest in the character.  Nothing against the current creative team but if Marvel can get a winning formula on the book like they’ve done with Venom the market might respond appropriately.
Ray:  Speaking of Punisher, he has one of the top-selling True Believers issues that didn’t star Venom. Punisher’s first appearance for $1 charts at #40, selling 40.6K. That’s a lot of free money for Marvel for a reprint.
Asgardians of the Galaxy debuts at #41, selling just under 40K. Not a great debut, but given that Guardians of the Galaxy got cancelled for low sales and spun off into an event, maybe the time wasn’t right for a punny spin-off? This is more of a Thor spin-off, but the title may have confused retailers. Shame, it’s very good.
Glenn:  There’s no mega hitters on the team either (apart from maybe the pilot of the Destroyer) so its no big surprise.  Will probably end up being a fondly remembered 12 issue or so series by the few that read it.
Ray:  Iceman got the first-issue sales bump for its return, selling just under 39K at #43, but I don’t expect it to last. It’s a miniseries and will likely be down to its previous sales before long. But it’s geared towards trade readers now anyway.
Mister Miracle’s had a lot of delays along the way to its conclusion, but its penultimate issue lands at #45 with 38K in sales. King and Gerads‘ masterpiece has outstripped anything a New Gods title could be expected to sell.
Venom continues to be solid gold, with the remaining four issues of the weekly Venom: First Host selling between 36-37K with virtually no attrition, landing four issues between #46 and #51.
The first Sandman Universe spin-off, The Dreaming, lands at #47 with sales of 37K. As Glenn said on Rabbit Stew (dong!) these are great numbers for a Vertigo title, not so great numbers for a Sandman title. Of course, it has neither “Sandman” nor Neil Gaiman on the cover, so both might play a role in the drop from last month’s Sandman Universe. The month’s other spin-off, House of Whispers, is much lower at #77 with 28K sales. That one’s a new concept with new characters, so the gulf isn’t a big surprise.
Glenn:  Yeah, I expected more here but I think DC will call this a win.  This could be seen as bonus for the trade sales which will pay this title’s bills for decades to come if the other Sandman collections and DC’s ability to release them in new ways repeatedly and still have them sell is any indication.
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Ray:  #49 brings us the Captain America annual, which was the Marvel debut of Tini Howard. This WW2-set issue had Captain America and Bucky working to protect refugees from the Nazis, and it sells 37K. A big gulf between this and the main series, but then it’s a flashback story with no ties to the main universe right now.
Glenn:  Captain America as a franchise is still recovering from a rough past couple of years, it’ll be a while before spin off tales featuring new talent not relevant to anything in particular can hold water.
Ray:  The first two Infinity Warps miniseries launch very close together, as the Captain America/Doctor Strange hybrid Soldier Supreme lands at #53 selling two copies under 35K, and the Tony Stark/Thor hybrid Iron Hammer sells about 300 copies less at #55. Pretty decent launches for tie-ins, and we’ve got quite a few more of these ridiculous concepts coming in the next few months. Marvel’s having fun here, and while these sales aren’t spectacular, they’re a bit better than recent event comics managed.
Glenn:  I’d say for a concept as silly as this, those sales are great.  Assuming these are inspiration for mash up toys and whatnot too then it’ll be the Mouse laughing his evil squeaky laugh
Ray:  #60 and #61 have the last two issues of Edge of Spider-Geddon, selling 32K each. These were the Spider-Ben and Petey and Spider-Norman stories. Given that, I’m surprised Latour’s name on the former didn’t open a gulf between them. Marvel didn’t quite push “From the creator of Spider-Gwen” enough for that, I guess.
Glenn:  Decent enough for a throwaway mini, not surprising given how much hype there is for the big event.  Retailers were probably unsure what to do with these, any of them could have been the next Spider-Gwen but they also didn’t want to end up with unsold copies on shelves.  I don’t think any of them particularly stood out so these sales seem to make sense.
Ray:  This is the section of the charts where we see a lot of regular books selling in the 30K range, including most of the X-books, Black Panther, Doctor Strange, and Deathstroke. Both Deathstroke and Aquaman are benefiting from a crossover this month as Deathstroke finishes up Deathstroke vs. Batman, and Aquaman crosses over with Suicide Squad for “Sink Atlantis”. Aquaman is doing crossovers for a few months and then starting a new run by Kelly Sue DeConnick, so I imagine it’ll be rising on the charts for a while.
Glenn:  Rising, like water?  Huh?  Huh?  Huh?  Like Green Lantern, the sales on Aquaman are moot for a little while as the character waits for the next big creative team to sail in.  Sail, like water?  Huh?  Huh?  Huh?
Ray:  #68 brings us the Old Man Logan annual, selling 30K. This actually sells five spots above the Old Man Logan series, probably because of the presence of Punisher.
Glenn:  People love old man Frank, he’s cuddly
Ray:  Batgirl seems to have gotten a permanent bump from its new creative team, charting at #74 with sales of 28.8K. This is a big new arc bringing back her evil brother and calling her future as an able-bodied crimefighter into doubt, so retailers are responding.
Another new Bendis creator-owned title launches under DC’s Jinxworld line. This time it’s David Mack’s Cover, a twisty tale of a comic book creator who meets a femme fatale with ties to international spies. It sells 27.3K at #79, which is about 5K below the sales of Pearl last month. It’s been a long time since Mack did internal art, so I think this is a healthy start.
Glenn:  Very much so, this pair haven’t worked together for decades and the concept could go either way so this is definitly a good performance.  If this was an Image book, I’d call it a good start so it just depends what DC expects from its Jinxworld line apart from keeping its writer happy.
Ray:  Image’s top debut of the month is Bully Wars, the new Skottie Young title with art by Aaron Conley. It lands at #84 with sales of 27K. Young is quickly building his own brand as a creator-owned powerhouse, and he’s got another new comic as writer in only a few months.
Glenn:  Young being able to now sell himself as a writer is an interesting transition.  Fans of his work will be here regardless of who is drawing the interiors it seems so that’s a good sign.
At 86 is Adventures Of The Super Sons selling over 26.5k which is probably what the main series would be selling had it continued.  Nothing lost, nothing gained.
The ever slightest (like nearly non existent) bump for Chip Zdearskey’s final issue of Spectacular Spider-Man sells over 24.8k at 89.  Given that I think this is one of the greatest Spider-Man one and dones ever, I think this one will be included in collections and stuff for years to come.  I hope more people check it out and the run as a whole in the future, it didn’t last long enough.  The previous issue also charts at 96 selling over 24.2k 
Ray:  Zdarsky’s run really sailed under the radar, which is surprising given how good it was. I think going up against the conclusion of Slott’s run probably blunted the attention this run got a little, but it’ll wind up being seen as a modern classic.
Glenn:  Second tier title runs can be like that. Comic readers have been trained to pay attention to one title at any specific time if there’s one they have to choose from.  Trades and collections will remember Zdarskey fondly one hopes.
Outselling the main issue by a fair bit, the Domino Annual sells over 24.4k at 92.  This was an anthology annual with some of Domino’s former writers returning which might explain the difference, or it could be because the Deadpool DVD/Blu-Ray was out around this time, who knows?  Either way, Domino has become a solid performer for Marvel under the general guidance of Gail Simone.
Ray:  The return of Fabian Nicieza to the character was a big deal for old-school X-Force fans, so this annual got a combo of those fans and Gail’s.
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Glenn:  About a 10k drop for West Coast Avenger’s second issue which isn’t too bad.  It sells over 24.4k at 93 which is pretty good if you look at it like a Hawkeye spin off and a wacky character team book than anything necessary ‘Avenger’s’ related.  I’d say fan support and digital sales will keep this one around.
Ray:  That’s a roughly 33% drop for WCA, which is really good for a Marvel book these days. I think it’ll level out quickly, as Kelly Thompson’s fanbase is building by the day as she steps onto bigger and bigger books.
Glenn:  Not too far below the sales of its main series, the second Doctor Aphra Annual sells over 24.3k which in the usual Marvel Star Wars spin off range these days.  I still think Aphra is a more impressive performer because she’s never appeared in any other media but Marvel comics so doesn’t have a wide outside audience to help keep her around.
At 103 is the Silver Surfer Annual selling over 22.6k which is…oh there is no main series.  Okie dokes…umm, this is decent for Silver Surfer?  Probably a lot of these sales should be credited to the fan base Slott and Allred built up around the character.
New Warren Ellis comic, Cemetery Beach from Image launches at 105 with sales over 22k which is very good.  Ellis is a creator who can pull in a respectful set audience every time and this book is no exception.  It’ll run for as long as he wants it to.
High sales on the True Believers reprint on Daredevil 1 by Lee and Everett selling over 21.8k at 107.  I’m guessing retailers wanted this cause of the new season starting soon but this is great for a reprint that is decades old and is very different to the version of the character the majority of us are familiar with.
Another Bendis series, United States Of Murder Inc launches at 120 selling over 18.5k  This is with long time Bendis partner, Mike Avon Oeming and a continuation of a Marvel Icon series that kinda just…vanished?  I’m not surprised this one is selling less than the others, it’ll be harder to pull people in on this than something completely fresh but people that have been waiting on it will be glad to see it finally finishing and it’ll probably have a respectful performance.
Ray:  That’s the lowest debut of the Jinxworld books by a fair margin, and it’s also the one that’s been gone the longest. Bendis has been having great luck with the new titles so far, but the returning ones less so.
Glenn:  At 122 is another True Believers reprint of Luke Cage’s first comic which sells over 18.2k which I would say again is ridiculously good.  They might be vanishing one by one but the various Netflix shows have seemingly given retailers confidence in these cheap reprints that is just free money for their publisher.
At 129 is a Dynamite crossover, Vampirella/Dejah Thoris which sells over 17k which I’d consider very good considering that its hardly Avenger’s Vs. X-Men is it.
Ray:  I have no idea how vampires and martian princesses are going to crossover, but Dynamite gonna Dynamite.
Glenn:  The second issue of Pearl sells just over 16.8k at 130 which is better than Vertigo but not as good as you think a Bendis creator owned book would do at Image.  Being somewhere in the middle is something that will be up to DC to find acceptable.
Ray:  That’s a roughly 50% drop. A lot steeper than I would have expected for a creator-owned book, but still well above what it would have done at Vertigo. It’ll need to level out quickly, though.
Glenn:  At 132 is Journey Into Mystery: Birth Of Krakova which sells over 16.5k which is pretty great considering it literally seems to have nothing to do with anything.  I’m guessing a large portion of these sales are nostalgia over the Gillan series of yesteryear?
Ray:  Yeah, this is just a completely random Nick Fury on Monster Island comic that Marvel put out. Random, but fun and with a decent creative team. Retailers probably ordered this for Marvel completists.
Glenn:  At 134 is another True Believers Reprint which is another Punisher book, this time its the first issue of the book by Grant & Zeck.  I actually would have thought this would be higher but there are other much more famous Punisher runs out there.  Still ridiculously good of course.  At 137 is an Iron Fist one which sells over 15.5k.  Did you know that Danny Rand was in fact the Immortal Iron Fist?  That he is the sworn protector of Kun-lun (Sp?)?  Well he’ll tell you…a lot if the show is anything to go by.

Ray:  The most oddly numbered title in Marvel history, the Marvel Rising miniseries concludes with Marvel Rising: Omega at #138, selling 15.8K. This all-ages oversized comic introducing the team from the animated franchise that is totes not inspired by DC Super Hero Girls only with two guys no one likes has released five issues, and each of them was a #1. That’s one way to stop issue-by-issue attrition, I guess.

At #141 is the debut of Border Town, the first of the new Vertigo relaunch books. This controversial title that aroused the attention of some nasty people for its commentary on American racial divisions lands 15.2K in sales. Given that the title doesn’t have any name creators attached, that’s a definitely increase over what Vertigo titles were doing a while back. This is actually close to what I would expect this title to do at Image.
Glenn:  That isn’t too bad at all for Border Town and I think a higher debut than the last past of new Vertigo launches did a while back.  Maybe the return of Sandman has given the line some much needed juice again?
Ray:  Right below at #142 is the debut of Mystery Science Theater 3000, the comic. Replacing the classic B-movies with odd c-list comics, this issue sells 14.6K. That’s actually great for a Dark Horse debut, especially for such a cult property. More meta comics in Dark Horse’s future?
Glenn:  This series is the very definition of cult following so these are great numbers.  As the new series on Netflix (where else) continues building a new generation of fans, this will be a nice one for Dark Horse to have in shelves/in their archives.
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Ray:  The next True Believers comic is down at #155, selling 12.4K. It’s the first issue of Power Man and Iron Fist, kicking off the fan-favorite team. Both of these characters just lost their Netflix series, so maybe this team-up will be revived as a series?
#160 brings us the top reorder of the month, as Fantastic Four #1 pulls in another 12.3K to add to last month’s ridiculously good sales. They’re back and people are excited.
Rick and Morty Presents Sleepy Gary is a comic. It sells 12K at #163. It’s Oni’s top comic of the month besides its parent title. I don’t know what a Rick and Morty is.
Glenn:  Its like if someone watched Back To The Future while taking a lot of drugs, I think?  I don’t know, I’m not cool.  I’d rather watch that new show on Netflix about this nice family renovating an old house.
Ray:  Right below at #164 is an odd entry, Jinxworld Sampler. This $1 mini-collection has snippets of all of Bendis’ creator-owned work and is more of a promotional comic for new readers. 12K puts this in a similar range to the True Believers line, which is pretty good for free comics for DC.
Glenn:  Not too bad at all since its basically like paying to go see a teaser trailer essentially.  This is something retailers might just slip in on orders where people are picking up Bendis new DC stuff.
Ray:  In Archie’s latest strange experiment, Archie 1941 debuts at #167 with sales of 11.9K. Archie goes to war! Mr. Lodge has shady dealings with the Nazis! But Riverdale’s greatest horrors lie ahead – next month they get taken over by the writer of Secret Empire.
Glenn:  At least it’ll look pretty, Marguerite Sauvage is amazing.
Ray:  Lot more True Believers one-shots down here, selling in the 11K range between #167 and #176. They include Hellcat’s first appearance, the debut of Jessica Jones, the first issue of Punisher War Journal, the first Ennis/Dillon Punisher, and the Smith/Quesada Daredevil launch. The launch of the Bendis/Maleev daredevil is a little further down, selling 10.3K at #182.
Glenn:  I’m surprised the Daredevil ones sold so low.  Maybe cause they’ve been reprinted so plentifully in recent years?  These are the beginnings of major points in the characters history though and seems like an easy win with the new season coming on Netflix.
Ray:  There’s an odd animated crossover at #173, as IDW crosses over the animated 80s versions of two of their popular franchises in Star Trek vs. Transformers. It sells 11.5K, but I imagine a lot of readers were confused. Why do the Enterprise crew suddenly have a catgirl on the crew?
Glenn:  She was a character from the cartoon for reasons that escape me.  This is for the die hard audience of both properties really.  Even most hardcore Trekkies don’t pay much attention to the animated series.
Ray:  Jeff Parker’s James Bond: Origin #1 lands at #179 with sales of 10.8K. This is a pretty acclaimed miniseries, taking Bond back to his teen years and showing us how he went from prep school boy to super-spy. It could be a sleeper hit for Dynamite. Almost feels like he should be having a team-up with Nancy Drew.
Glenn:  is gives me memories of the super awful/cheesy James Bond JR series from yesteryear.  The Bond property seems to be a steady performer for Dynamite, I’d be curious to see if it does well in book stores.  I’d imagine that at this stage, Bond is more known as a movie property than a novel series.
Ray:  Speaking of Catgirls – the less friendly version – the much-yelled-about Image book by Chelsea Cain, Man-Eaters, lands at #181 with sales of 10.3K. But that’s not entirely accurate – there’s another “Glitter Variant” of the same issue down at #214 selling 8.2K. So all in all that’s a debut of about 18K. Healthy but not spectacular given how much this series was hyped.
Glenn:  Maybe a bit too late to benefit from the controversy that was raised around her DC firing?  Reorders might be good but given she has a big audience outside of comics this will probably do well in trades, not that this is poor mind you.  Its not too bad at all for an Image debut by someone who hasn’t/didn’t spend too long at either of the big publishers.
Ray:  The Buffy comics as we know them come to a quiet end for Dark Horse at #185, with sales of just under 10.2K. A far cry from the series’ heyday, and soon we’ll be seeing a new version launch at Boom.
Glenn:  The all ages, back to basics version BOOM is going for will no doubt appeal to an all new much wider audience than this one did.  Its crazy to think how much of a hit this series was when it first launched but I think it lost a lot of people due to some of the decisions that were taken in that initial first comic season and it never won them back.
Ray:  The Wicked + The Divine 1373 lands at #190, with sales of 9.7K. That’s only 57 copies below this month’s issue of the parent title, so these periodic one-shots are definitely doing what the creators want.
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Two more True Believers one-shots on the low-end at #194 and #196, selling in the 9.4-9.6K range. These are the Black Widow series by Grayson Jones, and the short-lived Daredevil and the Defenders series.
Dennis Culver and Geoffo’s odd stoner alien invader comedy thriller Burnouts has its debut at #197, selling 9.3K. Neither of these creators have any real mainstream profile, so this is a pretty solid debut for a comic that sold itself based on its concept.
Joe Casey’s always been a bit of a cult creator, so it’s not a surprise that his latest title debuts at #201 with sales of 8.9K. But then, it doesn’t help that the title, “MCMLXXV” is near impossible to say! Too bad, because this story of a 1970s cab driver fighting monsters and ninjas on her nightly route is a weird and clever comic.
#205 has one of IDW’s most intriguing revamps of a licensed property in some time, Dick Tracy: Dead or Alive. Written by the Allreds and drawn by indie cartoonist Rich Tommaso, it only sells 8.7K but feels like it’s going to have a long life as one of the defining Dick Tracy stories. Sadly, no spy seals in it.
Glenn:  Trying to know if this is a good level for a Dick Tracy comic is near impossible.  It seems like a good result given the property and the creative team seems so perfect that I can’t imagine anyone else doing much better.
Ray:  We’ve had a lot of indie comic startups lately, and the latest is Ahoy Comics. They’re bringing back the format of oversized comic magazines, with backups, prose pieces, and letter columns. Their signature title with a lead story by Tom Peyer and Jamal Igle is Wrong Earth, a story of two alternate versions of the same superhero who swap universes – one from a gritty 1980s universe and one from a sunny Batman ’66 inspired universe. It goes badly, but this launch didn’t. It sells 8.2K at #212, a very impressive debut given that this is the first comic this company has ever put out!

Glenn:  That’s a fantastic number for a new company, good for them!  Igle has had some work at DC which would have helped but the concept is so interesting that it may have gotten in here just because people were genuinely interested also!

Marvel Superheroes, Captain Marvel first day of school sells over 7.7k at 217.  Pretty standard for an all ages type affair that’s not really meant for the direct market.
Ray:  This one-shot was mainly notable for the one-page gags where Rocket Raccoon was Garfield and Bruce and Hulk were Calvin and Hobbes.
Glenn:  I now have to read this comic.
At 218 is GI Joe: A Real American Hero Silent Option selling over 7.6k.  This is the launch of a new Joe mini from IDW and given the issues with sales this property has had in recent years, I’d say this pretty decent.  Pretty much the most of what you might expect from a GI Joe comic these days.
At 226 is the newest Valient offering, Harbinger Wars 2 Aftermath selling over 6.9k which is slightly lower than Valients usual range but not dramatically so.  I know nothing about Valient comics but this ‘event’ book doesn’t seem to have performed how they might have liked it to.
Ray:  Yeah, this was an event Valiant had been building towards for almost two years. I’m wondering if that worked against it – Infinity Countdown syndrome?
Glenn:  Could have been…lets go with that.
Image’s Crowded loses half of its sales at 230 selling over 6.4k.  Still okay given that there’s no huge names attached.  This is where Image’s lower profile titles usually operate so it’ll just be if its manageable for the creative team to see how long it can go.
Another True Believers one shot at 238, Luke Cage Fantastic Four selling over 6k.  If this is retelling a time where Luke joined the FF, this is not a thing I knew happened so there you go.
Second issue of Frozen: Breaking Boundaries sells over 5.9k at 239 losing less than half its sales.  This is a comic that is destined for book shops, disney stores and everywhere else you can think of when its collected so these single issue sales don’t really matter.
At 248 is Doctor Who 13th Doctor 0, one of the always unpredictable 0 issues which this time is a prelude to the new ongoing starring the new female version of the Doctor.  Sales over 5.8k aren’t great but I think the actual proper first issue will do a lot better.  I think the new Doctor is doing a wonderful job for what its worth.
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Ray:  #0 issues are always so tricky, because retailers never know how to order them. You might get a mediocre clip show or recap, you might get an essential chapter.
Glenn:  At 250 is a new offering from fan favorite Faith in Dreamside which sells over 5.7k.  I think if memory serves, Faith’s book usually manage better than this so not sure what happened here but this is a tad lower than I would have expected.
Chief Wiggums Felonious Funnies is one of the last offerings from Bongo comics before it closes its doors forever.  It sells over 5.5k, at least they’re not going quietly into that good night.
Low Road Rest is a new mini from BOOM which sells over 5.3k at 261 which is pretty standard for a new BOOM creator owned series with no big names involved.  This has quite an interesting concept too but BOOM doesn’t have a strong enough place in the market for titles like this to do much better.
Ray:  Philip Kennedy Johnson has a pretty solid track record at Boom. He’s becoming a bit of a cult creator for them.
Glenn:  Right below it at 262 is Elric White Wolf selling over 5.2k from Titan Comics.  This is the first of two issues adapting a fantasy novel I’m unfamiliar with.  This will be for diehard fans of the novel or completeists.  Most times with novel adaptions,the audience got what they needed from it the first time round and don’t have much interest in it being laid out to them with pretty pictures and such.
More reorders for Infinity Wars Prime at 265 which picks up another 5.1+ additional orders which is nearly what in reorders last month.  Again, this event hasn’t broken any sales records but seems to be enjoyed enough to be a bit of a sleeper performer for Marvel.
At 268 is a genderbent update of a classic in Olivia Twist which sells over 5k.  Not much to say except that there seems not to have been much interest, the stories been adapted multiple times and this new version didn’t seem to have caught too many people’s imagination it seems.
Ray:  What’s especially odd is that another futuristic Oliver Twist reboot is coming in a few months, this time from Image with a male lead and less of a political bent.
Glenn:  At 270 is War Bears, a new Dark Horse offering from Margaret Atwood who is a hugely successful novelist who wrote a book called the Handmaid’s Tale that a bunch of people enjoy.  All these things seem like a winning formula but it only manages sales over 5k for reasons that elude me. I really thought the tv show would propel Atwood into a name that could float a comic much stronger than this but surprisingly, that doesn’t seem to be the case.
Ray:  I assume this will do gangbusters in the collected market, where Atwood’s main audience is. Plus, I imagine the oddball comic-within-a-comic concept didn’t hook casuals.
Glenn:  Joe Golem: The Drowning City is a sequel series to an old school pulp detective tale co-written by Christopher Golden and Mike Mignola.  The sales of 4.5k indicate a set audience.  Presumingly the first story did well enough in collections to warrant this sequel.
A continuation of one of Ray’s favorite cartoons at 284, Over The Garden Wall: Hallow Town sells over 4.3k.  Ray will be able to give a more accurate assessment here but this will likely do better outside of comic shops and/or is only for die hard fans of the series.
Ray:  You’re definitely right that this is a tie-in for die-hards. It’s also more of a “lost tale”, since the series ended in such a way that really put a neat bow on the whole concept.
Glenn:  From Aftershock, Moth & Whisper sells over 4.2k which again is pretty much what I would expect from this publisher and two creators I’m unfamiliar with.
Ray:  This one got some great critical responses, more so than Aftershock’s usual. Didn’t seem to make a dent in the sales, though.
Glenn:  At 286, Grimm Tales Of Terror 2018 Halloween Edition reminds me that Crazy Ex Girlfriend is back.  This makes me happy.  It sells over 4.2k
It doesn’t have a regular issue this month but Gideon Falls releases a directors cut of the 1st issue which sells over 4.1k at 288 which is very good for what is essentially a higher than full price reprint of a book that didn’t come out that long ago.  Even when its not coming out, the barn won’t let us escape…
Ray:  Gideon Falls is a bit of a sensation for Image lately. It’s gonna show that Hill House what’s what when it comes to structures that haunt our dreams.
Glenn:  The Barn going to make that big fancy Hill House cry!  Cry like a stable!
Ray:  This section of the charts has an oddball mix of licensed properties. You’ve got Uncle Scrooge: My First Millions at #294 from IDW, followed immediately by Call of Duty: Zombies, and WWE NXT Takeover Blueprint at #296. All selling just over 4K, a pretty standard range for cult properties that get comics without much fanfare.
Image result for uncle scrooge my first millions #1
Nancy Drew should be selling much, much more than 3.8K at #303. Oh, well. It’s going to do gangbusters in the bookstore market.
Glenn:  It better!  I want a sequel series!
Ray:  Another Aftershock debut at #307, the excellently-named Patience! Conviction! Revenge! It’s the story of a wild-west outlaw in deep space on an elaborate revenge mission. It sells 3.7K and seems to have largely slipped under the radar.
The Disney-inspired fantasy miniseries Welcome to Wanderland debuts at #313 with 3.5K in sales. This is definitely not a book aimed at the direct market, and it doesn’t have any major creators attached. Boom is one of the first companies to find the success other companies are looking for in the bookstore market, so I doubt they’re really bothered.
A Top Cow one-shot, Aphrodite IX: Ares, lands at #325 with sales of 3.3K. This is a revival of a previous incarnation of the series, not linked to the current Bryan Hill incarnation. I doubt there’s much interest in that material anymore.
Three more WWE Takeover one-shots around this level – Into The Fire, Proving Ground, and Redemption – between #326 and #334. They all sell about 3.3 to 3.1K. Boom’s got a lot of WWE material out there lately, but returns are definitely diminishing.
Glenn:  WWE has never been a particularly hot comic property.  I suppose if you treat it like any other drama on tv getting a comic adaption most of the audience are getting the story that matters from the show rather than side stories that likely have little consequence.  We’ll see if the WWE Network sending out a free sample of the upcoming Undertaker graphic novel will help it sell more though.
Ray:  A new low-selling Dark Horse miniseries, Gamma, lands at #329 with sales of just under 3.3k. This giant-monster themed comic pairs some cult creators and didn’t seem to get much pre-release hype.
Glenn:  First I’ve heard of it, so there you go.
Ray:  Mata Hari #5 ends the run at #339 with sales of just under 3K. This was the Berger Book that got the least pre-release attention and didn’t really catch on with readers. Historical fiction is not exactly a dominant genre in comics.
After a lot of reorders and ongoing series, we get to a new #1 at #352 – Fearscape from Vault. Selling 2.6K, it’s an intriguing series about a narcissistic writer who cons his way into a “chosen one” magical quest that was meant for someone else. Vault is a company that’s rising fast and a lot of its books are getting some real buzz. This was written by Ryan O’Sullivan, the writer of Image’s Void Trip.
Stabbity Bunny remains the biggest hit Scout Comics has ever produced, still hanging in there on the charts. This month’s issue lands at #3362, selling 2.4K. That’s apparently enough to greenlight a January spinoff, Shadowplay.
#364 brings us a new Moon Maid comic from American Mythology. This is not based on the Dick Tracy villain, but on an obscure Edgar Rice Burroughs fantasy novel. That’s good enough for 2.4K.
In depressing “This book should be selling so much more” news, JM DeMatteis‘ new creator-owned all-ages adventure Impossible Inc. lands at #367, selling 2.3K. This comes down to IDW not being able to sell creator-owned books, I think. I imagine his name would have pulled double these numbers at Boom.
Glenn:  That’s a real shame, DeMatteis still has as much talent now as he ever did.  Hopefully this will find an audience in trades or digital.
Ray:  Starburns Industries Press, an up-and-coming publisher that’s been making a splash these past few months, debuts a Latin-themed horror anthology a month before Halloween. Fantasmagoria, featuring classic Mexican ghost stories with a modern framework, lands at #373 with sales of 2.1K. It’s also by the writer of Border Town, and this is a pretty decent debut for such a new publisher.
Glenn:  Maybe some layover from Coco?  Who knows?  That’s definitely worth taking note of though, good for them.
Ray:  At #374 is probably the oddest comic on the list, Junior High Horrors from Keenspot Entertainment. Featuring teen versions of Jason Voorhees, Michael Meyers, Laurie Strode, Nancy from Elm Street, and Freddy Kreuger as an evil talking tiger, it sold 2,147 copies, which means 2,147 very confused people.
Glenn:  I’d love to know how this comic company got all the rights to use these characters (they might not have done).  The bronze age of horror villains despite their unwillingness to ever go away have never translated to much of an audience or demand in comics.
Image result for junior high horrors
Ray:  I’m pretty sure it qualified as a parody, so Keenspot didn’t need to get the licenses.
The cult supernatural romance Kim Reaper returns from Oni with a new miniseries – Vampire Island. It sells just over 2K, which means this is probably finding its audience more in Oni’s growing OGN market.
It’s Crisis on Infinite Cerebi at #383, selling just over 2K. Dave Sim is gonna do what Dave Sim wants.
#386 brings us High Heaven, the other debut from Ahoy Comics this month. What do you mean there were two debuts, you ask? Apparently retailers were just as confused! This sold less than 25% of the sales of Wrong Earth’s debut at just under 2K. Very odd, especially since both books had the same writer in Tom Peyer. Maybe it was the Jamal Igle factor? Maybe the concept of Wrong Earth just hooked more people? Either way, what a weird disparity.
Glenn:  Igle is probably the difference maker here.  He’s got a higher profile due to his DC work and his link with Black.
Ray:  Another Vault comic, Friendo, debuts at #387, selling 1.9K. This book about a malevolent AI companion had cult creator Alex Paknadel as writer, but it seems to have slipped under the radar compared to Fearscape.

Glenn:  Sounds like a character that should be on Disenchanment!  Evil AI is a sub genre of sci-fi that’s been done to death so it probably had to have a really good hook to stand out, same like if you want to do a zombie comic these days.

At 389 we have Casper’s Capers from American Mythology selling over 1.9k and Caspers Ghostland sellind over 1.9k too at 392.  Who knew the market could support two Casper books?  As the sales indicate, these titles always sell around the same, new number 1 or not.  Nothing to see here.
Ray:  American Mythology releases a lot of Casper #1s. Relatively few Casper #2s.
Glenn:  A few new Alterna releases make the top 500 with Blood Realm at 396 with sales over 1.8k and Exilium over 1.8k too.  Pretty much their standard level, their recent hot topic controversy from a little while ago doesn’t seem to have made any great effect on their unit sales either way.
Ray:  Neither of these Alterna books got all that much buzz pre-release, either, so these numbers aren’t a shock.
Glenn:  Proving my point about zombie comics at 403 is Rags selling over 1.8k.  This is from Anatric Press and only real difference seemingly about this particular zombie book is it features a sexy lady in a bikini top on the cover.  It doesn’t work.
At 406 is Newbury & Hobbes selling over 1.7k.  I got to review this for Break The Forth (don’t fire me Brent, I got a kid to feed) and loved it.  However its a new chapter of a series of novels I’d not heard of previously so probably going to rope in too many people.  Will probably do a better job in collections with fans of the novels.
Ray:  Given what an odd duck this is – a foreign comic spinning out of a novel series that no one in the states knows about – I’d say this is a pretty healthy debut for Titan.
Glenn:  At 413 is…is…is…a…comic….that sells over 1.5k.  It sure is a comic that one at 413.
Ray:  God bless’em, there’s a comic for everyone
Glenn:  From Rebellion (?!?!?!?!) is The Vigilante One Shot selling 1.4k at 417.  Even priced at 4.99, that’s not good.  This is a reinvention of some ‘classic’ British comic heroes.  I wonder if Dennis The Mennis is on the team (no, not that one).
At 430 is The Three Stooges Matinee Madness and 431 is Pink Panther Surfside Special which both sell over 1.2k.  The franchises are dead Jim.
Another new comic from Waxworks in Poser at 433 which is about a serial killer who poses his victims like shop window dummies and the like.  It sells over 1.1k.  This company don’t seem to have caught on with their horror concepts.
Ray:  Waxwork is one of many, many small startup comic publishers in recent years trying to carve out a small slice of the market. Some are clicking with audiences. Others are Waxwork.
Glenn:  Aspen comics relaunches Dellec (?!?!?!??!?!) at 436 with sales over 1.1k.  No one was missing Dellec.
Antartic Press has what appears to be an anthology at 438, Steam-Age Wasteland which sells over 1.1k.  There is a solid audience for steam punk but this one didn’t seem to tap into that for whatever reason.
Ray:  #453 brings us the toy tie-in Vamplets Beware: Bitemares One Shot. It sells 958 copies, which seems about right for a title about tiny fuzzy monster balls.
Down at #464 and also from Lion Forge is Guncats, the action-comedy about alien bounty hunters, selling 788 copies. Another creator-owned book that didn’t find its audience.
Image result for guncats 1
From Source Point Press selling 709 copies, The Family Graves #1 lands at #478. This family adventure focuses on a clan of monsters trying to travel through time while dealing with the problems of their natural monstrous abilities. It’s a fun concept, but launched with very little fanfare from a small publisher.
Another action comic I believe based on a video game, Sniper Elite Resistance from Rebellion gets the dubious honor of being the last original #1 on the charts this month at #490, selling 607 copies.
Glenn:   I don’t think I know this game?  There’s one sniper game that gets a lot of talk for showing x-ray effects of your sniper shots and I don’t think its this one…
The rest of the charts are largely reorders with some more sales for the 20th issue of Darth Vader getting some of that at 500 with 549 more copies being ordered.  That Vader guy is hot stuff!  Hot like molten lava, amiright?  Too soon?

Ray:  Looking ahead to next month, DC is bringing us two major mini-events, The Witching Hour and Drowned Earth. Two Justice Leagues, two world-wrecking threats! It’s Tynion vs. Snyder and, um, Tynion. We also get a new wave of Hanna-Barbera crossovers. 

Marvel is bringing us two weekly one-shot events, the return of What If and the villain spotlight X-Men: Black. Spider-Geddon also begins in earnest with its tie-ins, including the return of Spider-Gwen.
Image has a few major launches as well, including new debuts from Sam Humphries, Gerry Duggan, and Tee Franklin. There’s also bound to be a few surprise launches that catch the market by surprise.
What will rise? What will fall? Tune in next time on By the Numbers!
Image result for spider-geddon
Like what you read?  Have a question or comment?  Let us know here or hit us up on Twitter @glenn_matchett and @Raygoldfield

George Pérez Reveals Stage 3 Pancreatic Cancer

george perez

The legendary writer and artist George Pérez took to Facebook to announce that he has been diagnosed with Stage 3 Pancreatic Cancer. His doctors estimate he has six months to a year left, and rather than undergoing time-consuming treatment, Pérez has decided to spend the time with his friends and family. The creator also stated he wanted to do one more signing event for his fans again.

Pérez is an iconic creator having working on titles such as The New Teen Titans, JLA/Avengers, and Wonder Woman. He retired from comics in 2019 due to health reasons.

Out thoughts are with him, his friends, and family. He is an icon.

You can read the full text of the announcement below.

From George to his fans, friends and extended family, please read below. This page will serve as a place to connect with George as well as receive updates. Please, respect the privacy of George and his family at this difficult time and reach out ONLY through this avenue.

Thank you and please see below:

To all my fans, friends and extended family,
It’s rather hard to believe that it’s been almost three years since I formally announced my retirement from producing comics due to my failing vision and other infirmities brought on primarily by my diabetes. At the time I was flattered and humbled by the number of tributes and testimonials given me by my fans and peers. The kind words spoken on those occasions were so heartwarming that I used to quip that “the only thing missing from those events was me lying in a box.”

It was amusing at the time, I thought.

Now, not so much. On November 29th I received confirmation that, after undergoing surgery for a blockage in my liver, I have Stage 3 Pancreatic Cancer. It is surgically inoperable and my estimated life expectancy is between 6 months to a year. I have been given the option of chemotherapy and/or radiation therapy, but after weighing all the variables and assessing just how much of my remaining days would be eaten up by doctor visits, treatments, hospital stays and dealing with the often stressful and frustrating bureaucracy of the medical system, I’ve opted to just let nature take its course and I will enjoy whatever time I have left as fully as possible with my beautiful wife of over 40 years, my family, friends and my fans.

Since I received my diagnosis and prognosis, those in my inner circle have given me so much love, support and help, both practical and emotional. They’ve given me peace.

There will be some business matters to take care of before I go. I am already arranging with my art agent to refund the money paid for sketches that I can no longer finish. And, since, despite only having one working eye, I can still sign my name, I hope to coordinate one last mass book signing to help make my passing a bit easier. I also hope that I will be able to make one last public appearance wherein I can be photographed with as many of my fans as possible, with the proviso that I get to hug each and every one of them. I just want to be able to say goodbye with smiles as well as tears.

I know that many of you will have questions to ask or comments to make, and rather than fueling the fires of speculation and well-meaning but potentially harmful miscommunication, I will be returning to the arena of social media by starting a new Facebook account where fans and friends can communicate with me or my designated rep directly for updates and clarification.

For media and press inquiries, please use the contact information on the page as well. Please respect the privacy of my wife and family at this time and use the Facebook page rather than reaching out through other channels.
I may not be able to respond as quickly as I would like since I will be endeavoring to get as much outside pleasure as I can in the time allotted me, but I will do my best. Kind words would also be greatly appreciated. More details to follow once it’s up and running.

Well, that’s it for now. This is not a message I enjoyed writing, especially during the Holiday Season, but, oddly enough, I’m feeling the Christmas spirit more now than I have in many years. Maybe it’s because it will likely be my last. Or maybe because I am enveloped in the loving arms of so many who love me as much as I love them. It’s quite uplifting to be told that you’ve led a good life, that you’ve brought joy to so many lives and that you’ll be leaving this world a better place because you were part of it. To paraphrase Lou Gehrig: “Some people may think I got a bad break, but today, I feel like the luckiest man on the face of the Earth.”

Take care of yourselves—and thank you.

George Pérez
December 7th, 2021

Underrated: Night’s Dominion

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: Night’s Dominion.


The first volume of Night’s Dominion was published by Oni Press late 2016/early 2017 as the first six issues of, funnily enough, Night’s Dominion. The volume was written and drawn by Ted Naifeh, and presents itself as a prototypical fantasy story with the added flavour of modern superheroes (though not literal modern superheroes). So what’s the story about?

Taken from the blurb:

A thief, an assassin, a mage and a cleric walk into a tavern in the ancient city of Umber. Awaiting them is a mysterious bard with a dangerous scheme: to break into the dungeon of a powerful death cult in search of treasure. For these five desperate criminals, it’s the last chance for hope in a city of corruption and despair. But what they find instead is an undead army preparing to conquer the world. Now, they must fight to protect the city that pushed their backs to the wall, or watch it burn. 

Night’s Dominion is a fun distraction, though the plot is fairly by the numbers in terms of fantasy stories, it’s still engaging and entertaining enough to keep you moving the pages.

I was able to pick up the first six issues for about $12, and it was absolutely worth the price of admission (if I’m honest, I had it sat in my To Read pile for almost a year before I finally picked it up last night). I don’t know if I’d pay more for it than that, but I’m happy with the price I paid. Naifeh’s art is atmospheric and moody, although a couple of his characters look similar enough that it can be hard to tell them apart at some points, I’ve really no major nitpicks with the art style or the writing – the story is good, if not groundbreaking, and it was exactly what I wanted to read (and just about what I expected when I first saw the series solicited half a decade or so ago).

Unfortunately you don’t hear a lot of people talking about the series, which comprises of two volumes as of this writing, and so for that reason I wanted to focus on it for today’s column. It’s a fun book, and it gives you a break from the traditional superhero comics without fully ignoring the genre (if that sounds strange, it’ll make sense when you read it), and until I was googling the cover I had no idea that it wasn’t a self contained story, so the lack of a pesky cliffhanger is always a bonus.


Unless the comics industry ceases any and all publication look for a future installment of Underrated to cover something else next week.

Demo-Graphics: Comic Fandom on Facebook – US Edition

Demo-Graphics is back! We’re looking at where the “comic fans” stand when it comes to demographic details as of March 1st!

What is Demo-Graphics?

Each month I dive into data from Facebook looking at the various demographics it can tell us about comic fans. This isn’t hard numbers but best used to show trends in the industry and the potential of the market out there. This has shown the shift towards women being a major force in readers and a shift to the younger demographic.

How does it work?

We use key terms, “likes”, that users have indicated and have come up with our own set to measure each month. There’s over 50 terms used (and no I won’t release them). We stick to specific terms for the industry such as “comics” and “graphic novels” and “one-shots” as well as publishers and leave out broad terms like specific characters or stories. Just because someone likes Batman doesn’t mean they like comics.

Other things to know…

This data is important in that it shows who the potential comic audience could be. These are not purchasers, these are people who have shown an affinity for comics and are potential purchasers and those with an interest.

Also, with this being online/technology, due to laws and restrictions, those under the age of 13 are underrepresented.

Since the last time this feature was run, Facebook has made adjustments as to what it can report so some data is no longer available and we’ve also added in new data that hasn’t been reported before (but some of it has been tracked over the years).

Facebook Population: Around 60 million in the United States

Last month, we reported around 67 million. Things have dipped over the month with women making up about 31 million and men 29 million.

The Spanish-speaking population last month was 13.58%, that number has remained improved over the month to 14.00%.

NEW: Comics focused on kids has been an explosive area of growth over the years. The data tells us that 21.67% of comics fans are parents, that’s 13 million individuals! The number of parents remained the same but with a smaller population, the percentage increased.

Gender and Age

Women have been a majority for a long time in this reporting. They continue to be exactly that accounting for 51.67% of the comic fans down from last month’s 52.24%. Men accounted for 47.76% last month and now account for 48.33%. Women regularly became the majority of the fandom back in October 2017 when we first saw a 50/50 split in the demographics.

Facebook still is not good about placing gender in a binary, but it’s still a goal to better report beyond just the two regularly listed.

As we can see by the numbers below, women do slip as the majority from around age 22 to 33.

Facebook demographics gender 3.1.21
Facebook demographics gender age 3.1.21

Relationship Status

Things have remained relatively steady over the month but there has been some changes from the previous month.

How has things changed?

  • Those who have marked themselves “single” decreased about 1 million
  • Those that are “engaged” decreased by 100,000
  • Those “in a relationship” decreased 500,000
  • “Married” has decreased by 1 million
  • Other statuses shifted in numbers but their percentages remained mostly unchanged.
Facebook demographics relationship status 3.1.21

Education

Things remained steady with decreases as expected due to the smaller population. Things decreased across the board and none of it stands out.

Comic book demographics education March 1, 2021.

NEW – Political Leaning

Facebook is a data trove of political information. While I regularly tracked the information, I have never reported on the political leanings of the comic fans there. Well, here’s the third such release of the data!

Comic book demographics political leanings March 1, 2021.

But what about the gender of those comic fans?

Comic book demographics political leanings by gender March 1, 2021.

We can see, according to this data that comic fans lean more liberal. There are some interesting differences in that Conservatives are dominated by men while those Liberal and Moderate see women as a majority. Moderates especially see more women than men, even more so than liberals. We’ll see how this shifts over the months and years with the flow of American politics.


That’s it! Or, not… we’ll be back as we see the European statistics!

By The Numbers: May 2018

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with Outre Press, Alterna Comics and Nemesis Studios. The gift that Glenn is getting for the Bat/Cat wedding is a lifetime of bat anti-shark repellent.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  The gift that Ray is getting for the Bat/Cat wedding is a list of other nine weddings that are the must attend functions of the year.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn:  Its time for May sales with another month where things went a bit crazy for several reasons!  It seems that top 500 sales are going to be a regular thing and I suppose our integrity (what’s left of it) dictates we cover it all.  Main points for 300 and highlights for the rest though…I need to sleep.

Let’s get going.

So to no surprise, with all the sales momentum in the world, a pack of great artists and a writer doing his last huge story before riding off into the sunset next month (or this Wednesday as of this typing), Amazing Spider-Man #800 slams into the sales charts with a bone crushing performance over 411.4K which in the modern market for a $9.99 book is INSANE.  This has surpassed even the high expectations we had for it and I’m sure Marvel is thrilled.  The only comic that MIGHT match this is Batman 50 with its significance, all star artist roster and insane amount of variants but this right now is the best selling issue of anything in years.  Just brilliant numbers and I bet Marvel are wondering if letting Slott go is a huge mistake.  Of course, I bet he’d rather go out on a high like this and take some momentum with him to FF and Iron Man.  I think Amazing 801 will see very well too since its Slott’s last issue for real and its the return of Marcos Martin to the big two but this is something that there should be champagne passed around about.

Ray:  That is a MASSIVE number for Amazing Spider-Man. In this month, with so many premieres, nothing even came close and that’s amazing. It’s the #2 comic of the year, behind only Action Comics #1000 about 30K higher (as of last month, more on that lay-tor). Given that the top two comics of recent memory are a $7.99 issue and a $9.99 issue, it feels like the companies aren’t going to be shy about going for these mega-issues in the future, which worries me. However, the quality and quantity on both of these justified the price. Given how easily this outpaced many of the big launches from both companies this month, Marvel is seriously going to miss Slott. I suspect #801 tops 200K as well and comes in #2 next month

Glenn:  Good point on the pricier comics selling.  If people are promised a good package, they’re willing to pay.  We’ve talked a lot about how DC has made some good sales on quality specials in recent times, the success of this will undoubtedly drive Marvel to perhaps produce more but they’re likely to see any similar success due to the ‘perfect storm’ of elements that encourage the sales.

To underscore the success of Amazing, the next best selling book sold 200k less but still pulled in fantastic numbers.  The latest relaunch of Venom by Donny Cates and Ryan Stegman surpassed expectations also by selling over 225.7k outdoing regular heavyweights and some times you wouldn’t have expected it to leap over (more on that in a bit).  Venom is having a major renew of interest but the involvement of this creative team seems to have caught a lot of interest.  I think this is going to end up doing a lot better than the previous volume and will be one of Marvel’s strongest performers.

Ray:  That’s an astounding debut for Venom, easily enough to top the charts almost every month. We’ve seen Venom #1s debut very strong out of nowhere before, but they always crashed down to earth soon enough. This might not do that, between Donny Cates and the upcoming movie. I wouldn’t be surprised if it wound up being a top-twenty fixture, and we’ve already got some spinoffs announced.

Glenn:  I have a feeling if Venom is a success it’ll be in spite of the movie.

Despite the delays, Doomsday Clock remains rock solid at 3 with sales over 146.8k.  This seems to be performing similarly to Dark Knight III which had great sales despite various delays.  Again like that book this will also do very well in collections for decades too come.

Ray:  Yeah, this is barely a drop at all from previous issues and the fact that Doomsday Clock continues to outpace major launches every month is amazing, despite the delays. I think we’ll probably see a similar performance, if a bit lower, from DC’s upcoming stand-alone event Heroes in Crisis by Tom King and Clay Mann, especially as it spins out of events in Batman.

Glenn:  At 4 is the latest Avengers relaunch by Jason Aaron and Ed McGuiness which sells over 131.4k.  Another very solid performance but I would have expected maybe more from this creative team and the book that is being pushed as the flagship of Marvel’s line.  Being outsold by Venom is a big surprise and then we have Issue 2 selling this month also, landing at 13 with sales over 66.6k.  Not terrible sales, this would put it in Marvel’s upper tier of ‘regular’ books but given what this book is and who is producing it Marvel must have been hoping for more.

Ray:  The fact that Venom so handily trounced Avengers by this megawatt creative team is a testament to just how much these few years have damaged Marvel’s core brands in the comic world. If it can hold most of those second-issue sales, it’ll be fine, but this should be Marvel’s new flagship book, and it’s not selling like it at all.

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Glenn:  At 5 is another strong debut from Marvel in their latest onslaught of new books, this time its Black Panther which sells over 122.3k.  Considering this title was getting into danger territory previous, this is a great sign and either a good thing in terms of Marvel’s ‘fresh start’ or just as and/or more likely more Black Panther fans existing after the movie. This likely won’t stay a top seller but even sales around 40-50k once things settle would put it well above where the title was before and I see that being possible.

Ray:  Obviously a lot of this is the retailer bump for the first issue, but I expect there to be a lot more interest in this run of Ta-Nehisi Coates’ Black Panther than the last run due to the multiple new-ish characters who popped up there. If they can get even a tiny fraction of the fans who loved the movie to give this a try, it’ll stay very healthy.

Glenn:  At 6 and 7 is Batman who still shows up in his usual top ten spot despite all other wackiness.  Issue 47 of the series slightly edges out issue 46 with them selling over 101.5k and 100.1k respectively.  Momentum gathering for the wedding or just damn good writing pulling people in?  I wouldn’t be surprised if it were a mix of both.

Ray:  Batman seems all but invincible. I expect a decent-sized bump for next month’s wedding prelude issues featuring Joker, followed by a massive landing for #50 in July.

Glenn:  At 8 is the first part of the Justice League weekly series No Justice which serves as a bridge between Metal and Snyder’s League run which starts proper next month.  Part 1 sells over 86.7k, issue 2 is at 12 with sales over 68.8k, issue 3 is at 14 with just under 66k and the final part is at 15 with over 64.3k.  The drop from 1 to 2 isn’t too bad and then it stabilizes fast. Given the success of Metal, I would have thought there would be more interest here.  I think this is where we’ll see Justice League Dark and Justice League Odyssey sell with Snyder’s book doing about 70-80kish.  Again as we all know, consistency in this market is key and if DC can pull off this Justice League line around these numbers or better on a regular basis then there will be much to celebrate.

Ray:  Apparently Justice League #1 has sold over 250K for June, so I think this is much more of a hiccup than any lack of interest in the post-Metal status quo. Remember how we were consistently puzzled by the event series Clone Conspiracy selling less than the main ASM title? I think this might be something similar – retailers underordered on this weekly event not knowing just how critical this would be to the core series. Still, DC got over 250K in sales for the franchise in one month, so that’s hardly a disaster.

Glenn:  I see what you mean in regards to the Clone Conspiracy comparison but I think DC did a very good job of marketing this as important.  There was a lot of hype and a lead in that was printed in the pages of the massively ordered DC Nation #0.  Who knows?  It doesn’t matter in the long of course and this isn’t a bad seller by any means and like you said, the combined sales are very good.

Another first issue of a weekly comic event from DC at 9 (although the other issues shipped next month in this case) and its the start of Brian Bendis at DC proper and his start on Superman proper.  The first part of Man Of Steel sells over 86.7k which is very good but given this is Bendis proper big full issue debut I would have expected three figures.  Still, if this mini follows a similar pattern to No Justice and Bendis can deliver two Superman titles over 60-70k then DC will be delighted.

Ray:  Yeah, if the Superman books follow this sales pattern, Bendis will have his first big win for DC on his hands. I don’t know if this will be the case, but it’s worth noting that DC did far fewer variant covers for this event than for almost any other. The rollout was almost a little muted, so that may have depressed sales but lead to a stronger hold for the weekly issues next month. We’ll see – reception has been a bit mixed so far.

Glenn:  Final part of the top ten is the Walking ‘we don’t care what the rest of you do, we sell by existing nyah nyah’ Dead which sells over 73.7k.  This book lives the dream.

Ray:Every month! Almost like it’s…unkillable.

At #11, Batman: White Knight wraps its run with sales of 73.6K. It’s kept growing and stabilizing through the run, so I think this is a massive hit for DC. They’ve just announced it’ll be collected under the new Black Label brand with some minor new content, so it’s likely going to keep selling well for years to come.

Glenn:  Yeah, White Knight is a worthy addition to the DC back catalog and Murphy seems content to just work away in this little corner he’s created for himself.  This is good news for DC if his other books sell around this level (and I don’t see why they wouldn’t)

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Ray:  Despicable Deadpool wraps its run with issue #300 at #16 on the charts, selling just under 60K. A major increase for the series, but a bit weak given that this is Deadpool’s longest run ever and this came out right around the time of the second movie. I think Deadpool’s brand in this run was hurt quite a bit by having to tie in with the reviled Secret Empire and upending its status quo. Skottie Young is up next with a run that’s essentially a hard reset.

Glenn: I would expected more for the end of Duggan’s run too.  Similar to the latter end of Brubaker’s Cap run, I think he missed an opportunity to end his run earlier.  He still did solid work but nothing like what came before.  I’m sure next month’s new Deadpool launch will be strong and it’ll return to the standard 50-65k range its been doing for years after.

Ray:  That’s right above the next issue of Infinity Countdown, the pre-event by Gerry Duggan, which sells 59K. Solid numbers for Marvel, but they’d better hope the second event increases when it launches, or it’s not the kind of numbers that really carry a summer’s worth of tie-ins.

Glenn:  Yeah, those numbers are rather muted aren’t they?  I guess people that were fans of Infinity War didn’t want to sign up for this one as opposed to people who liked Black Panther.  This event will stabilize quickly I think but won’t be anything to write home about.  Line wide events at Marvel could be a problem in the near and possibly distant future given how the last one was handled.

Ray:  Surprised both of these beat Invincible Iron Man #600, the much-hyped final Bendis comic for Marvel. This landed at #18 with sales of 58.5K. Bendis’ days as a Marvel sales powerhouse were behind him when he left – we’ll see if his DC career brings back the heat.

Glenn:  It seems that this last tenure of Bendis time at Marvel was rather muted.  He was getting strong praise for some of his work but this book, the one that was supposed to be his latest big project faltered.  Iron Man’s been a tough nut to crack since Fraction left sales wise so we’ll see if Slott can bring momentum with him.

Ray:  #19 has the X-Men Wedding Special, selling 56K. I imagine a lot of retailers were very annoyed with this when they realized there was no wedding in this issue – it’s an anthology of bachelor party related stories. And given spoilers about the actual wedding that have come out by the time this article sees print, this may take the cake for one of the most over-ordered issues of all time.

Glenn:  Given how fickle their sales are past launch, Marvel shouldn’t really be trying to mess with retailers.  Its cute that they’re trying to steal some of the Bat/Cat wedding heat though

Ray:  A decent-sized increase for Flash this month, as the two issues gain about 7K in sales for the launch of Flash War, selling 53K and 52K at #20 and #22. I wouldn’t be surprised to see major reorders, as well, as it seems this event is – like The Button – a key part in the unraveling of the post-Rebirth status quo.

Glenn:  Flash is the biggest benefactor in terms of sales and story post Rebirth even a couple of years in.  Its become one of DC’s hottest books and this upcoming ‘Flash War’ might give it a platform to reach a higher level as it carries on.

Ray:  The first of five Batman: Prelude to the Wedding one-shots lands at #21, selling 53K for an issue pitting Damian Wayne against Ra’s Al Ghul. Solid numbers for a series that everyone knew wasn’t really essential reading, and it shows the interest in this storyline overall.

Glenn:  Interest for the wedding is high so DC may as well capitalize on that.  I wonder if perhaps this would have been much higher had King been involved in some way given this while story is his idea.  Still if the rest of the mini can sell around this (the highest selling will probably be Harley vs Joker) then that’s icing on the cake (pun intended).

Ray:  Speaking of reorders! What an impressive second month of sales for Action Comics #1000, selling 52K more copies and putting the total sales just over the 500K mark. I would say this is a once-in-a-lifetime event, but it’s not – stay tuned for Detective Comics #1000 in early 2019.

Glenn:  Its always insane to me when reorders on a book do better than the majority of new books but then again, this is a special case.  Like we said, DC did this one right in every aspect and I have no doubt that the Detective one will be every bit the same accomplishment…if not more so.

Ray:  James Tynion wraps his run on Detective Comics at #24 and #25, with both issues closing out the run over 50K. It’s been incredibly steady in sales, but the next few months feature three writers between now and September (Michael Moreci, Bryan Hill, James Robinson) with no sign of a permanent creative team. That’s worrisome as the series heads towards its big anniversary.

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Glenn:  DC is trusting Detective to fend for itself while they hold off on the new long term creative direction.  Its a curious strategy but DC are no doubt just treading water for something big here to coincide with the anniversary issue coming up.

Ray:  The previous Superman creatives teams got to wrap up their runs with oversized one-shots this month, and there’s a pretty big delta between the two. Dan Jurgens’ Action Comics Special lands at #28 with sales of 47K, while Tomasi and Gleason’s Superman special is down at #34 with sales of 43K. Given how much higher Superman originally sold, it shows that Jurgens really won the crowd over with his old-school run. He’s headed off to Green Lanterns next.

Glenn:  Jurgans will go down as one of the greatest creators on Superman ever so I’m glad he gets to go out on a relative high.  He’s also been writing Batman Beyond for DC for a few years so I don’t see him going anywhere else at this stage.

Ray:  The four Hunt for Wolverine miniseries debuted this month, and to a one the numbers were sort of unimpressive. The highest selling was Jim Zub’s Mystery in Madripoor, focusing on an all-female team of mutants, which sold 47K at #29. Next was Charles Soule’s detective thriller Weapon Lost, selling 44K at #32; Tom Taylor’s spy adventure Adamantium Agenda, selling 42K at #36, and Mariko Tamaki’s horror-themed Claws of a Killer one spot below with 41K. All acceptable numbers, but certainly not the event Marvel seems to think it was and a huge drop from last month’s one-shot, which sold 138K in setting this up.

Glenn:  I think like we’ve joked that everyone realized that all these mini’s were just cash ins and no one was really going to find Wolverine during them.  Given the amount of mini’s there were, its been a success in terms of managing to get people to pay money for what is essentially an intermission.  The publishing schedule for Wolverine continues to be curious in the month ahead as writer Charles Soule and artist Steve McNiven bring him back for realsies in another mini before a real ongoing starts.  Got to get in all the number 1’s we can I suppose.

Ray:  A solid debut for the latest Star Wars miniseries, Lando: Double or Nothing. It sells just under 43K at #35. Maybe a bit lower than expected, but this was expected to tie in with the Solo movie, and we all know how that went…

Glenn:  The Star Wars line has become less of a spectacle over the years also.  These mini’s used to sell insane numbers but things have steadily calmed down now that the initial ‘Star Wars is back!’ wave has passed.  Still the franchise always performs respectfully or better for Marvel and this is no exception.  I could see good reorders on this and will likely be a good seller in collections, especially if this version of Lando gets his own movie down the line.

Ray:  The Paul Dini/Bret Blevins miniseries Harley Loves Joker took the place of the main Harley series this month, bringing back the classic animated Harley Quinn. It’s a pretty healthy increase over the usual fare, with the first issue selling 41K at #38 and the finale clocking in at #46 with sales of 37K. That’s 11K and 7K above where the series was last month.

Glenn:  Dini writing Harley always draws interest.  A solid replacement for the main book which has Sam Humpries coming on board for a bit shortly.

Ray:  The one-shot Mighty Thor: At the Gates of Valhalla sells 39K at #40, and I’m a bit surprised it was this low. The conclusion of the main Thor storyline sold 56K last month, and the #1 next month will probably top 100K. It’s probably another case like No Justice, where retailers ordered a bit light on a bridge story that they thought was a side story. Expect strong reorders on this one.

Glenn:  Yeah, there was clearly some misunderstanding here.  This one should have sold a lot more and likely will pick up 10-15k additional sales next month.  We’ll try to remember to check!

Ray:  The X-Men Red annual lands at #43 with sales of 38K (just below a Star Wars annual by Cullen Bunn selling 39K). That’s 6K below the main X-Men Red issue this month, and shows how Tom Taylor’s acclaimed, socially relevant take on the X-Men and Jean Grey is easily outpacing the rest of the X-line at this point in terms of buzz and sales.

Glenn:  X-Men Red has become a strong performer for Marvel, Tom Taylor is a creator who doesn’t seem to grab the headlines like some but always seems to pull off these successes on the down low.

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Ray:  Spawn, surprisingly, keeps 75% of the sales it had last month for the return of the Violator and lands at #44 with sales just under 38K. Maybe the hype of the movie announcements is helping, but this is currently Image’s #2 book, just ahead of Saga. Is it 1994 again?

Glenn:  With the return of popularity to Venom, it just might be!

Ray:  A typically disappointing debut for the latest member of the New Age of DC Heroes lineup,New Challengers. It lands at #47 with sales of 36.5K, which is surprising given that Scott Snyder’s name is on the cover. This comic was announced cancelled, and resolicited with a co-writer as a miniseries, so I’m guessing retailers smelled a lot of behind-the-scenes meddling. Snyder seemed to have big plans for this, but that was before he was announced as the new architect of the Justice League books, so it seems to sort of have fallen by the wayside.

Glenn:  Yeah, this seemed to be his next big project but that could have been prior to him being given the keys to the Halls Of Justice, who knows?  I wouldn’t be surprised to see the challengers feature into Justice League proper and some of the ideas Snyder may have had re-purposed there.  If that does happen then this could be one that does well in collections.

Ray:  A title that seems to be keeping last month’s sales bump is Deathstroke, which lands at #49 with sales of 35K. The addition of Batman for a self-contained crossover event dealing with Damien’s parentage is getting this book a lot of new eyes, and hopefully they’ll stick around for the long haul on this excellent book.

The top-selling Image debut of this month easily goes to Death or Glory, the futuristic crime thriller from Rick Remender and Bengal. It charts at #57 with sales of 32.8K, very strong for an Image title. Remender’s sort of building his own brand at Image now, and he’s good for healthy numbers on virtually anything he does.

Glenn:  I liked the look of this new Remender book a lot.  Given how good his work at Image usually is, he seems to have built quite the following.  I can see his stock only going up following the adaption of Deadly Class to TV.

Ray:  The experimental miniseries You Are Deadpool, which combined an Al Ewing Deadpool comic with tabletop gaming, ran weekly in May and opened at #59 with sales of 31.5K. Future issues landed at #90, 100, 101, and 105, selling between 24K and 22K. An odd comic, for sure, but it’s done decent numbers for a comic with a limited audience.

Glenn:  I remember Marvel did weird game like comics before in the late 90’s.  I guess its good they did something different and Deadpool is the type of character that is tailor made for this type of book.

Ray:  Speaking of weeklies, Brian K. Vaughan and Marcos Martin release their multi-lingual alien abduction thriller Barrier in print for the first time, and it does very strong numbers for an Image weekly. The first issue (which was also released in a different edition on Free Comic Book Day) sells just under 29.4K at #65, with the next four issues charting at 80, 86, 93, and 98, selling 26-23K. Given how many people already read this in digital, that’s a great showing.

Glenn:  Some people (like me) prefer print I guess!  This is also Martin’s first comic work in a while so that may have gotten interest.  People who have read the webcomic (as it were) may have wanted a print copy too.  I can see this doing well in collections after its completed in singles form also.

Ray:  Infinity Countdown launches three tie-ins this month. Captain Marvel and Daredevil release one-shots which chart at #66 and #70, selling 29K and 28K respectively. Decent numbers, in line with their main series for the most part. The news isn’t quite as good for Infinity Countdown: Darkhawk, the miniseries spinning out of the Darkhawk one-shot from the start of Legacy. It launches at #91, selling only 24K.

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Glenn:  There’s never going to be anything with Darkhawk’s name on it does well, sorry fans of his.

Ray:  The Terrifics remains the only one of the New Age of DC Heroes titles to actually maintain some momentum, as its fourth issue lands at #67 selling just under 29K. That’s already ahead of the second issue of The Immortal Men, which lands at #71.

Glenn:  The power of Jeff Lemire strikes!

Ray:  The Star Wars: The Last Jedi adaptation arrives at #76, selling 27K. Decent numbers for a delayed adaptation of a story everyone knows, and the second issue is down at #107 selling 22K.

Glenn:  These adaptions of the movies are just done likely because Marvel is obliged to do them.  They’re fine for what they are and I’m sure Marvel considers them an acceptable aside to getting to still print the majority of Star Wars comics.

Ray:   At #82, we have Domino #2 selling 26K. Not a bad number for a Domino series, of course, but that’s a nearly 70% crash from the first issue’s massive sales. Combination of retailer over-ordering due to the movie and the usual Marvel #1 tricks? I knew it would crash back to Earth, but not this much.

Glenn:  That is quite a Domino fall (get it, get it?  I’ll see myself out) but still good numbers considering she’s a c list character with no ongoing to herself ever.  I think this could stableize and remain around here as long as Gail is the writer which will give Marvel a reason to keep it around.

Ray:  90s nostalgia continues in full swing, as Medieval Spawn/Witchblade launches at #85. This crossover between two properties well past their prime manages to sell 25K, which probably means we’ll be getting a lot more crossovers and revivals.

Glenn:  Wasn’t there a lot of wacky copyright stuff with Medieval Spawn?  Sometimes I feel like the charts are a time machine.  I can’t wait until Sam Keith brings back Ma…oh wait…

Ray:  DC gave us another wave of oddball DC/Hanna-Barbera crossovers this month, and there’s a pretty big gap in sales based almost entirely on the DC character involved. Despite being written by Scott Lobdell and getting the worst reviews of the four, Flash/Speed Buggy sells the best of the four, landing at #89 selling 24.6K. Not far below is Super-Sons/Dynomutt, which sells 23.8K at #92. Then it’s a big drop to Aquaman/Jabberjaw, selling 21K at #115, and finally is the most acclaimed of the four – Black Lightning/Hong Kong Phooey, selling 18.5K at #128. That one might get some reorders as writer Bryan Hill takes over Detective next month.

Glenn:  These sold based on the popularity of the main DC hero it seems.  I would say the ones that were better viewed might pick up some reorders.  These bizarre little teams ups seem to perform well enough for DC to keep doing them in any case.

Next book of note is the launch Harbinger Wars II from Valiant which is at 103 selling over 22.6k.  I didn’t even know there was a Harbinger Wars I!  This is a great number for a Valiant book, they’ve had higher numbers in the past but their launches usually perform much lower.  They keep on trucking.

Ray:  I sort of expected a bit more for Harbinger Wars II, given that this is their biggest event comic in a long time. It’s sort of their Civil War and much of their line is tying in. Still, Valiant does the majority of their sales in trades, and they’ve just announced a new line expansion to follow this up, so they’re clearly very happy.

Glenn:  Its anniversary issue time with Punisher #225 selling at 112 selling over 21.7k.  No special increase here as 224 is released the same month and sells more. I guess we only get big numbers for 50 and 100’s nowadays.  Punisher is getting his new coat of paint in a few months none the less.

Ray:  Punisher, much like Deadpool, got hit very hard with the aftermath of Secret Empire where he sided with HYDRA, so that may be hurting sales as well here.

Glenn:  At 113 is the Green Lantern annual which sells over 21.4k which is only around 3k below the main title.  That’s very good and DC annuals continue a pretty decent streak of solid performances.  There’s rumours that the whole direction of Green Lantern is about to undergo a big creative change, time will tell.

Following the pattern of its fellow books, the Curse Of Brimstone title drops in sales to just over 20.2k at 118.  This line has been a misfire apart from the Terrifics all in all.

At 119 is the launch of Quicksilver: No Surrender with sales over 20.2k too.  Not bad for a title starring Quicksilver who hasn’t been able to sustain any sales draw for decades but Marvel maybe expected better given its spinning out of Avengers: No Surrender which performed quite well for them.  The pattern of Marvel readers not really interested in any follow up stories from big events has been an issue for the company for years.

Ray:  Saladin Ahmed tends to be a creator who gets good reviews but doesn’t really sell, although many of his properties display very good holds once they hit a certain level (like Exiles this month, which only loses 2K from issue #2 to #3). Still, this is very low for a comic spinning right out of a major Avengers event. More evidence of the damage Marvel’s done to their own brand.

Glenn:  Another DC Annual!  Green Arrow this time which sells over 18.5k at 129.  Again  about 2k less than the main title so quite consistent there but this was a tie in to the big Justice League: No Justice mini I think?  I think retailers probably didn’t realize, I certainty didn’t until I saw the cover in my LCS.  Those that did know didn’t seem to care all too much.  This one might be another one for the reorder pile.

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Ray:  This one slipped under the radar, yeah, and it pulled double duty as the only No Justice tie-in during the month of release, and a lead-in to the Benson Sisters’ regular Green Arrow run. This is one to watch.

Glenn:  The True Believers One Shots are here again, this time focusing on Wolverine (he’s coming back ya know).  The highest selling of the batch is Wolverine: Sword Quest which is a reprint of the first issue of a mini by Chris Clairemont and John Buschema from back in the day.  I’m surprised this is the best selling, I’ve never heard of it but there ya go.  This sells over 18.2k at 131 which is great for a reprint like this.  At 140 is the new Wolverine True Believers one shot, this one putting him up against everyone’s favorite symbiote Venom!  This one sells over 16.7k.  Given how hot Venom is I’m surprised it didn’t do better but hey its all free money to Marvel.

Ray:  I’m pretty sure this is not the first Wolverine: True Believers wave, so almost all of the true A-list issues have been released in this format already. That’s probably why we didn’t see any of them sneak up on us and do huge numbers like the Venom ones did. All in all, like you said, free money for Marvel.

Glenn:  Second issue of Image title Isola is at 135 with sales over 17.5k which I’d say is very good.  This is from two creators that are well known and well thought of but neither have had major ‘sales pull’ as it were.  Maybe people just are interested in this book, fancy that!  Its well within the Image safe zone.

Ray:  That’s a really solid number for Isola, and means it should probably wind up in the top tier of Image books overall. This might actually wind up selling better in single issues than the creative team’s last collaboration, Gotham Academy, did. That’s a testament to how Image can sell a greater diversity of material in the direct market than the big two can.

Glenn:  The sequel to 300, Xerxes: The House Of Dariussells over 16.8k at 139 losing about 8k from its first issue.  Again, the single issue sales here are basically irrelevant but its a strong enough performer for Dark Horse in any case.

A crossover between Red Sonja and Tarzan debuts at Dynamite from megastar writer Gail Simone selling over 16.3k at 142.  This is another great number considering the characters involved.  Dynamite will be thrilled and Gail Simone I think again proves she can bring interest to any property (see also: Domino)

Ray:  Yeah, this is 100% the power of Gail’s sales, as Red Sonja rarely sells this well and Tarzan has zero sales power in the market. She can make anything sell better, although usually more on a cult hit level (see the second issue sales of Domino).

Glenn:  Another Wolverine True Believers at 143 with Wolverine vs Sabretooth it sells over 16.2k.  These are a lot more consistent sales wise than the usual true believers one shots.  I’m not sure which fight between Wolverine and Sabretooth this one collects, I choose to believe each page is from a different fight in a different comic and no one can tell me different.  The next one of these at 155 in the form of Wolverine: Fatal Attractions which sells over 14.1k.  I doubt Sharon Stone is in this comic but hey, ya never know.

Ray’s favorite comic of last month, TMNT: Urban Legends sells over 12.7k at 161.  This is a continuation of the long abandoned Turtle’s series from…Image I want to say?  Ray is the Turtle’s expert, he’ll fill you in.  Pretty decent for something you would have thought no one cared about anymore.

Ray:  Ohhhhhhhh jeez. This run is generally considered the worst Ninja Turtles run of all time, and it never actually finished its initial run. Despite this, it sells higher than the main series by about 1K. I don’t expect it to keep that once readers get ahold of it and tell the retailers “WTF?”

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Glenn:  There’s Wolverine again in Dying Game at 167 selling over 12.7k.  I googled this one and saw a cover where Wolverine has large teeth so we’ll say this one is the story of Red Riding Hood starring our stabby mutant friend.

New Image book, Last Seige launches at over 11.8k in sales at 173.  Good sales for a book from two creators I’m not familiar with, will likely land at about 7k which is pretty normal for none big name Image offerings.

Ray:  That is a pretty strong number for a title by Landry Walker, who is best known for his all-ages series Supergirl: Cosmic Adventures. This medieval thriller is definitely not all-ages, but it seems there’s some real interest.

Glenn:  At 174 is the next issue of Black Hammer: Age Of Doom which sells over 11.6k. Pretty stable as always from books in this universe.  If books sold on quality then this one would be in the millions.  Dark Horse must be happy with this universe of titles, we’re getting another Black Hammer spin off that’ll run in tandem with this one this month (June).

Ray:  That number for Black Hammer is down less than 2.5K from the launch, and still well above what it was selling before the relaunch. So this book continues to build buzz. Worth noting that Gideon Falls (#121, 19.4K) lost less than 1K in sales from the second issue to the third as well. Lemire has among the most stable books on the market in quality and sales.

Glenn:  I would say a lot of Lemire’s books do well in trades too.  Again, Dark Horse is letting him do more and more Black Hammer for a reason.

Ray:  At #169 we’ve got an unusual entry, SHIELD #5 by Jonathan Hickman and Dustin Weaver. This was a comic that was released to mass critical acclaim for its complex take on the history of Marvel Universe…until it just stopped coming out years ago. The creative team finally found the time to finish it and Marvel released the first few issues as a mini-collection at a reasonable price, but there was still a lot of sales attrition. It sells 12K, showing there’s only so long audiences will wait. It’s likely to do much better in collections. The mini-compilation of the first four issues charts at #198, selling 9.4K

Glenn:  I can’t remember how well this book did but yeah, it seems that interest passed on this one.  I’m sure people maybe wanted it but didn’t get the memo it was back or completely forgot.

Ray:  The new Star Trek: The Next Generation weekly spin-off mini “Through the Mirror” lands at #176, selling 11.5K. This got previewed on FCBD and features a major new villain, I believe. It’s getting a bit more hype than most IDW Star Trek comics. The second issue holds well at #184, selling 10.2K, and the remaining issues of the month sell in the 9K range with only minor attrition.

Glenn:  Pretty good sales for a Star Wars mini for sure.  It’ll be interesting to see if IDW benifits from the rumors of a show that continues from Next Gen.

Ray:  A strong debut for Garth Ennis’ new Aftershock series A Walk Through Hell, selling 10.8K at #179. Ennis has said this is the darkest book he’s ever written, so if it turns out more like his Punisher Max run than, say, Hitman, it could be one to watch.

We almost never see Tokyopop up this high, but they’ve got a hit in The Nightmare Before Christmas: Zero’s Journey, a spinoff from the popular movie. Selling 10K at #187, it’s a nearly wordless book geared towards young readers. The power of nostalgia is strong!

Glenn:  Nightmare continues to be a popular property for Disney even after all this time, the film ages remarkably well and Disney pushes it hard in their parks every Halloween and Christmas.  The fandom for this property is still respectfully high.

Image result for the nightmare before christmas zero's journey

Ray:  Coda #1, Si Spurrier’s latest weird worldbuilding epic from Boom, has a strong debut for Boom at #193, selling 9.7K. This is a 12-issue miniseries, so I don’t know how it’ll turn out by the end, but it’s starting with more room to fall than many Boom offerings.

Harbinger Wars 2 Prelude #1 shows up on the charts at #201, selling 9.2K. This was a stand-alone issue that set up the conflict between Livewire and the government, by Oscar-nominated screenwriter Eric Heisserer. Great issue, but remember all those #0 issues that did half the numbers for Marvel that the main event did the next month? Might be a similar pattern.

Glenn:  Valiant’s audience behaves very differently than Marvel’s though so you never know.  Stay tuned for next month!

Ray:  #207 has a fairly strong new Dark Horse debut, the haunted-college thriller Blackwood from Evan Dorkin and Veronica Fish. It sells 8.6K, which makes it the fifth-highest selling Dark Horse book of the month behind Miller, Gaiman, and two from Lemire. Likely to do well in the bookstore market as well. It’s enough to beat the final issue of Falcon!

Glenn:  This book sounded really good, it seems that Dark Horse has a lot of these interesting looking horror books on the go.  They seem to be happy with another horror offering in Harrow County to let that book conclude so I don’t see why this would be any different.

Ray:  Cyborg selling badly isn’t news – the latest issue of the relaunched-but-not series sells 8.3K at #216 – but what is notable is that as we type, DC has just announced that the upcoming issues of the series have been cancelled. June’s #23 will be the last, which means that the story will go unfinished. Those upcoming sales numbers must have been absolutely horrible – that has only been done once by DC in recent years, for the Vigilante reboot that turned out to be a mature readers book in disguise.

Glenn:  The decision to bring the book back was an odd one to start with and now the re-cancellation makes it seem even weirder.  I suspect we’ll only see Cyborg in Snyder’s Justice League for the foreseeable future.

Ray:  #217 brings us My Little Pony: Ponyville Mysteries. It sells 8.3K. I hope they have to investigate the Black Barn next issue.

Glenn:  I would buy every copy if they did.

Ray:  Batman #44, the “wedding dress” issue, picks up another 8K in orders at #221. Just more evidence that the Bat-wedding in July is going to be massive.

Glenn:  Can Batman 50 outsell Amazing 800 I wonder?  I think that it might manage it, especially with the amount of variants (I’m decorating my entire house with them and still have some left over)

Ray:  And now it’s time for me to yell “Come on, people!” At #223, we’ve got the launch of Flavor by Joe Keatinge and Wook Jin Clark, selling just under 8K. This fantasy cooking gladiator adventure deserved so much better for its inventive concept and gorgeous art, and I would think the success of Shutter would boost it. Booooooooooooo.

Glenn:  I liked the sound of this but maybe too quirky for some people?  Then again, Chew (another food based comic) never did too hot in singles but delivers in collected format so maybe this will be the same?

Ray:  Bubba Ho-Tep and the Cosmic Bloodsuckers #1 lands at #227 with sales of 7.7K. I didn’t know there were this many Bubba Ho-Tep fans, but you never know!

Glenn:  The Bruce Campbell fan club are a small but passionate bunch.  I suspect that there would be similar interest in a comic based on ‘The Room’ (which I now want to read)

Ray:  Analog has a pretty harsh fall to #229, losing about half of its sales to land at 7.6K. Gerry Duggan’s name on the title helped the first issue, but this book doesn’t seem to be picking up as much buzz as expected.

Glenn:  This seems to have missed the mark, yeah.  Its healthy enough to carry on but is performing around the level of Image books from people that aren’t as well known which is odd.  I couldn’t get into the first issue myself so maybe I wasn’t the only one?

Ray:  The second Marvel Super-Heroes one-shot, The Spider-Doctor, sells 7.5K at #230. This all-ages book is likely going to repackaged into a small digest for bookstores, so these sales are almost irrelevant.

Glenn:  Spider-Doctor sounds supper terrifying though.

Ray:  Matt Kindt’s cult favorite Dark Horse book Ether returns with a new volume, subtitled “The Copper Golems” at #233 with sales of 7.4K. This is pretty typical for Kindt’s small-but-steady books, and I expect it won’t drop too much from here.

Also a pretty harsh fall for Skyward, selling 7.4K at #234. There’s been a few acclaimed Image books lately that haven’t debuted or held as well as expected. Maybe too many comics in the monthly release schedule making it a bit hard to find an audience?

Glenn:  Image are putting out more content than ever and people have limited budgets.  Books will find they have to sink or swim quickly to grab readers attention but that’s a problem for every book at the moment, especially when Marvel is releasing best selling books at $10 a pop.

Ray:  Selling just under 7.4K at #235 is a new Fraggle Rock series from Boom. Obviously, this title isn’t geared towards the direct market, but raise your hand if you already have the song running in your head!

Glenn:  *raises hand* given that Fraggle Rock never captured the level of success as the Muppets or Sesame Street, I think this is a very good number,  Either this is nostalgia at work again or people are buying this for their kids who then have no idea what a Fraggle Rock is.

Ray:  7.3K in reorders for Batman #45 as well, the launch of the Booster Gold arc at #237. I think this arc could become a very hot commodity now that it’s clear it’ll be a major prelude into Heroes in Crisis.

Glenn:  Good call, this will probably pick up more reorders which we will now see because the length of the sales chart is nearly double.

Ray:  As the four miniseries reach their halfway point, all four Young Animal books are incredibly close in sales this month, ranging from 6.9 to just under 6.4K. We’ve got Shade the Changing Woman at #242, followed by Mother Panic: Gotham AD at #244, Eternity Girl at #245, and Cave Carson at #249. This was a bold experiment, but it doesn’t seem like it was made for the direct market. Here’s hoping for a revival for some of these in a new format.

#250 brings us the new Dark Souls comic, Age of Fire, selling 6.3K from Titan. Obviously for a cult audience of gamers, but is it really Dark Souls if you’re not screaming in frustration?

Image result for dark souls: age of fire

Glenn:  I was thinking that the comic can only give you a true Dark Souls experience if it tries to give you paper cuts while you read it.  I’m totally copyrighting that idea by the way.
Small drop for the Star Trek Discovery Succession mini not even losing 1k with sales over 6.2k at 251.  This is another one to do with the mirror universe so maybe people are interested in an evil version of the federation?

Another new Aftershock book at 263 selling over 5.5k in the form of Pestilence: Story Of Satan.  This is from writer Frank Tieri who has some big work under his belt but never hit the big time and hasn’t done anything of note for a while.  Pretty standard Aftershock sales on a first issue with that taken into account.

Ray:  This is the second volume of Pestilence, a medieval zombie thriller. Given that, it probably didn’t get all that much of a first-issue bump either.

Glenn:  Reorders for Deathstroke 30 which was the first part of the Deathstroke vs Batman story which sells over 5.4k at 264.  Not often you see reorders for Deathstroke, the magic of Batman is unending.

At 268 is a new Judge Dredd comic, Under Seige which sells over 5.3k.  Like we’ve said before on these charts, Dredd never really does too well in the direct market but has a massive scope outside it.  These sales are pretty secondary to the property as a whole.

Steve Orlando’s Image book, Crude loses about half its sales selling over 5.2k at 269.  Like Analog, this is a book that has a writer attached that you think would get a lot more attention.  This is one that might not last too long.

Ray:  I think Crude is a miniseries, but it’s odd that Orlando doesn’t seem to be able to parlay his DC success into creator-owned success just yet. His Boom work recently also struggled to make the top 300.

Glenn:  Another launch of a comic based on a video game, this time from Dark Horse and Garth Ennis in the form of World Of Tanks: Citadel which sells over 5.2k at 271.  This is one for hardcore fans of the game and Ennis only it seems.  I think this is an online and/or mobile app game only which likely explains why is has even less sales than video game tie-in comics usually do anyway.

A Simpsons comic, Mighty Moe Syslak sells over 5.1k at 274.  These Bongo one shots keep showing up more and more in the top 300.  The demand for Moe is more than I would have thought.

Ray:  It is odd how more and more niche characters are getting spinoffs from Bongo, but when we’re talking close to thirty years of a fanbase, it makes sense. I wonder what will happen when Disney takes ownership of the Simpsons – they’d be smart to keep this arrangement with Bongo going.

Glenn:  Given the move DC just made with Wal-Mart, they might appreciate a company like Bongo who has a lot of reach outside the direct market.

Obligatory Hellboy comic time in the form of Witchfinder: The Gates Of Heaven, the start of a new mini which sells over 4.9k at 278.  On the lower end of the usual Hellboy sales but nothing too dramatic.

An odd sounding Vampirella one shot, Savage Tales (she fights barbarians apparently) sells over 4.8k at 279.  This is pretty good sales I’d say for something that doesn’t sound like the type of thing that usually gets attention.  Do dead barbarians move the needle?

Image result for vampirella: savage tales

A reprint from Titan in the form of Tank Girl: Full Color Classics 1988-1989 launches at over 4.8k in sales at 281.  If these comics are indeed around 30 years old than those are some good numbers that will cost Titan very little to produce.

Some reorders for last months True Believers: Infinity Gauntlet at 283 which sells additional sales over 4.8 too.  Its almost as if there was a massive blockbuster with the same name or something.

Some reorders for Donny Cates Thanos at 287 with issue 14 picking up additional sales over over 4.7k which is more than the reorders it picked last month.  It seems investing in Mr. Cates is going to pay off for Marvel.

The Robocop: Citizens Arrest book loses about half its sales at 290 selling over 4.6k.  Like we said last month, no one really cares about Robocop anymore.

A new Adventure Time comic debuts at 292 with over 4.6k sales.  This comic will be picking up most of its sales in collections and outside the direct market so these are inconsequential.

In the past, the fifth issue of Back To The Future: Time Train would have been the last comic we covered at 300.  It sells just over 4,4k in sales and this is where things start to get scary kids.

Ray:  I don’t want to go in the sub-300 barn, Glenn. Hold me.

Glenn:  This was your idea.  I wanted to be lazy but then you were all ‘but we have a duty to our readers!’  Stupid scary duty.

Ray:  Also worth noting that the 31st issue of Harrow County is at 299, selling 4.4K. It should likely get a small bump for its June finale, which will mean it stayed in the top 300 for its entire run. Well deserved!

Glenn:  Having read the first two trades, I agree.

Scout Comics releases the first issue of Cybre Spectre, a former Kickstarter project that sells over 4.3k at 303.  Not too bad for a book that presumingly the Kickstarter basically already paid for.

Ray:  Cyber Specter is drawn by Ale Garza, who’s done some major DC and Image work over the years. That probably explains why this sold a lot better than most Scout debuts that aren’t Stabbity Bunny.

Glenn:  At 308 is Delta 13, a new horror book from 30 Days Of Night creator, Steve Niles.  This one sounds quite interesting but only sells over 4.2k.  Another likely victim of IDW not having that strong a footing with creator owned.

Ray:  Steve Niles is one of those names that almost everyone knows due to his one iconic work (30 Days of Night) but few of his future works get anywhere near the same level of buzz. He’s taking over Kick-Ass in a few months, which is an interesting choice.

Glenn:  Doomsday Clock piles on the reorders with issue two (which is now 6 or 7 months old) picking up another 4.2k+ additional sales at 310.

Valient High from…Valient debuts at 316 with sales over 4k.  A lot lower than Valient debuts usually manage.  I really hope this is an alternative reality starring high school versions of their characters, those are usually fun type stories but may not have appealed to their usually dedicated audience.

Ray:  This is not only an alternative reality, it was a digital-first comic that got most of its sales online months earlier. Given the young-skewing audience and the fact that it was a reprint, I doubt Valiant was expecting much more out of this – it’s a novelty book.

Image result for valiant high 1

Glenn:  A new Sherlock Holmes mini, Vanishing Man debuts from Dynamite at 322 with sales over 3.8k.  I would assume Holmes stories do better in collections and there isn’t much demand for the single issues given that his type of stories don’t lean towards installments.

Some additional reorders for Domino at 324 with 3,8k additional sales.  It may have crashed hard in sales but clearly people were interested to see what the title had to say right off the bat, this really makes me thing a quick stabilization is more than likely.

Ray:  Yeah, I expect Domino might even increase from second-issue sales once the true reader interest level becomes clear.

Glenn:  Crossed Plus 100 Mimic, a revival of a series created by Alan Moore returns from Avatar press at 333 with sales over 3.6k.  I’ve never heard of this property and without Moore’s involvement there seems to only be minimal interest.  Probably not too bad in terms of how Avatar books usually sell though.

Ray:  I know this used to be a Garth Ennis property as well, but since then it’s really slipped below the radar. Essentially Walking Dead with more gore and religious iconography, I guess it has its audience.
A Kong of Skull Island special, which is becoming a yearly event for Boom, lands at #337 with sales of 3.5K. This one had Kong vs. Vikings, which is apparently a niche concept. But not in my heart!

Right below at #338 is a spinoff of Zenoscope’s Oz series, focusing on the Wizard. Rachel Bloom needs to put out more songs to make our job easier…

Glenn:  She just needs to do more things in general.  More Bloom, less Zenoscope a By The Numbers dream.

Ray:  The Highest House only sells 3.5K at #341 and I’m gonna throw a chair. This better sell six digits in trade and get a Netflix deal ASAP.

Glenn:  I bet its not that great…Ray put down the knife…

Ray:  3.3K in reorders for Sonic the Hedgehog #1 at #344, proving further that this is a new hit franchise for IDW.

Jasmine: Crown of Kings sells 3.1K at #350 from Zenoscope. Rachel Bloom, why have you forsaken us…

Glenn:  She has friends, lots and lots of friends.

Ray:  A new mini-collection of stories, Betty and Veronica Best Friends Forever, sells 3.1K at #353. This was hyped as a new series like Your Pal Archie, but it’s actually just a collection of themed stories from the digests – the first issue is themed around movies. Unlike the other major new Archie releases, this one isn’t really providing new content, just a new format, and it seems retailers realized that.

Titan Comics seems to have a lot of debuts here, with both a new Warhammer spinoff titled Deathwatch, and a series called 2021: Lost Children, both selling 3K at 354 and 356. Titan books seem to have higher price points, European creative teams (many are reprints and translations), and a small but loyal audience.

The spectacularly titled Alien Toilet Monsters lands at #368 from Omnimorphic Press, selling 2.8K. I’ve never heard of this company before, and their output seems to be…unique. I’m gonna campaign for making this book a companion for Zombie Tramp as the official mascot of By the Numbers.

Glenn:  The writer of this series, Carol Zara seems to work hard to promote this book so good for her.

Image result for alien toilet monsters #1

Ray:  It outsells the excellent Sleepless (#369, 2.7K) and Scales and Scoundrels (#371, 2.6K) from Image. Booooooooooo.

At #383 we have another new launch from Black Mask that sort of breaks the mold. We Are Danger, written and drawn by Fabian Lelay, is a teen-oriented comic about the underground music scene, and it eschews the company’s usual hard-edged political themes for a more accessible tone and diverse main characters. It only sells 2.5K, though, which makes me think Black Mask’s sales issues aren’t going anywhere.

2.4K in reorders for Isola #1 at #388 (it actually outsells the fourth issue of Justin Jordan and Donal DeLay’s Death of Love four spots below). This seems to be a genuine hit for Image, and much deserved for the creative team.

Apparently Executive Assistant Iris is a long-standing franchise for Aspen, because volume 5 arrives this month with sales of just under 2.4K at #391. Clearly this is a niche book at a niche company, and the sales show it.

The best-selling True Believers issue of all time shows up again, selling an additional 2.2K for Venom vs. Spider-Man at #396.

Glenn:  No wonder we’re only at issue 3 of the new Venom and Spidey is showing up.

Ray:  The return of Aardvark-Vanaheim to the comic book charts has been one of the oddest subplots of recent years, and Dave Sim’s indie creation shows up twice this month. Undateable Cerebus is right above Love & Aardvarks at #398 and #399, both selling 2.1K.

There’s quite a few Image reorders right about here, with the first issues of smash hit Gideon Falls (for its third month) at #415, followed by more modest hit Skyward at #416 in its second and Kirkman’s latest hit Oblivion Song in its third at #420, all picking up another 1.8K in sales. Always good to see quality books picking up steam. Gideon Falls #2 shows up again as well, with 1.5K in sales at #435.

Image result for skyward 1

The latest seasonal Boom Garfield special, Vacation Time Blues, sells 1.6K at #430. Boom’s sort of transitioned this series to mini OGNs, so the comics aren’t usually big sellers in the direct market. There’s a more hyped Garfield miniseries titled Garfield: Homecoming next month. Let’s hope he’s eating his lasagna to get strong to battle his way up the charts!

Glenn:  We can but dream.

Ray:  Based on the work of Edgar Rice Burroughs, Pellucidar: At Earth’s Core sells 1.5K at #434 for American Mythology. The cover makes it look like a vaguely more respectable Boundless Comics “sexy cave lady” book, so that still has its audience, I guess.

Speaking of American Mythology, Pink Panther 55th Anniversary Special sells just under 1.4K at #446. I think this is the cat, not Inspector Clouseau. I wonder, have they ever crossed over with each other?

Glenn:  I think the cat was in the movies in some aspect.  Now I have the Pink Panther theme in my head…

Ray:  Tis the time for really low-selling indie comics from small companies to show up. These include barbarian adventure Ruin of Thieves: Brigands (1.3K, #450) from Action Lab, and surreal musical-horror-crime book Jazz Legend (1.2K, #459) from Scout. There was just an article about what they called a glut of mid-level comics, with many startups competing for space in a shrinking market and many falling by the wayside. These two seem like they fell prey to that.

American Mythology is giving us a lot of odd books this month, including Three Stooges Slaptastic Special, selling 1.1K at #461. “Old properties that have not been relevant for decades” is an odd brand for a comic book company, but everyone’s got a theme, I guess!

There are apparently exactly 1,033 fans out there for Gingerdead Man Meets Evil Bong #2 at #474. And God bless ’em, everyone.

Glenn:  If this comic can make it, I can keep my dream of a successful comic career alive.

Ray:  Cavewoman: Lycan Run sells 964 copies for Amryl Entertainment at #481. I think that averages out to about 7 copies per cover? Another Cavewoman series, Return to Labyrinth, is 58 copies below at #489.

The mostly black and white haunted town thriller Long Lost has been getting among the most buzz of any release from Scout Comics, and creators Matthew Erman and Lisa Sterle have been raising its profile a lot on Twitter, so I’m a bit surprised to see it down here at #493 selling 841 copies. The upcoming trade will likely give it a big boost.

Rounding out the top five hundred is three reprints – the final issue of Tomasi and Gleason’s Superman run, the penultimate issue of Batman: White Knight, and at #500 is 769 more copies of one of the Thanos True Believers one-shots, Thanos the First (not related to Sofia the First). What’s most notable about the end of the charts this month for me is the complete absence of any of the seven Catalyst Prime series that make up the bulk of Lion Forge’s line right now. To have a full line of books and none of them cracking 800 copies nationwide is odd.

Glenn:  Now I want Marvel to convince Disney to let them do a comic where Sofia the First gets the Infinity Gauntlet.  YOU’D ALL READ IT, DON’T LIE!

Image result for true believers thanos the first #1

Ray:  Looking ahead to June, it’s another big month for DC. We’re getting the launch of Scott Snyder’s Justice League, which is a strong contender to win the month with over 250K in sales, per the latest reports. We’re also seeing the rest of the prelude issues for the Batman/Catwoman wedding plus the return of Joker in Batman, and debuts for Hawkman, Plastic Man, and Steve Orlando’s The Unexpected.

Dan Slott may be battling himself for the top Marvel book of the month, as he drops the final issue on Amazing Spider-Man the same day as the launch of his first new book, Tony Stark: Iron Man. There’ll also be big debuts for Doctor Strange, Ant-Man and the Wasp, and Immortal Hulk. Not to mention a little guy named Deadpool, and a certain Norse God. Plus, we’ll see if the power of Jeff Lemire carries on to one of Marvel’s most mocked characters, The Sentry.

The indie headliner of the month will undoubtedly be the debut of The Magic Order from Image/Netflix by Mark Millar and Oliver Coipel, which may jump into the top ten. There’s quite a few interesting indie debuts, including Michael Fiffe’s Bloodstrike, Kelly Thompson and Jenn St. Onge’s Nancy Drew, and Mags Visaggio’s Vagrant Queen from Vault.

What will rise? What will fall? Will Ray throw a chair when his favorite indies don’t make the top 300? Find out next month on By the Numbers!

Glenn:  Where Glenn will no doubt, get a chair to the face.  Or he might melt first.

Like what you read?  Have any questions, comments or suggestions?  Let us know here or on Twitter @glenn_matchett and @raygoldfield

Demo-Graphics: Comic Fandom on Facebook – US Edition

We hinted at the return of some long-shelved regular features on the site, and the first back is Demo-Graphics!

What is Demo-Graphics?

Each month I dive into data from Facebook looking at the various demographics it can tell us about comic fans. This isn’t hard numbers but best used to show trends in the industry and the potential of the market out there. This has shown the shift towards women being a major force in readers and a shift to the younger demographic.

How does it work?

We use key terms, “likes”, that users have indicated and have come up with our own set to measure each month. There’s over 50 terms used (and no I won’t release them). We stick to specific terms for the industry such as “comics” and “graphic novels” and “one-shots” as well as publishers and leave out broad terms like specific characters or stories. Just because someone likes Batman doesn’t mean they like comics.

Other things to know…

This data is important in that it shows who the potential comic audience could be. These are not purchasers, these are people who have shown an affinity for comics and are potential purchasers and those with an interest.

Also, with this being online/technology, due to laws and restrictions, those under the age of 13 are underrepresented.

Since the last time this feature was run, Facebook has made adjustments as to what it can report so some data is no longer available and we’ve also added in new data that hasn’t been reported before (but some of it has been tracked over the years).

Facebook Population: Around 67 million in the United States

Last month, we reported around 70 million. Things have dipped over the month with women making up about 35 million and men 32 million.

The Spanish-speaking population last month was 13.29%, that number has remained improved over the month to 13.58%.

NEW: Comics focused on kids has been an explosive area of growth over the years. The data tells us that 19.4% of comics fans are parents, that’s 13 million individuals! The amount of parents remained the same but with a smaller population, the percentage increased.

Gender and Age

Women have been a majority for a long time in this reporting. They continue to be exactly that accounting for 52.24% of the comic fans down from last month’s 52.86%. Men at accounted for 47.14% last month and now account for 47.76%. Women regularly became the majority of the fandom back in October 2017 when we first saw a 50/50 split in the demographics.

Facebook still is not good about placing gender in a binary, but it’s still a goal to better report beyond just the two regularly listed.

As we can see by the numbers below, women do slip as the majority from around age 22 to 33.

Comic book demographics gender February 1, 2021.
Comic book demographics gender and age February 1, 2021.

Relationship Status

Things have remained relatively steady over the month but there has been some changes from the previous month.

How has things changed?

  • Those who have marked themselves “single” decreased about 1 million
  • Those “in a relationship” decreased 300,000
  • “Unspecified” has increased 1 million
  • Other statuses shifted in numbers but their percentages remained mostly unchanged.
Comic book demographics relationship status February 1, 2021.

Education

Things remained steady from the previous month except for one “status”. “Some Grad School” over doubled from 160,000 to 330,000 individuals.

Comic book demographics education February 1, 2021.

NEW – Political Leaning

Facebook is a data trove of political information. While I regularly tracked the information, I have never reported on the political leanings of the comic fans there. Well, here’s the second such release of the data!

Compared to last month, “Conservatives” dipped by about 200,000 individuals.

Comic book demographics political leanings February 1, 2021.

But what about the gender of those comic fans?

Comic book demographics political leanings by gender February 1, 2021.

We can see, according to this data that comic fans lean more liberal than the general Facebook population. There are some interesting differences in that Conservatives are dominated by men while those Liberal and Moderate see women as a majority. Moderates especially see more women than men, even more so than liberals. We’ll see how this shifts over the months and years with the flow of American politics.


That’s it! Or, not… we’ll be back tomorrow as we see the European statistics!

Demo-Graphics: Comic Fandom on Facebook – US Edition

We hinted at the return of some long-shelved regular features on the site, and the first back is Demo-Graphics!

What is Demo-Graphics?

Each month I dive into data from Facebook looking at the various demographics it can tell us about comic fans. This isn’t hard numbers but best used to show trends in the industry and the potential of the market out there. This has shown the shift towards women being a major force in readers and a shift to the younger demographic.

How does it work?

We use key terms, “likes”, that users have indicated and have come up with our own set to measure each month. There’s over 50 terms used (and no I won’t release them). We stick to specific terms for the industry such as “comics” and “graphic novels” and “one-shots” as well as publishers and leave out broad terms like specific characters or stories. Just because someone likes Batman doesn’t mean they like comics.

Other things to know…

This data is important in that it shows who the potential comic audience could be. These are not purchasers, these are people who have shown an affinity for comics and are potential purchasers and those with an interest.

Also, with this being online/technology, due to laws and restrictions, those under the age of 13 are underrepresented.

Since the last time this feature was run, Facebook has made adjustments as to what it can report so some data is no longer available and we’ve also added in new data that hasn’t been reported before (but some of it has been tracked over the years).

Facebook Population: Around 70 million in the United States

We last ran this report in October 2018 which saw over 73 million individuals reported. Things have dipped over the years but the amount of individuals is still massive. Men remained steady at 33 million while women dipped to 37 million over that time frame.

The Spanish-speaking population in October 2018 was 13.7%, a little over 2 years later, that number has remained relatively the same at 13.29%.

NEW: Comics focused on kids has been an explosive area of growth over the years. The data tells us that 18.75% of comics fans are parents, that’s 13 million individuals!

Gender and Age

Women have been a majority for a long time in this reporting. They continue to be exactly that accounting for 52.86% of the comic fans compared to men at 47.14%. Women regularly became the majority of the fandom back in October 2017 when we first saw a 50/50 split in the demographics.

Facebook still is not good about placing gender in a binary, but it’s still a goal to better report beyond just the two regularly listed.

As we can see by the numbers below, women do slip as the majority from around age 22 to 33.

Comic book demographics gender January 1, 2021.
Comic book demographics gender and age January 1, 2021.

Relationship Status

The relationship status is one I’ve been intrigued to see how it’s changed over the 2 years since last reported. Would we see a major shift as people age? Would it remain steady? Well, lets find out!

There was a major drop in people reporting their relationship status as it turns out. While the population overall shrunk by about 3 million individuals there were almost 8 million fewer individuals reporting this piece of data.

How has things changed?

  • Those who have marked themselves “single” decreased about 3 million
  • Those “in a relationship” decreased 1.7 million
  • “Married” has remained the same
  • “Unspecified” has decreased 3 million
  • Other statuses shifted in numbers but their percentages remained mostly unchanged.
Comic book demographics relationship status January 1, 2021.

Education

Out of all of the statistics, this is the one I’m trying to figure out. Almost all percentages for education level listings are down. This could be due to it just not being as common a thing or there’s been a shift in the populace. The only percentage to increase are those “in high school”.

Comic book demographics education January 1, 2021.

NEW – Political Leaning

Facebook is a data trove of political information. While I regularly tracked the information, I have never reported on the political leanings of the comic fans there. Well, here’s the first such release of the data!

First up, what does this data look like for Facebook as a whole?

Facebook political leanings 1.1.21

Interestingly, Facebook leans a bit more Conservative with that population making up the largest block of users. Comic fans though are a bit different. Those identified as Liberal make up the majority

Comic book demographics political leanings January 1, 2021.

But what about the gender of those comic fans?

Comic book demographics political leanings by gender January 1, 2021.

We can see, according to this data that comic fans lean more liberal than the general Facebook population. There are some interesting differences in that Conservatives are dominated by men while those Liberal and Moderate see women as a majority. We’ll see how this shifts over the months and years with the flow of American politics.


That’s it! Or, not… we’ll be back tomorrow as we see the European statistics and then Thursday we dive in comparing the two!

By The Numbers: March 2018

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with Outre Press, Alterna Comics and Nemesis Studios. Because of Booster Gold personally messing with his time stream (its a gift!) Glenn is now imprisoned for various cases of arson and murder in America, don’t ask.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining. Due to Booster Gold messing with the time stream (its a gift!) Ray has no longer interest in cooking shows, in fact he hates all type of food.  He lives off corn and water.  He is an unhappy fellow.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!  We talk about these very sales numbers in the most recent episode here…but read this first so Bret doesn’t hurt us.

Top 300 in full available here!

Glenn:  March madness is upon us for the sales charts for March 2018.  We see a lot of unexpected twists and turns including some surprising numbers, the healthiest top ten in a while and some books coming off better.  Of course, its not all cause for celebration as we’ll soon see.

Ray:  This month seems like it was a much-needed boost for the industry, as a lot of books hit major events that boosted their sales overwhelmingly. It shows there’s some real interest in what the companies are doing – albeit only on some fronts, as other areas showed real trouble spots.
Glenn:  The top book of the month was the final chapter in Metal by Snyder and Capullo which sold over 187.5k.  This event has been a major hit from start to finish and it seems to want to go out with a bang, event outselling the other big DC event book going on at the moment for its final chapter.  There’s been delays on this one but they haven’t hit the numbers that hard at all with people investing in Metal and its tie ins through out in spades.  Of course some of the new books that spawned from this event haven’t landed the best but really the main title this will lead into it seems is Snyder’s Justice League book which should end up being another top ten staple for DC.  This event was balls to the wall insane but came out on top.

Ray:  This is a jump of almost 40K from Metal’s fifth issue, which was totally unexpected. The event really seemed to capture the unpredictable feel of classic events, and audiences responded in spades. Every book that tied into this event reached surprising highs, and the main mini did numbers we haven’t consistently seen since Secret Wars. If anything, the failure of New Age of DC Heroes to really take off is due to the characters not being properly set up inside this mini, aside from a few cameos.

Glenn:  They got a better lead in here with the epilogue but I would say in most cases it’ll be too little, too late.

In second place is Doomsday Clock which barely loses any sales and pulls in over 148.5k despite the delays that have hit it.  Metal might be over but DC has this cooking too and even though it won’t have tie ins or that to sate the demand that there seemingly is for it, its another big win for DC in terms of new sales and also reorders which we’ll see later.

Ray:  Doomsday Clock only loses 8K in sales out of 150, despite the delays. You know what this is performing a lot like? The recent Dark Knight Returns sequel that dominated the charts when it slowly came out last year. With no tie-ins, this feels like it’ll be both a successful event for DC and an evergreen seller in the future.

Glenn:  Jumping up over double its previous range, Amazing Spider-Man swings in at 3 with sales over 128.1k.  This is the start of the much hyped ‘Go Down Swinging’ story which is the start of the end of Dan Slott’s decade run on the title.  Retailers have found it hard to keep copies of Amazing in stock lately due to this story featuring Norman Osborn merging with the Carnage symbiote.  That concept plus Slott’s leaving and the fact that Amazing 697 was the first of the build to 700 and was vastly under ordered so retailers may have been prepped this time.  This is being treated like the mini events Slott has pulled off to great success over the years like Spider-Island, Ends Of the Earth, etc.  Hopefully he will bring this strong momentum with him to Fantastic Four and Iron Man in the future while I think Amazing is going to miss him very much.

Ray:  This is over a 100% jump for the start of Slott’s final arc and his big Norman Osborn storyline. That’s the kind of jump you don’t see often at all, and it really shows just how much Marvel is going to miss Slott on this title when he’s gone. If he can bring this same kind of buzz to Fantastic Four and Iron Man, he could go a long way towards helping Marvel’s issues.

Glenn:  At 4 is Weapon H, a big surprise for the book that sees the government meld together the Hulk and Wolverine.  This was treated like a much bigger deal than I expected and probably took Marvel by surprise when it pulled in numbers over 98.6k.  I guess all of still have that desire to see their favorite characters mushed together for lolz.

Ray:  This title was a lot better than it had any right to be. However, I’m still betting that these numbers are largely statistical noise. It spins out of two middle-selling books, one of which has now concluded. That being said, it doesn’t have to keep most of these sales – if it can sink down to the level of parent title Weapon X and stay there, it’ll likely be a safe mid-level hit for Marvel in the long run.

Image result for weapon h 1
Glenn:  At 5 is Batman selling over 93.8k and its also at 8 selling over 91.6k which is a bigger gap between the two issues than usual but that’s cause this is a very strong top ten.  Despite a lot of books coming in either with higher profiles or over performance, Batman just carries on as normal.  the sales are gradually reading the high 80 mark but with the wedding just around the corner, it’ll rejuvenate things for the title but even at that, it’s still solid as a rock.

Ray:  Good ol’ Batman. With the numbers revealed for DC Nation #0 (over a million copies), I don’t see any way that the wedding issue in Batman #50 doesn’t outright win the month in July.

Glenn:  At 6 is another Marvel title getting a massive boost in the latest issue of Mighty Thor which sells over 93k.  This is the conclusion to the Death Of Thor story and retailers may have thought this would be the end of Aaron on this book (orders I think would have needed to have been in prior to the announcement he was staying) but I just think that people are enjoying the hell out of this run which seems to be one of the all time greats and is currently still going.  Much like Dan Slott, Jason Aaron has a skill to make people care about his books without needing to be involved in the bigger Marvel picture.  These two are clearly Marvel’s most valuable assets in terms of writers right now.

With Chris Hemsworth hanging up his hammer in the movies, we might see (recast) Jane Foster as Thor in an upcoming MCU movie so this might not be the end for this character, you never know.  I would say that this momentum will carry over to the new Thor title much like the Amazing relaunch (the first one with Slott) really benefited from Superior’s success.

Ray:  Again, over a 100% jump in sales for this issue, but this was hyped as a big event issue and it delivered. I think we’ll see strong numbers, but not on this level, for the next issue and the epilogue. I’m curious to see how the title will do when it returns the Odinson to the lead, as Jane seems to have brought an enormous amount of buzz to the title. It’s ironic. The one replacement hero who really took off is the one Marvel couldn’t keep.

Glenn:  In another big surprise at 7 in Infinity Countdown, the event comic by Gerry Duggan featuring the Guardians Of The Galaxy and Thanos which sells over 93k.  This was much better than I was expecting too, especially since its a direct follow on from Duggan’s Guardians which was selling around 30k at the time it was cancelled.  I guess that movie that’s coming out in a few weeks (as of this typing) motivated retailers to stock up.

Ray:  Yeah, that’s almost 40K over the prelude issue last month. Retailers seem to be treating it like a legitimate event, and the movie should keep it relatively hot. I’m glad to see Duggan’s Guardians run getting the love it deserves, at least in event form.

Glenn:  Even though Ray doubted me, Robert Kirkman’s new Image title Oblivion Song sells just over 80.2k at 9.  This is a brilliant debut no matter how you look at it.  The last new title Kirkman launched, Outcast didn’t do as nearly as well as this so I would say people were more intrigued by the concept on this one.  It won’t be anywhere close to this next month in all likelihood but still a very strong starting number.

Image result for oblivion 1 image comics

Ray:  That’s one of the best Image debuts in a while, easily besting what we saw from Kick-Ass last month. It shows, Kirkman’s a brand in himself right now, and it keeps on building. This one feels incredibly marketable as well, although with a higher budget for adaptation than the others, but I expect it to stay high on the charts from here.

Glenn:  Its interesting that Kirkman’s last title launch, Outcast didn’t do nearly this well.  Maybe this concept has more mass appeal?  Demon related stuff can be off putting for most.

Finally at 10 is Sean Murphy’s White Knight which sells over 73.3k   Only losing a few thousand copies between issues and we’re on the home stretch.  Amazing success for DC and Sean Murphy who no doubt has been given free reign to do what he wants next.

Ray:  Even in a highly competitive month like this, White Knight keeps rock-solid. It’s no surprise that Murphy has said to expect an announcement from him about the future of his creator-driven Batman comics in a few months. DC will want more!
Likewise, Walking Dead is locked down at #11, selling 74K, which is down only 3K this month. It’s invincible, and likely would have been safely in the top ten if it wasn’t for all the events.

Glenn:  Invincible was the other Kirkman book, silly Ray and now its gone and I remember and I’m sad and…anyway.  Yeah, Walking Dead just does its own thing as usual. The latest trade was also the top selling one this month (no surprise there).

Ray:  Daredevil #600 had a similar performance to the other Marvel events of the month, increasing over 100% from its normal issue sales for a double-sized anniversary. It charts at #12 with 67K in sales. Soule’s Daredevil has been a solid performer that’s slipped under the radar a bit, so I wouldn’t be surprised if this big spotlight allows it to climb up the charts long-term.

Glenn:  The return to original numbering really has helped the books that were near a centennial issue with the noted exception of Spectacular Spider-Man but unlike that title, Soule has been guiding Daredevil for a while now.  I don’t think we’ll see a long term benefit here because Daredevil has always been one of those titles that sells at around the same title no matter what the title is doing and who is writing it but good to see it get the opportunity here.

Ray:  Easily the oddest entry this month is True Believers: Venom vs. Spider-Man, a $1 reprint of Amazing Spider-Man #300, which sells a staggering 65K at #13. This is unheard of numbers for a True Believers reprint. It outsold the vast majority of both DC and Marvel’s first-run lines! And spoiler alert, there are a LOT more of these Venom True Believers one-shots this month, although none do anywhere near these numbers.

Image result for true believers venom vs spider-man #1

Glenn:  Amazing 300 is still a hot comic all these years later.  This one has been reprinted and retold multiple times but retailers and fans can’t get enough.  Its no surprise that Marvel are continuing to invest in Eddie Brock’s Venom.

Ray:  A surprisingly good debut for New Mutants: Dead Souls at #15, selling 54K. It was supposed to be a movie tie-in, but it wasn’t the movie team, and now there’s no movie. Despite this, it seems retailers thought there was a big audience here that wanted a New Mutants title. We’ll see if it can hold any of those sales, but early buzz hasn’t been great.

Glenn:  Maybe people have a lot of nostalgia for this title even though this isn’t the traditional team?  With the film being delayed again and this perhaps not being what people expected, the sales will probably drop next issue.

Ray:  The return of the Hulk in Avengers #684 wreaks havoc on the rankings for the weekly Avengers titles, as that issue sells 54K at #16, over 8K more than the other three issues, which are clustered in the 24-28 range on the charts. But as this event series enters its final act, it’s safe to say it can be called a hit for Marvel – it’s consistently outselling the previous main Avengers book, only four times a month.

Glenn:  No Surrender has definitely been a win for sure.  Aaron’s run on the book will absolutely be a sales hit too so the future seems optimistic for the Avenger’s for the first time since Bendis left.

Ray:  As Action Comics approaches its massive anniversary issue next month, the title continues to climb, selling 51K at #19 for its 999th issue. That’s even above Detective this month (right below it at 20-21), making it the second-highest selling DC ongoing of the month. Quite the feat for a title that was struggling at the start of Rebirth. And spoiler alert, it’s going to chart a LOT higher next month.

Glenn:  Momentum towards 1000 and having a number so close to that definitely upped the interest here.  It’ll be interesting to see how Action does post 1000 since the title is taking a break for the Man Of Steel mini.  With Bendis writing, its hard to not imagine it (and Superman) doing these numbers on a more consistent basis long term.

Ray:  X-Men: Red seems to be off to a good start, keeping 50% of its first issue sales to land at #22 with 49K. That’s more than 10K above the other main X-books, and it’s getting a much better reception from fans. This could be the proper X-book revival fans and Marvel have been waiting for.

Glenn:  People really seem to be excited for this book and for (adult) Jean Gray returning.  Hopefully it’ll remain unaffected by the larger relaunch happening in the shape of ‘fresh start’.  The announcements seem to have stopped for that though and the X-titles are just going towards a line event in the form of extinction instead so we’ll see how that goes but this could be a winner for sure.

Ray:  Even though Saga did absolutely nothing unique for its 50th issue besides continuing its story, the title gets a 7K bump in sales to land at #26 with sales of 45K. Retailers like their round numbers.

A huge jump for the penultimate issue of Donny Cates’ Thanos, selling 42K at #33. That’s up a full 13K from last month. With this being a short-run series, retailers didn’t have all that much time to react to just how big this got, but I expect we’ll see a lot more reorders for this title down the line. 

Glenn:  Reorders and collection sales will be the main thing for this title, especially for those hungry for Thanos content when a certain movie comes out in a few weeks.  I’d say that retailers will be less conservative when ordering Cates work in future when it comes to his mainstream work.  We’ve seen DC have Tom King bring in numbers on name alone, Cates could very well do the same.

Ray:  Speaking of King, right below Thanos is perennial chart-climber Mister Miracle, which returns from a skip month by gaining another 2K in sales to chart 40K. It feels like we’re seeing a new era of these “boutique” comics spotlighting less-known characters by elite creators who can go nuts with the concept. If they’re as good as these two, it could be a new golden age for the industry.

Glenn:  Mister Miracle’s success is astounding and will live out a long healthy life in collections. When we’re old folks this one will be one of those collections that is given to every comics fan as a must read like Dark Knight and Watchmen.

Ray:  To put it into perspective, Thanos and Mister Miracle are outselling Wonder Woman, Captain America, and both primary X-books besides Red.

Glenn:  Wonder Woman is going through a…less than stellar run at the moment and Captain America is recovering from a lesser run than that but still that is really quite a jarring thing to see.  Coates coming on will help Cap to a certain extent but there seems to be no immediate plans to help out poor Wonder Woman, its not like DC isn’t spoiled for choice.

Note:  Since typing this, former Supergirl writer, Steve Orlando has announced he is hopping on Wonder Woman briefly and a new regular creative team will soon follow!

Ray:  A pretty solid slide for The Terrifics this month, as it keeps about 75% of those first-issue sales to land at #43 with sales of 34K. We’ve seen retailers ordering cautiously on these New Age of DC Heroes books, followed by decent slides the next month. Terrifics actually feels like a hit, with the audience responding to the odd mix of characters and Jeff Lemire has a built-in fanbase.

Glenn:  The Terrifics is sure going to be the winner out of the new age of DC heroes launches.  I wonder if this books performance or even presence is partially responsible for the new Fantastic Four title coming from Slott and Picheli.

Image result for the terrifics 2

Ray:  Speaking of that built-in fanbase for Mr. Lemire, right below selling 33.5K is Lemire’s new Image creator-owned title Gideon Falls. I was maybe expecting a bit more for Lemire’s first foray into horror in a while, but then – this is a weird book. I’ve read the second issue the same day I write this, and I still have no clue what it’s about but I love it. It’s an odd project and retailers may have been a bit cautious. However, Lemire’s books tend to be extremely stable long-term.

Glenn:  I think this will be one that stabelizes fast, could even be a slow climber as word of mouth spreads.  The concept is odd on the surface but I think anyone that took the chance on it will spread the word quickly.  It’ll definitely end up well into Image’s safe zone I’d say.

Ray:  A good debut for Shadowman at #45, selling 33K. This is the return of Andy Diggle to mainstream comics, and the return of a Valiant character who was off on the dark side for a few years, but the first issue seems to have gone over well. I’m a bit surprised by how well it did, but I wouldn’t be surprised if retailers ordered a bit heavily to ensure that fans wanting to support the return of Valiant’s most prominent African-American hero didn’t go home empty-handed. We are in a post-Black Panther world, after all.

Glenn:  Good logic on Shadowman, it is becoming more common to see Valient being able to launch pretty strong numbers on some books which is great to see for them.  There’s been a lot of corporate changes at Valient but their strategy of slow and steady seems to be really working for them and I can’t imagine that changing anytime soon.

Ray:  Doctor Strange: Damnation started low, but seems to have had a decent second issue slide this month, selling 32.9K at #47. That’s down about 25% from the first issue. The third issue is the same month, selling 30K at #58. So it seems like this quick event has at least given Donny Cates’ Doctor Strange run a slight boost, in sales if not quality.

Glenn:  Not too bad a drop for Brave and the Bold: Batman and Wonder Woman which has its second issue sell over 31.8k at 49.  Still might have expected more considering the characters involved and the creator involved but for a throwaway mini, this is very good.

Ray:  Peter Parker: Spectacular Spider-Man comes back down to Earth after its big anniversary issue, and it keeps 3K of that anniversary boost to land at #54 with sales of 31K. Not a huge increase, but this title is a solid mid-level performer for Marvel. And it’ll soon be the only Spider-book once Slott leaves! Hooray for Zdarsky!

The penultimate issue of Supergirl lands at #55 with sales of 30K. That’s down about 1.5K from the last issue, but this was also a special issue cowritten by guest writer Vita Ayala. It’s been massively praised for its nuanced take on LGBT issues and teen alienation, and I would expect to see it get a lot of reorders in the coming months. This is not a title that should be ending based on sales and buzz, but here we are. Bendis is coming!

Glenn:  This Supergirl issue should be given to kids in school’s to help those struggling with their identity (gender or sexual orientation or otherwise) and help kids support those going through the struggles this issue deals with.  This is one of my favorite comics of the year so far so I hope it picks up some reorders.  I really hope DC has more plans for the character because it seems a shame for multiple reasons to just kill off the book at the behest of a new creator.

Ray:  At #61 we have the Damnation: Johnny Blaze Ghost Rider one-shot, selling 29K. That’s a decent number for a one-off story featuring a B-list supernatural hero spinning out of a minor event. What’s worth noting is that both this and the recent Spirits of Vengeance miniseries did a bit better than expected. It seems the supernatural characters from Marvel have a bit of an untapped fanbase.

Glenn:  People might be wanting more Ghost Rider since the cosmic version has been such a hit also.  We’re not going to see Ghost Rider (the normal version anyway) be able to hold his own title anytime soon so for a one off that is tied into an event that people seem pretty blegh about, this is a pretty great number.

At 77 is the next of those multiple Venom True Believers you mentioned, this one reprinting the first issue of the Lethal Protector mini which sells over 25.9k.  Much lower than the Amazing 300 reprint but still incredibly impressive.

The newest Kick Ass comic loses about half its sales selling over 25.1k at 81.  That’s quite a drop but still but it as a comfortable Image level.  I would say the upcoming ‘Netflix wave’ of Millar books will do a lot better for him than these revisits of his older creator owned properties.  I think this is only a mini (DC will be wanting Romita JR back) so in terms of that this book will fine.

Ray:  I think Kick-Ass is ongoing? Romita Jr. doesn’t have any formal DC deal and is co-creator on Kick-Ass (although it’s owned by Netflix now, obviously), so I imagine this will take priority for him. I find it amusing that I can refer to “That John Romita Jr. comic about a mom who has a secret life as a brutal vigilante” and I could be referring to two books.

Image result for kick ass 2018 2

Glenn:  Millar hasn’t done an ongoing for quite a while so that would surprise me.  Let us know if you know, loyal Numberites!

No increase for Poe Dameron’s Star Wars title at 88 but it only loses a couple hundred sales from last issue with its 25th selling over 24.5k.  The book is now going to cover the period of time that the Force Awakens does so it’ll be interesting to see if that has any impact.

Much like the majority of its other new era brethren, Sideways has a troubling second issue sales performance of over 23.8k at 92.  It could be worse of course but this book along with the others that proceeded it are likely to be not here this time next year apart from Terrifics which will continue as long as Lemire is involved most likely.

Ray:  All the New Age of DC Heroes titles had rough debuts but moderate slides. The problem is, there just isn’t much room for them to keep falling – and when these a-list artists leave, we might see bigger drops.

Glenn:  The roll out of the books was a big mis fire, then them losing the artists (who were supposed to have the spotlight) is an even more baffling decision.  There still be the specter of stupid decision over at DC.

Last appearance of a Venom True Believer in the top 100 at 98 with a Venom/Carnage reprint selling over 22.3k.  This is a reprint of Carnage’s first story so I’m surprised it didn’t do better than Lethal Protector, especially with the Carnage symbiote being such a major part of Amazing at the moment.  Still great stuff for a comic that’s like 20 years old or so.

Not quite losing half its sales like Kick Ass, Hit Girl nearly does with sales over 21.1k at 100.  Considering how popular Hit-Girl is I might have expected more but still fine for as long as Millar wants it to be around.

At 101 its True Believers: Venom Symbiois which is a repring of Web Of Spider-Man 1 which doesn’t even have Venom in it!  The connection here is black suit Spidey on the cover I guess?  I don’t know how this one qualifies but it sold over 21k regardless.

At 102 is an odd comic, Iron Man: Hong Kong Heroes which sells just under 21k.  This is a promotional comic to tie in with a new Iron Man themed ride opening at Disneyland: Tokyo.  So this is an ad that you pay for, genius!  This being such an oddball of a book, I’d say sales around 21k is sensational.

Ray:  I suspect retailers didn’t really know what to expect out of this one, and just went “Iron Man? 20K sounds about right”. The fact that there’s only about 10K between this theme park tie-in and Bendis’ proper Iron Man title, though, is sort of crazy.

Glenn:  Wrapping up the Ivy/Harley & Betty/Veronica mini at 104 with sales over 20.7k.  Pretty strong sales from a mini that seems to have just been done for the lolz.  Again DC benefits greatly for letting others play with their characters and I don’t think that’ll be stopping anytime soon.

At 105 is the second issue of video game tie in Batman Sins Of The Father which sells over 20.4k which is very good for a video game tie in.  Batman, the people can’t get enough of him!

Image result for batman sins of the father 2

Ray:  I recall that the Batman digital-first tie-ins always did better than any other book from the Digital-First line, so DC has got to be glad to have a new video game to tie in with!

Glenn:  After a very surprising debut, Mera: Queen Of Atlantis has second issue sales of over 19.7k at 108 which makes a lot more sense.  Still very good stuff for a mini focusing on one of the lesser known supporting characters in comics.

Ray:  Yeah, this is about what I would have expected from a Mera title, selling just a little below the level of Aquaman. Not bad, but certainly nothing that is going to make DC order an ongoing like the first issues made look like a possibility.

Glenn:  At 109 is a competitor for the oddest comic debut this month, Vampironica which is Veronica from Archie becoming a vampire.  Its typical old school wacky Archie stuff and sells over 19.7k which I’d say is very good.  These Archie horror books seem to have a lot of interest in them.

Ray:  These Archie horror books sell in a different league from anything else from the company, and this one has Greg Smallwood on board. As long as they keep selling, we’ll keep getting new ones. They’ll listen to me and greenlight Moosenstein one of these days!

Glenn:  I personally am hoping for Betty and Veronica but its more like Jekyll and Hyde than two girls hanging out.  Betty and Veryde?  Why Archie hasn’t called me yet is a mystery.

Next at 110 is Rick & Morty present the Vindicators which I assume means something to someone?  It sells over 18.8k which is on the upper tier of how tie in comics usually do but Rick & Morty’s popularity explains how this one has done better than average.

The next part of the comic adaption of American Gods debuts at 114 with sales just under 18.5k.  Seems like retailers gave this a slight boost for the number 1 but will likely treat it as a continuation overall like they did for the Dark Tower adaptions back in the day.  This is a title that Dark Horse seems to be glad they have.

Ray:  Even though Gaiman isn’t writing this, his name on the cover gives it a big boost. That certainly bodes well for Sandman Universe at DC this summer.

Glenn:  At 121 is another wrap up of another inter company crossover, The Shadow/Batman which sells 17.5k.  I wouldn’t be surprised to see another part to round out a trilogy coming along.

Ray:  Dynamite has a lot of these properties that could mesh well with DC in the future. This is one of the biggest successes of the crossover wave overall, so we’ll definitely see more.

Glenn:  More Venom in the form of True Believers at 126 with this one focusing on Agent Venom aka Flash Thompson Venom.  It sells over 16.7k which is still very good for a reprint, especially one that’s not that old.

Ray:  There’s quite a few reorders on the charts this month, including Amazing Spider-Man #796, which charts again at #127 with sales of 16,6K, above first-run sales of multiple DC and Marvel books. This was the prelude to Slott’s final arc, and there’s clearly an enormous amount of interest here. 

Glenn:  Retailers can’t pry copies of this arc of Amazing from people it seems.  It could be interest in the red Goblin, Slott’s final arc, the first proper Green Goblin/Peter Parker Spider-Man story in years or a combination of all three.  This is like a perfect storm.

Ray:  The Young Animal books get their relaunches this month following Milk Wars, and the highest-charting one is the new one, as Eternity Girl – Magdalene Visaggio’s personal story of a depressed immortal superhero – lands at #129 with sales of 16.2K. Impressive that it beat the established ones, which are a bit below. Mother Panic: Gotham AD lands at #143 with sales of 14K, followed by Shade the Changing Woman at #154 (12.7K) and Cave Carson has an Interstellar Eye at #163 (11.6K). These books largely continued from the previous run, but they all got decent-sized boosts in sales from those final issues. This is clearly a niche line, but let’s hope some of those new eyes from Milk Wars stick around!

Glenn:  Decent numbers from what we’ve come to expect from Young Animal by now.  If they can land above 10k and do well in trades, DC will likely keep the books around as long as each respective writer wants to work on it.

Ray:  Venom is all over the charts this month, with five more True Believers one-shots in this range. Venom: Shiver lands at #130 with sales of 16K, and then not far below we have Flashpoint, Dark Origin, Homecoming, and Toxin all selling in the 15K range between 135-138. This feels like the biggest True Believers wave yet, and probably the most successful.

 

The magnificently-named Pornsak Pichetshote makes his debut on the charts at #142, as his modern haunted house thriller Infidel sells 14.2K. For a creator without a mainstream profile yet, that’s a really strong debut. This is a miniseries and should keep healthy numbers throughout, but I suspect we’ll be hearing a lot more of the name Pornsak Pichetshote in the future.

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Glenn:  You’re having way too much typing that name, I can tell.  Infidel has a great concept and sometimes, that’s all you need to draw the eye of the reader.

Ray:  In the latest installment of “comparisons that make Marvel look bad”, let’s look at three titles. Ms. Marvel (#145, 13.7) is Marvel’s most popular new character in years. Deadman (#146, 13.3K) is a much-mocked Neal Adams title featuring a character with little to no buzz. Runaways (#148, 13.1K) is a critically acclaimed run by a mainstream novelist featuring the stars of Marvel’s new hit TV series. Should these titles be selling in the same range? I think not.

Glenn:  It seems that this is where Ms. Marvel lives now as a sales entity which is a real shame.  I have no doubt her collections and larger outside of comics presence keep her safe but its a really good book with a fresh protagonist which is what Marvel needs more of right now but if the market tells them otherwise, they’re hardly going to give us that.  We’ll probably get Ms. Marvenom in a few months.

Ray:  More reorders for Amazing Spider-Man, as #795 charts again with sales of 13K at #150. Clearly, fans are going to miss Slott a lot on this title. I suspect Marvel will too.

Mystic U, DC’s prestige-format magical college adventure, comes to a close with sales of 11K at #166. This is a title that didn’t find the audience it deserved in singles, but DC has an opportunity here – they can repackage it as part of the DC Ink line and get that collection into bookstores. If they’re smart, it could still be one of their biggest hits in a long time.

Down at #167, we’ve got the second issue of Labyrinth: Coronation. Selling just under 11K, this is Boom’s second-highest selling comic of the month. Unlike the other Jim Henson comics from Boom, this one seems to have caught some serious buzz for its prequel revealing the origin of Jareth.

Glenn:  There’s a lot of love for Labrynth and for Bowie so these could be key factors helping this book be a healthy offering from BOOM.

Ray:  And MORE Amazing Spider-Man reorders, as #794 sells an additional 10K at #172.

Top Cow relaunches one of their oldest franchises, Cyber-Force, with Matt Hawkins and Bryan Hill at the helm. It sells 10K at #172, not a great showing. The time for these old-school Image properties with a distinct 90s vibe may just be past.

Glenn:  There will always be a little bit of an audience for them but Image has changed SO MUCH from what it was when it launched that these are not the type of books people want from the company anymore.  It might be more beneficial to them to farm them out to smaller companies that could use these sales that Image don’t.

Ray:  At #177, we’ve got the debut of the latest Black Hammer spinoff, Doctor Star and the Kingdom of Lost Tomorrows. It sells 9.8K – but that’s deceptive, because there was an odd case last month where 4.5K worth of copies shipped a week early in the previous month. That puts the title’s total orders at a very healthy 14K+, which is close to in line with the main series. This book continues to prove itself to be Dark Horse’s first original hit franchise in a long time.

Glenn:  There’s soon going to be two Black Hammer books going at the same time with a third on the horizon.  Clearly Dark Horse loves the franchise and Lemire loves doing it, I know I love reading about it.

Image result for doctor star and the kingdom of lost tomorrows #1
The second of issue of Lockjaw sells just over 8.4k at 190.  Pretty much what you would expect from a comic about the Inhumans dog.  The Death Of The Inhumans series by Cates coming soon will likely be the final word on this franchise for a long, long time.

Ray:  It’ll be interesting to see if Cates’ general hype and buzz can lift the Inhumans sales-wise, but quality-wise it’s more likely to get people talking than most of their recent projects.

Glenn:  The Crow: Momento Mori from IDW is a new installment of a franchise exploring the unique gothic super hero who has a somewhat colourful history in terms of an excellent first movie, a string of meh to terrible sequels, and middling to terrible other types of adaptions.  It sells over 8.2k which is probably the die hard fans only.  Might be good long term for IDW to have it in their library if that Mamoa remake ever gets going.

Ray:  This property’s heyday was over twenty years ago, and I don’t think it even quite worked outside of the context of its creator’s very personal story, so these numbers aren’t a big surprise. Not every nostalgia revival is going to work.

Glenn:  Odd sounding sci-fi title Prisim Stalker debuts from Image at 198 with sales over 8k.  Pretty standard stuff from creators that don’t carry sales clout and a quirky premise.

Ray:  Making the situation worse for Prism Stalker, it debuted the same day as two massive new Image launches by Kirkman and Lemire. That likely made retailers order even more cautiously on this. The title’s concept doesn’t become fully clear until the second issue, so it might pick up reorders from here.

Glenn:  Hope so!

Very small drop from the Buffy: Giles mini at 199 with sales also around the 8k mark but it didn’t have that far down to go.  This franchise, even with the return of Whedon on co-writing duties is long past its heyday.  We’re going to have one more four issue mini wrap things up here and Dark Horse gets a healthy Buffy/Angel library for future generations that will come to discover the classic show that want more.

At 202 is another Marvel Movie prelude in the form of Ant-Man and Wasp which sells over 7.7k at 202.  I’m guessing this is a retelling of the events of the Ant-Man movie so you can’t expect much.  The fact that all these cash gra…errr preludes are getting their own Omnibus in a few months is hilarious.

A new female led Green Hornet series from Amy Chu and Dynamite launches at 207 with sales over 7.5k.  This franchise has its small  set audience and is unlikely to do anything to create a great resurgence of interest in it. Dynamite might have liked to have more interest on paper but its not horrible, just standard Green Hornet performance.

Sharp drop of over 10k for Dejah Thoris on its second issue with sale over 7.4k at 209.  This is more what I imagine this book to live at after its unusually high launch last month.  Like Green Hornet, its not brilliant but its not terrible…as long as it doesn’t lose another 10k readers next month and has negative readers.

Ray:  Interesting that Green Hornet sold about the same with its first issue as Dejah Thoris did with its second. Bump from Dejah Thoris’ #0 issue getting a wider audience? Maybe, because Dejah Thoris has far less mainstream presence overall than the Green Hornet does.

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Glenn:  The creator of Spy Seal, Rick Tomasso takes a break from that series to launch Dry County which sells over 7k at 217. Retailers probably ordered this based on how well Spy Seal sold but that was a very particular type of book for a very specific audience, on the surface this book reads like it has more mass appeal.  Maybe it’ll find its audience in trades?

Ray:  Tomasso does very offbeat comics, and this slice-of-life crime comic didn’t really have a strong hook to grab retailers and make them order heavily. I expect it’ll have pretty stable but low sales for the miniseries.

 
Glenn:  For those that still care, Moon Girl and Devil Dinosaur sells over 6.7 at 220.  No word on this getting a Fresh Start style paint job.  Could the mystery be finally at the end?

Ray:  I doubt it’ll be ending, especially with the recent announcement of an animated series coming. What’s happening here is that Moon Girl likely does 95% of its sales in collections and bookstores, and no one cares about the single issue sales. Once the cartoon begins, don’t be surprised if IDW shows up to take the property into custody. It’s better this way. They’ll be happier there. Devil Dinosaur will have a bigger yard to play in.

Glenn:  The book that Ray has been yelling about how awesome it is, Highest House from the creative team behind the Unwritten launches from IDW at 224 with sales over 6.5k.  Ray talks about this one like it should be selling ten times as much but IDW never as much luck with creator owned material and this one is printed in a unique fashion (much like A.D: After Death from Image which went on to do amazing in collections) so this one seems like one that will earn its keep from collection sales both inside and outside the market for many years to come if its quality is anything to go by.

Ray:  If you’re reading this column and you’re not reading Highest House, what are you doing with your life???? In all seriousness, this will be a classic in bookstore form for years to come, and you’re all going to wish you had the single issues when it’s a hit Netflix miniseries.

Glenn:  Deathbed, the latest Vertigo series from Joshua Williamson sells over 6.2k at 230.  Even one of the biggest writers at DC right now can’t get a lot of interest through Vertigo anymore.  Uncle Neil Gaiman and his seven endless children are coming to save the day next year.

Ray:  That’s a roughly 50% slide for Deathbed, a little lower. Worth noting than the conclusion of Deathbed is the only Vertigo title solicited for July – and that the upcoming Sandman books are not going to be under the Vertigo brand, but get their own line.

Glenn:  So it is!  Sorry Vertigo.

Spider King, another creator owned from IDW sells over 6.1k at 231.  I don’t know these creators so they’re probably delighted they came so close to the likes of Mike Carey up a few spots at Highest House.  Again, this isn’t about the material but about IDW’s position in terms of a creator owned publisher.

Ray:  IDW’s slowly pushing more and more into the creator-owned market, but they don’t quite have a brand yet on that front, and interested people have to sift through roughly 900 licensed books to find these books. That doesn’t make it easier to find these hidden gems.

Glenn:  Ghostbusters: Crossing Over sees multiple versions of the ghost busting team join together with sales at over 6.1k checking in at 232.  This is going to be one for die hard Ghostbuster fans only who want to see the iconic movie team interact from everyone to the extreme version to the reboot cast of the movie no one talks about anymore.

Ray:  Making things rougher for this Ghostbusters crossover, the fanbases of the two groups of movie Ghostbusters do not play well together. As for the Extreme Ghostbusters, they’re just happy to be here.

Glenn:  Pretty soft fall for Xena on her second issue as she sells over 5.8k at 237 but she couldn’t afford to fall much further with where she launched.  Another one for the die hard fans…or the Collector.

Ray:  At #235 is the second Ian Flynn-penned issue of Archie, and it only sells 5.8K. That’s close to a 50% slide for the main Archie title in less than six months, most in the last two issues. To say this isn’t good is an understatement. The book seems to have lost almost all of its buzz since the Over the Edge story petered out with few permanent consequences, and the new creative team hasn’t helped. Flynn will probably have more success on next month’s Sonic relaunch from IDW.

Glenn:  Its a shame they couldn’t get another name like Waid to come on board.  The comic industry is thriving with some very talented folks, surely at least one of them would be interested in writing Archie?  I’ll write Archie, I’ll make it about crime and time travel!

Ray:  At #242 is Secret Weapons: Owen’s Story from Valiant. 5.5K isn’t great, but Valiant’s one-shots rarely sell too well. This is more of a prequel, introducing fans to the stories of the players for the upcoming Harbinger Wars II, so look for these to maybe pick up some reorders when that event ramps up this summer.

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Not getting an animated series like Moon Girl is Monsters Unleashed, which wraps up its run at #244 with sales of 5.4K. These are shockingly low numbers for a main line Marvel book – and yet, still probably not as low as Solo or Slapstick, the latter of which actually fell out of the top 300. Just another attempt to make something happen for Marvel lately. It didn’t happen.

Glenn:  Marvel threw the kitchen sink at this one to make it happen.  Another one of their growing number of recent misfires.

Ray:Usagi Yojimbo’s been running for a very long time, and had high numbers – until now, as Stan Sakai debuts a new miniseries titled “The Hidden”. It sells 5.2K at #248, which isn’t huge but definitely an improvement from the title’s usual numbers. This is a book that has a very loyal audience of longtime readers, similar to Savage Dragon, I imagine.

The latest Boom original property, Lucy Dreaming, debuts at #252 with sales of just under 5K. Not unusual for Boom miniseries, which probably do better numbers in collections, although this one had hit musician/writer Max Bemis and the acclaimed artist of The Woods. This will be a complete story in a few months and will sell on bookstore shelves for years to come.

At #253 is an unusual entry, the promotional Image Expo 2018 Preview Book. It’s a $1 collection of opening pages from a host of upcoming books announced at the Expo, and it sells 4.9K. I’m surprised this was counted as a regular book at all, and I might have expected it to be ordered a bit more heavily.

Glenn:  Interesting idea for a promotional tool, much like DC’s been starting to do but not on a regular basis by any means.  Considering Image books need perhaps the promotion to get them in mind of readers if they don’t have a big name creator attached and retailers like making money, you would have though investing in this to get more readers to buy more books would have been a no brainer.

Ray:  More reorders for some hit comics, including Thanos #14 (4.7K at #256) and the unkillable Doomsday Clock #1 (#261, 4.5K), which will be on these charts until we’re long gone.

Glenn:  It helps to be the follow up to the most critically acclaimed comic ever but Geoff Johns and Gary Frank are doing the work of their careers and deserve the success.

Ray:  Another Boom debut, Dodge City, about a scandal-scarred competitive dodgeball team, debuted with 4.5K at #264. This one didn’t seem to have much hype behind it or any name creators, and it’s not the first Boom title about oddball competitive sports, so I think this one might have slipped under the radar.

Glenn:  We don’t really have dodge ball here as far as I’m aware.  Getting people committed to a sports book is usually not something that goes well in today’s market.

Ray:  Black Mask debuted two new comics this month, the body horror/social media thriller Come into Me and the cryptozoology/big pharma conspiracy Breathless. Both sold about 50 copies apart in the 4.4K range at #266 and #270 respectively. Black Mask is apparently going through some transition right now as many books and collections have been cancelled due to delays. Numbers like this aren’t exactly a ringing endorsement for the future, since I don’t think they really have a bookstore market presence yet.

Glenn:  Black Mask seemed to be going somewhere a year or so ago but no…its not looking good.  That may maintain a small presence, vanish entirely or rebound.  With the unpredictability of the comic market today, any of these three things could realistically happen.

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Ray:  The Berger books have absolutely crashed on the charts, with the second issue of Mata Hari and the third issue of Hungry Ghosts selling in the 4.4K range at #271 and #273 respectively, and as for Incognegro – unknown. It’s not on the charts. Depressing news, especially since the latter book is exceptional.

Glenn:  Dark Horse have to betting on these doing well in collections otherwise we may not see too many more of the Berger line.

Ray:  4.3K in reorders for the Swamp Thing Winter Special at #275, as Tom King and Jason Fabok’s acclaimed story gets some additional sales. Retailers may have ordered cautiously because of the price tag, but that King dude has built a fanbase! And an additional 4.3K sales for Avengers #276 right below, as the return of the Hulk builds buzz for this weekly run.

A rare creator-owned debut for Oni, as Ed Brisson’s violent kung-fu assassin thriller The Ballad of Sang debuts at #279, selling only 4.2K. There’s no way this wouldn’t have sold twice as much or more at Image, which is probably while Oni seems to be ramping down their production of single-issue originals.

Glenn:  Like Black Mask, Oni seemed to have a few interesting things on the horizon and have gone nearly dark in terms of monthly.  Did we ever even get the book that resulted from their much hyped open submission a few years ago?  If we did then I missed it.

Ray:  A very low debut for the all-ages fantasy Betrothed, Sean Lewis’ new Aftershock title, at #287 with sales of 4K. Despite growing their output and talent pool every month, Aftershock still has trouble getting decent-sized launches for books without boldface names on the cover.

Glenn:  Aftershock still seem to be doing something to get the attention of bigger names than a company their size and their relative newness would really warrant.  They must be doing something right somewhere.

Ray:  A Ghostbusters annual sells 4K at #290, showing once again that this franchise is struggling for IDW. The split in the fanbase will likely hurt the property for a long time to come.

3.8K in reorders for the first issue of The Terrifics at #298, showing some real buzz for this series. Combined with the healthy second-issue drop this month, this feels like it’s the one new hit for DC in this wave.

Glenn:  One out of five (or however many it was) isn’t bad?  Probably not but hey…at least Lemire is writing big two comics again!

Ray:  And at #300, it’s Matt Kindt’s creator-owned title Grass Kings. It’s ending in two issues, so we’ll see if it can rebound a tiny bit and complete its run in the top 300, the way Tom King’s Sheriff of Babylon did towards the end of its run.

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Glenn:  I’ll pretend I know what this book is and agree!

While we leave the top 300, I want to take a quick glance as the collection sales for this month.  Even though the output from the line is a rarity these days, the latest Earth One offering in the form of Green Lantern does really well.  It comes second only to the new Walking Dead collection (of course).  This line basically only consists of Batman (put on hold for Doomsday Clock) and Wonder Woman.  Superman is MIA with the writer of the first three volumes presumably not returning and the promised Flash book never materializing.  Considering all of that, this sells really well and that’s especially interesting since this creative team of Gabriel Hardman and Corrina Beckho are probably the least known creators this line has seen thus far.  That’s very encouraging for any other Earth One books DC might deem fit to put out in the future and one to keep an eye on!

Ray: Hardman and Bechko are acclaimed indie creators who are not all that well know to fans of the big two, but are bringing their own fanbase to the picture. This goes to show that DC should maybe take some chances with these titles, let lesser-known creators with big ideas take a chance on top characters. Every time an installment of the Earth One Series has come out, it’s sold very well, but the pace of the franchise is so unpredictable that it doesn’t do for DC nearly what it should. There’s a similarity to the All-Star Line in that way (only without kids being forced to eat rats).

Image result for action comics 1000Looking ahead, there’s no real question what wins the month – we know Action Comics #1000 is crash-landing and destroying the top of the charts with sales of over 500K. These are unheard-of numbers for superhero books in this market, and this is a massive event (that DC will be able to recreate in less than a year with Detective). With 500K at $7.99, could DC win the month outright? I think it’s possible. They’ll also have two new debuts from The New Age of DC Heroes – Brimstone and Immortal Men, but this month, a lot of series are ending to make way for new launches in May and June.

This isn’t Marvel’s month, but they’ll be trying to keep up with two issues of Amazing Spider-Man’s blockbuster storyline, and the launches of soon-to-be cult favorite titles Domino and Exiles. Plus, the mini-event The Hunt for Wolverine kicks off this month before splitting into four miniseries the following month. And they’ve also got the weekly Venomized, the conclusion to Cullen Bunn’s Venom storyarc before Donny Cates jumps on board.

It’s a big month for indies as well, including the return of Frank Miller to Dark Horse, with an original Xerxes miniseries spinning out of 300. They’ve also got the return of the proper Black Hammer title’s second volume. Image has a host of new launches, including Isola from the Gotham Academy creative team, Steve Orlando’s Crude, Kyle Higgins’ Dead Hand, Joe Henderson’s Skyward, and Gerry Duggan’s Analog. IDW’s got one of their biggest launches in a while with the weekly rollout of the new Sonic the Hedgehog series, following that property’s departure from Archie.

What will rise? What will fall? Find out next month on…By the Numbers?

Review: Fallen World #4

Fallen World #4

In Fallen World #4, Rai’s greatest enemy has returned in a whole new form, and he’s got an army with him!

Can the cyborg samurai save innocent people from the powerful foe?

What roles will fan-favorite characters Eternal Warrior, Geomancer, and War Mother play in the battle?

Fallen World #4, written by Dan Abnett, featuring art by Adam Polina, colors by Ulises Arreola and letters by Jeff Powell is the penultimate issue in the series that follows the events of 4001 A.D. and War Mother. It also serves as the first time we see War Mother interact with another character from New Japan, the new Geomancer, and the Eternal Warrior.

Unfortunately, it’s also the weakest book so far in the series.

Gone are the allegories to the present day and our current struggles, replaced by an issue of combat and action that does little to provide any real excitement (which feels odd to say).

Regarding those allegories…

My love for this series is, in part, due to the analogs to our current world. There are clear problems between humans and their former slaves, the artificially intelligent positrons. This leads to some powerfully haunting moments in the first issue. The second issue introduced us to a religious sect that worship Father – or rather their idea of Father, crafted to suit their needs. It’s a series of undertones that add what all great science fiction has. That’s a powerful modern relevance despite the book being set two thousand years in the future. The third issue has added an interesting commentary on a foreign body trying to impose its will on the existent population. It’s a population that is less than thrilled with the proposition being offered by the foreign body.

From the review of Fallen World #3 I wrote last month.

Whereas the fourth issue has a throwaway line that infers people are willing to surrender far too much for the easy way out. It is a powerful line, but it’s lost amidst the rest of the issue and isn’t really revisited in any great detail, which is a shame.

Once again, the comic is split between two different plotlines; following Rai and the Eternal Warrior, the Geomancer and War Mother. Rai’s story is mostly focused on his impending confrontation with Father, and how the supporting characters try to help make such a thing a possibility in the finale of the miniseries. I’d love to say that the action of screen and the story itself are exciting, but it feels almost routine. Fallen World #4 is a by the numbers comic that is entirely at odds with the first two issues in the series – and as a person who was deeply enjoying the direction of the story, that’s a disappointing thing to say.

At this point, it would be nice to say that the diverging tale brings enough to the comic to save it, but there’s something a flatness in the way the Eternal Warrior, the Geomancer and War Mother interact; any of the emotion and humour from the previous issue seems to have drained away to be replaced with mostly forgettable dialogue (though there are highlights – for the most part it’s just “okay”).

I am aware that art is subjective, which makes talking about it tricky at times because this series has once again fallen below expectations for me. There are some wonderfully descriptive pages, and then you look at Gilad’s face and you wonder if it’s the same character that we saw last issue because he seems to have had an impromptu hair cut (which he seems to keep refreshing after every page or so), and the scars across his face have pretty much all but disappeared. Now while some of my misgivings can be attributed to the review pdf, there’s more than I can reasonably sweep under the rug.

That said, this series is still buoyed by two remarkable issues at the outset of the series, and another pretty good one right in the middle. While there has been a downward trend appearing, we’ve still got an issue left that will allow Abnett, Pollina and co to course correct for a much better finale than the fourth issue implies we’ll get. But, after a disappointing fourth issue, I’m still cautiously optimistic about the fifth.

Story: Dan Abnett Art: Adam Pollina
Colors: Ulises Arreola Letters: Jeff Powell
Story: 6.8 Art: 7.1 Overall: 7.0
Recommendation: Buy if you’ve come this far

Valiant provided Graphic Policy with a FREE copy for review.

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