Search Results for: demographics

Mad Cave Studios to Publish ZAG Heroez Miraculous Graphic Novels!

Miraculous

Animation studio ZAG has signed with Mad Cave Studios for a series of graphic novels to be published through its Papercutz and Maverick imprints for global hit brand Miraculous. Aimed at young adult and middle-grade readers, the first titles in the series will be available in 2024 across North America.

Set in modern-day Paris, the globally loved Miraculous TV series, currently in its fifth season  and available on broadcast outlets and streaming platforms in over 120 countries across the globe, follows the adventures of two seemingly typical teens with secret identities, Marinette and Adrien, who magically transform into superheroes, Ladybug and Cat Noir. For superhero movie fans everywhere, the animated blockbuster Miraculous: Ladybug & Cat Noir, The Movie, will launch on Netflix on July 28, 2023, and theatrically in select countries. The theatrical roll-out will commence in early July in France by SND and in Germany by StudioCanal, as well as in China, Belgium, Switzerland, Poland and the Eastern Europe region, Russia, Greece, Turkey, and Israël. With broad appeal across age demographics, Miraculous has become a digital planetary craze with over 35 billion views on YouTube (authorized and user-generated content).

ZAG’s licensing and merchandising, gaming, and promotions groups, focus on developing products and experiences beyond the screen into brands that inspire the new generation to discover their true character.

Demo-Graphics: Comic Fandom on Facebook – US Edition

Demo-Graphics is back! We’re looking at where the “comic fans” stand when it comes to demographic details as of March 1st!

What is Demo-Graphics?

Each month I dive into data from Facebook looking at the various demographics it can tell us about comic fans. This isn’t hard numbers but best used to show trends in the industry and the potential of the market out there. This has shown the shift towards women being a major force in readers and a shift to the younger demographic.

How does it work?

We use key terms, “likes”, that users have indicated and have come up with our own set to measure each month. There’s over 50 terms used (and no I won’t release them). We stick to specific terms for the industry such as “comics” and “graphic novels” and “one-shots” as well as publishers and leave out broad terms like specific characters or stories. Just because someone likes Batman doesn’t mean they like comics.

Other things to know…

This data is important in that it shows who the potential comic audience could be. These are not purchasers, these are people who have shown an affinity for comics and are potential purchasers and those with an interest.

Also, with this being online/technology, due to laws and restrictions, those under the age of 13 are underrepresented.

Since the last time this feature was run, Facebook has made adjustments as to what it can report so some data is no longer available and we’ve also added in new data that hasn’t been reported before (but some of it has been tracked over the years).

Facebook Population: Around 60 million in the United States

Last month, we reported around 67 million. Things have dipped over the month with women making up about 31 million and men 29 million.

The Spanish-speaking population last month was 13.58%, that number has remained improved over the month to 14.00%.

NEW: Comics focused on kids has been an explosive area of growth over the years. The data tells us that 21.67% of comics fans are parents, that’s 13 million individuals! The number of parents remained the same but with a smaller population, the percentage increased.

Gender and Age

Women have been a majority for a long time in this reporting. They continue to be exactly that accounting for 51.67% of the comic fans down from last month’s 52.24%. Men accounted for 47.76% last month and now account for 48.33%. Women regularly became the majority of the fandom back in October 2017 when we first saw a 50/50 split in the demographics.

Facebook still is not good about placing gender in a binary, but it’s still a goal to better report beyond just the two regularly listed.

As we can see by the numbers below, women do slip as the majority from around age 22 to 33.

Facebook demographics gender 3.1.21
Facebook demographics gender age 3.1.21

Relationship Status

Things have remained relatively steady over the month but there has been some changes from the previous month.

How has things changed?

  • Those who have marked themselves “single” decreased about 1 million
  • Those that are “engaged” decreased by 100,000
  • Those “in a relationship” decreased 500,000
  • “Married” has decreased by 1 million
  • Other statuses shifted in numbers but their percentages remained mostly unchanged.
Facebook demographics relationship status 3.1.21

Education

Things remained steady with decreases as expected due to the smaller population. Things decreased across the board and none of it stands out.

Comic book demographics education March 1, 2021.

NEW – Political Leaning

Facebook is a data trove of political information. While I regularly tracked the information, I have never reported on the political leanings of the comic fans there. Well, here’s the third such release of the data!

Comic book demographics political leanings March 1, 2021.

But what about the gender of those comic fans?

Comic book demographics political leanings by gender March 1, 2021.

We can see, according to this data that comic fans lean more liberal. There are some interesting differences in that Conservatives are dominated by men while those Liberal and Moderate see women as a majority. Moderates especially see more women than men, even more so than liberals. We’ll see how this shifts over the months and years with the flow of American politics.


That’s it! Or, not… we’ll be back as we see the European statistics!

Demo-Graphics: Comic Fandom on Facebook – US Edition

We hinted at the return of some long-shelved regular features on the site, and the first back is Demo-Graphics!

What is Demo-Graphics?

Each month I dive into data from Facebook looking at the various demographics it can tell us about comic fans. This isn’t hard numbers but best used to show trends in the industry and the potential of the market out there. This has shown the shift towards women being a major force in readers and a shift to the younger demographic.

How does it work?

We use key terms, “likes”, that users have indicated and have come up with our own set to measure each month. There’s over 50 terms used (and no I won’t release them). We stick to specific terms for the industry such as “comics” and “graphic novels” and “one-shots” as well as publishers and leave out broad terms like specific characters or stories. Just because someone likes Batman doesn’t mean they like comics.

Other things to know…

This data is important in that it shows who the potential comic audience could be. These are not purchasers, these are people who have shown an affinity for comics and are potential purchasers and those with an interest.

Also, with this being online/technology, due to laws and restrictions, those under the age of 13 are underrepresented.

Since the last time this feature was run, Facebook has made adjustments as to what it can report so some data is no longer available and we’ve also added in new data that hasn’t been reported before (but some of it has been tracked over the years).

Facebook Population: Around 67 million in the United States

Last month, we reported around 70 million. Things have dipped over the month with women making up about 35 million and men 32 million.

The Spanish-speaking population last month was 13.29%, that number has remained improved over the month to 13.58%.

NEW: Comics focused on kids has been an explosive area of growth over the years. The data tells us that 19.4% of comics fans are parents, that’s 13 million individuals! The amount of parents remained the same but with a smaller population, the percentage increased.

Gender and Age

Women have been a majority for a long time in this reporting. They continue to be exactly that accounting for 52.24% of the comic fans down from last month’s 52.86%. Men at accounted for 47.14% last month and now account for 47.76%. Women regularly became the majority of the fandom back in October 2017 when we first saw a 50/50 split in the demographics.

Facebook still is not good about placing gender in a binary, but it’s still a goal to better report beyond just the two regularly listed.

As we can see by the numbers below, women do slip as the majority from around age 22 to 33.

Comic book demographics gender February 1, 2021.
Comic book demographics gender and age February 1, 2021.

Relationship Status

Things have remained relatively steady over the month but there has been some changes from the previous month.

How has things changed?

  • Those who have marked themselves “single” decreased about 1 million
  • Those “in a relationship” decreased 300,000
  • “Unspecified” has increased 1 million
  • Other statuses shifted in numbers but their percentages remained mostly unchanged.
Comic book demographics relationship status February 1, 2021.

Education

Things remained steady from the previous month except for one “status”. “Some Grad School” over doubled from 160,000 to 330,000 individuals.

Comic book demographics education February 1, 2021.

NEW – Political Leaning

Facebook is a data trove of political information. While I regularly tracked the information, I have never reported on the political leanings of the comic fans there. Well, here’s the second such release of the data!

Compared to last month, “Conservatives” dipped by about 200,000 individuals.

Comic book demographics political leanings February 1, 2021.

But what about the gender of those comic fans?

Comic book demographics political leanings by gender February 1, 2021.

We can see, according to this data that comic fans lean more liberal than the general Facebook population. There are some interesting differences in that Conservatives are dominated by men while those Liberal and Moderate see women as a majority. Moderates especially see more women than men, even more so than liberals. We’ll see how this shifts over the months and years with the flow of American politics.


That’s it! Or, not… we’ll be back tomorrow as we see the European statistics!

Demo-Graphics: Comic Fandom on Facebook – European Edition

We hinted at the return of some long-shelved regular features on the site, and the first back is Demo-Graphics! Earlier this month, we ran the statistics for comic fans within the United States and today (after a bit of a delay) we’re back with the second reporting of statistics from Europe!

What is Demo-Graphics?

Each month I dive into data from Facebook looking at the various demographics it can tell us about comic fans. This isn’t hard numbers but best used to show trends in the industry and the potential of the market out there. This has shown the shift towards women being a major force in readers and a shift to the younger demographic.

How does it work?

We use key terms, “likes”, that users have indicated and have come up with our own set to measure each month. There’s over 50 terms used (and no I won’t release them). We stick to specific terms for the industry such as “comics” and “graphic novels” and “one-shots” as well as publishers and leave out broad terms like specific characters or stories. Just because someone likes Batman doesn’t mean they like comics.

Other things to know…

This data is important in that it shows who the potential comic audience could be. These are not purchasers, these are people who have shown an affinity for comics and are potential purchasers and those with an interest.

Also, with this being online/technology, due to laws and restrictions, those under the age of 13 are underrepresented.

Since the last time this feature was run, Facebook has made adjustments as to what it can report so some data is no longer available and we’ve also added in new data that hasn’t been reported before (but some of it has been tracked over the years).

Facebook Population: Over 100,000,000 in Europe

That’s an increase of 2 million compared to the previous month. That’s 33 million more individuals compared to what I reported for the United States earlier this week.

Gender and Age

Interestingly, men account for the majority of fans. They account for 51.0% of the population compared to 50% of women. That’s a flip of the statistics in the United States where women are the majority. When looking at the data broken down by ages, women are a slight majority with about 2 million more individuals. So, it’s best to probably think of this fandom as pretty split between men and women.

There can be issues when breakdowns like this are close on Facebook as the app tends to round up and down with large numbers causing discrepancies and results greater than 50%.

Europe Facebook Gender February 2021

Similar to the previous month, things remain the same with men becoming a slim majority in the age 22-25 age group and then lose it in the 34-37 age group. It’s a similar statistic to the United States.

Europe Facebook Gender Age February 2021

Relationship Status

Compared to last month’s results things have changed slightly. While the overall population grew about 2 million, these stats increased about 1.4 million.

Highlights:

  • “In Relationship” increased by 200,000
  • “Unspecified” increased by 1 million
  • “Domestic Partnership” increased by 10,000
  • “Divorced” increased by 10,000
  • “Widowed” increased by 10,000
Facebook demographics relationship comic fans in Europe 1.1.21

Education

Things remain pretty steady when it comes to education. The percentages remain pretty much unchanged.

Facebook demographics education comic fans in Europe 2.1.21

Up next, we’ll compare the two groups of comic fans!

Demo-Graphics: Comic Fandom on Facebook – US Edition

We hinted at the return of some long-shelved regular features on the site, and the first back is Demo-Graphics!

What is Demo-Graphics?

Each month I dive into data from Facebook looking at the various demographics it can tell us about comic fans. This isn’t hard numbers but best used to show trends in the industry and the potential of the market out there. This has shown the shift towards women being a major force in readers and a shift to the younger demographic.

How does it work?

We use key terms, “likes”, that users have indicated and have come up with our own set to measure each month. There’s over 50 terms used (and no I won’t release them). We stick to specific terms for the industry such as “comics” and “graphic novels” and “one-shots” as well as publishers and leave out broad terms like specific characters or stories. Just because someone likes Batman doesn’t mean they like comics.

Other things to know…

This data is important in that it shows who the potential comic audience could be. These are not purchasers, these are people who have shown an affinity for comics and are potential purchasers and those with an interest.

Also, with this being online/technology, due to laws and restrictions, those under the age of 13 are underrepresented.

Since the last time this feature was run, Facebook has made adjustments as to what it can report so some data is no longer available and we’ve also added in new data that hasn’t been reported before (but some of it has been tracked over the years).

Facebook Population: Around 70 million in the United States

We last ran this report in October 2018 which saw over 73 million individuals reported. Things have dipped over the years but the amount of individuals is still massive. Men remained steady at 33 million while women dipped to 37 million over that time frame.

The Spanish-speaking population in October 2018 was 13.7%, a little over 2 years later, that number has remained relatively the same at 13.29%.

NEW: Comics focused on kids has been an explosive area of growth over the years. The data tells us that 18.75% of comics fans are parents, that’s 13 million individuals!

Gender and Age

Women have been a majority for a long time in this reporting. They continue to be exactly that accounting for 52.86% of the comic fans compared to men at 47.14%. Women regularly became the majority of the fandom back in October 2017 when we first saw a 50/50 split in the demographics.

Facebook still is not good about placing gender in a binary, but it’s still a goal to better report beyond just the two regularly listed.

As we can see by the numbers below, women do slip as the majority from around age 22 to 33.

Comic book demographics gender January 1, 2021.
Comic book demographics gender and age January 1, 2021.

Relationship Status

The relationship status is one I’ve been intrigued to see how it’s changed over the 2 years since last reported. Would we see a major shift as people age? Would it remain steady? Well, lets find out!

There was a major drop in people reporting their relationship status as it turns out. While the population overall shrunk by about 3 million individuals there were almost 8 million fewer individuals reporting this piece of data.

How has things changed?

  • Those who have marked themselves “single” decreased about 3 million
  • Those “in a relationship” decreased 1.7 million
  • “Married” has remained the same
  • “Unspecified” has decreased 3 million
  • Other statuses shifted in numbers but their percentages remained mostly unchanged.
Comic book demographics relationship status January 1, 2021.

Education

Out of all of the statistics, this is the one I’m trying to figure out. Almost all percentages for education level listings are down. This could be due to it just not being as common a thing or there’s been a shift in the populace. The only percentage to increase are those “in high school”.

Comic book demographics education January 1, 2021.

NEW – Political Leaning

Facebook is a data trove of political information. While I regularly tracked the information, I have never reported on the political leanings of the comic fans there. Well, here’s the first such release of the data!

First up, what does this data look like for Facebook as a whole?

Facebook political leanings 1.1.21

Interestingly, Facebook leans a bit more Conservative with that population making up the largest block of users. Comic fans though are a bit different. Those identified as Liberal make up the majority

Comic book demographics political leanings January 1, 2021.

But what about the gender of those comic fans?

Comic book demographics political leanings by gender January 1, 2021.

We can see, according to this data that comic fans lean more liberal than the general Facebook population. There are some interesting differences in that Conservatives are dominated by men while those Liberal and Moderate see women as a majority. We’ll see how this shifts over the months and years with the flow of American politics.


That’s it! Or, not… we’ll be back tomorrow as we see the European statistics and then Thursday we dive in comparing the two!

Demo-Graphics: Comic Fandom on Facebook – European Edition

We hinted at the return of some long-shelved regular features on the site, and the first back is Demo-Graphics! On Monday, we ran the statistics for comic fans within the United States and today (after a bit of a delay) we’re back with the first reporting of statistics from Europe!

What is Demo-Graphics?

Each month I dive into data from Facebook looking at the various demographics it can tell us about comic fans. This isn’t hard numbers but best used to show trends in the industry and the potential of the market out there. This has shown the shift towards women being a major force in readers and a shift to the younger demographic.

How does it work?

We use key terms, “likes”, that users have indicated and have come up with our own set to measure each month. There’s over 50 terms used (and no I won’t release them). We stick to specific terms for the industry such as “comics” and “graphic novels” and “one-shots” as well as publishers and leave out broad terms like specific characters or stories. Just because someone likes Batman doesn’t mean they like comics.

Other things to know…

This data is important in that it shows who the potential comic audience could be. These are not purchasers, these are people who have shown an affinity for comics and are potential purchasers and those with an interest.

Also, with this being online/technology, due to laws and restrictions, those under the age of 13 are underrepresented.

Since the last time this feature was run, Facebook has made adjustments as to what it can report so some data is no longer available and we’ve also added in new data that hasn’t been reported before (but some of it has been tracked over the years).

Facebook Population: Over 98,000,000 in Europe

That’s an increase of 8 million compared to the previous report that we ran in July 2018. That’s 28 million more individuals compared to what I reported for the United States earlier this week.

Gender and Age

Interestingly, men account for the majority of fans. They account for 51.02% of the population compared to 48.98% of women. That’s a flip of the statistics in the United States where women are the majority. When looking at the data broken down by ages, women are a slight majority though with 50.54%. The relationship statistics show men as the majority. We’ll have to see if this continues in the coming months and if not, figure out the disconnect between the three statistics.

Facebook demographics gender comic fans in Europe 1.1.21

Similar to the previous month, things remain the same with men becoming a slim majority in the age 22-25 age group and then lose it in the 34-37 age group. It’s a similar statistic to the United States.

Facebook demographics gender  age comic fans in Europe 1.1.21

Relationship Status

Much like with the United States. I thought it’d be interesting to see how these statistics might have shifted. The overall population actually dropped over the two years, decreasing by about 5 million, even though the overall population has increased.

Other highlights:

  • “Single” individuals decreased by about 3 million
  • “In Relationship” decreased by 1.1 million
  • “Married” increased by 3 million
  • “Unspecified” decreased by 4 million
Facebook demographics relationship comic fans in Europe 1.1.21

Education

For education, I did a look comparing some of the statistics for what I could find about Europe and it lines up pretty well. Compared to the previous reporting in 2018, the data hasn’t shifted much unlike the United States which saw a significant change.

Facebook demographics education comic fans in Europe 1.1.21

Up next, we’ll compare the two groups of comic fans!

AfterShock Announces Its 100th title with Campisi: The Dragon Incident from James Patrick and Marco Locati

AfterShock Comics has announced its 100th title, Campisi: The Dragon Incident, from James Patrick and Marco Locati. Patrick’s last book with AfterShock, The Kaiju Score, was picked up by Sony Pictures. Slated for an August release, Campisi: The Dragon Incident marks a major milestone for AfterShock.

Announced in April it features lettering by Rachel Deering and a cover by Fran Galán.

Sonny Campisi is a small-time fixer for the mob-controlled neighborhood of Green Village. If you don’t pay your gambling debt, he’ll come and collect. If you get a little rough with one of “the girls,” he gets a little rough with you. But when a dragon flies into town and Sonny is the one who’s tasked with getting rid of it, it’s a problem unlike any he’s ever faced, and a chain of events begins that will affect everyone who lives in that neighborhood. Especially Sonny.  

AfterShock’s 100th title will coincide with the debut of Seismic Press, a new Young Adult imprint from AfterShock aimed at furthering the brand’s mission to create content for all audiences while bringing the same caliber of creative talent to tell stories for a younger demographic.

Campisi: The Dragon Incident

Review: Thunderbolts #1

Thunderbolts #1

The Thunderbolts feels like a “team brand” that hasn’t really ever had a negative run. Some have been better than others but overall, it’s generally positive. Since the reveal from the first volume, each take has delivered it’s own spin. They’ve been villains playing heroes, a “work release” program, deputized villains, and now it’s a team on mission. During “Devil’s Reign”, Wilson Fisk banned heroes from New York City and in its place created his own Thunderbolts featuring deputized villains. With Luke Cage now Mayor, he must decide what to do. Not just the law but the Thunderbolts themselves. Enter, Thunderbolts #1 the newest volume which feels like something a little new and a little old at the same time.

Written by Jim Zub, Thunderbolts #1 is a fun take on the team dynamic. There’s a lot that’s nailed right in the debut that has the introduction to the team, the first mission, it’s vision, and a lot of hints and the strife to come. Zub keeps the comic moving with a nice pacing that feels almost musical in the beats it hits. Bouncing around the past and present we get to see how the team formed, the proposal Luke gives to Clint, the thoughts about the team in general, and more. It’s all done with a fun attitude and delivers laughs never taking itself too seriously.

Much like the team itself, the comic feels like it picks and chooses some of what has worked so well in past volumes. The crisis at the center of the team according to one group is its perception. Having just been deputized villains the “brand” needs to be rehabbed and this new team has been picked for their abilities and how well they go over with demographics in New York City. There’s a question of leadership and whether Clint Barton, aka Hawkeye, is the right choice. He’s not the first, is he even the best? There’s a new mysterious member who feels like a throwback to the 90s. Overall, the comic keeps the team’s dynamic front and center which has made what’s come before work so well.

The art by Sean Izaakse is good. With color by Java Tartaglia and lettering by Joe Sabino, the style fits the tone of the series really well. This isn’t some hardcore, all-action comic, it’s more an action comedy. The art reflects that. There’s a slight retro look to the comic, reminding me a bit of the original Thunderbolts, during the first volume. Some of that is due to new characters like Gutsen Glory who looks like Cable meets Garrison Kane. What the visuals do really well is capture those humorous moments. As I said, the comic is more action comedy so those visual punchlines are key and the art team does that all well.

Thunderbolts #1 is a fun start. The comic is fresh while also the best of what has come before. It sets up an interesting team dynamic, and team in general, and delivers enough mysteries to come to keep readers on their toes. It’s a solid buy for long time fans of the characters and property and those new to the Thunderbolts.

Story: Jim Zub Art: Sean Izaakse
Color: Java Tartaglia Letterer: Joe Sabino
Story: 8.25 Art: 8.0 Overall: 8.2 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: TFAWZeus ComicscomiXology/Kindle

DC and Webtoon Team for New Webcomics

DC Comics logo

It’s was only a time before a major publisher did it, by DC and Webtoon have cut a deal to bring DC’s superheroes to webcomics.

DC and Webtoon will release standalone webcomics that will “appeal to all fans”. The goal is to not need to know or read any previous stories.

The details are slim but expect popular characters and the tentpole characters to start. More will be announced in the next few weeks. The webcomics will be available in English to start the then translated into other languages.

The webcomics are available in the free Webtoon app for Android and iOS and what readers need/can purchase can vary. It’s unknown if readers will need to purchase the DC releases and how that’ll work.

Webtoon says it averages 72 million monthly active users. 10 million of those are in the United States. The platform’s audience is in the 16-24 year old range.

Webtoon

The move for DC is a smart one as Webtoon’s platform has grown in popularity with a massive reach and the younger demographics than the average comic reader (who is in the mid-30s and up) will allow DC to build an audience that might convert later to other releases by the company. The publisher’s graphic novels for young readers covers the 15 and under set, Webtoon now the 16-24 age, and regular publishing is likely 30 years old and up. That leaves options for age ranges and new ways to consumer properties when they grow out of the current way they’re reading comics.

DC has focused on the future in recent years. Not only have they expanded their “digital first” offerings, but have looked to expand their readership and markets. The publisher has made deals with Walmart for exclusive releases as well as focused heavily on graphic novel for younger readers. Both have done quite well for the company.

Webtoon also has partnerships with Legendary, Pow!, and Top Cow Productions.

(via Variety)

Riot at Xavier’s, a Character Study in juvenile political rebellion

New X-Men #137

The following article is a revised version of a post originally from my Tumblr blog Alfie talks about comics

Created by Grant Morrison and Keron Grant, Quentin Quire first appears in New X-Men #134, which then leads into the “Riot at Xavier’s” arc that spans from New X-Men #135 to #137 with an epilogue in issue #138. Quentin, the primary character and antagonist of the arc, is a vehicle for Morrison and co to tell a story about the surface-level politics alienated teenagers sometimes adopt. The kind of person who doesn’t care to meaningfully understand a political ideology but instead dresses in the aesthetics and symbolism of an ideology as a means to performatively rebel against their elders and the world around them.

Many readers have drawn connections to Quentin Quire and the alt-right that would arise about a decade after the publication of Riot at Xavier’s. The alt-right, a primarily online Neo-fascist political movement, came to prominence in the 2010s. It prayed upon young, disenfranchised men as its primary recruiting demographic. In this way it mimics the social critique Morrison makes with Quentin Quire. This has led many readers to draw a direct line between the two. There is a belief that Quentin Quire is an uncanny proto-alt-right character. However I would argue for a different read of the text and the critique it makes.

Quentin is alienated and feels rejected after learning from his parents that he was adopted. This revalation fundamentally shakes his sense of self and throws him into questioning every aspect of his life. He lashes out because he feels disenfranchised. By rejecting Xavier’s dream he is venting his frustrations at the world, it’s an outlet, not a sincere position. Quentin adopts outrage at the death of Jumbo Carnation not out of genuine anger at the grizzly murder, instead he takes the position when it becomes another outlet for him to point out the supposed hypocrisy of his elders and fuel his anger.

Throughout the arc we see Quentin’s acts of rebellion escalate more and more into violent and destructive outbursts. It starts with cruelty to his peers, his actions escalate further when he and his Omega Gang start assaulting random groups of bigoted humans.

Quentin at the climax of the riot exclaims “So much for the dream! All my life I’ve waited for this “dream” to come true! We were promised peace and security! All my life! Where is it!” Here we see his true motivations laid bare, he feels disowned and abandoned after learning about his adoption. And now he thinks his teachers also have failed him. Quentin Quire has devastating abandonment issues that fuel his actions in Riot at Xavier’s.

As much as the riot itself escalates the Omega Gang lack clear goals or demands for their actions. They are just wildly lashing out because of the drug Kick and juvenile angst. It’s very much like a baby crying out for the attention of the adults.

In their sadism, the Omega Gang are blind and uninterested to the real harm done to their fellow Mutants as shown when they attack a U-Men base. Instead of seeing that the U-Men are planning on attacking Xavier’s students, they obsess over sadistically murdering a U-Man. Their riot leads to the death of Dummy of the special class. It’s a display that they are uninterested in actually fighting against anti-Mutant bigotry but more use the concept of humans as a target for Quentin’s violence, their ideology is style over substance. They aren’t interested in politics or understanding the reason for practicing them, they are only interested in the act itself.

Earlier in the arc, we see Quentin wearing a shirt that reads “Magneto was right” which is a parallel to the real-life use of Che Guevara on graphic T-shirts that were popular in the early 00s among students, the comparison Morrison is making is from an inexperienced juvenile ideology dressed up in leftist aesthetics. Much like in the real-life co-option of leftist imagery the adoption of the motto  “Magneto was right” doesn’t represent an actual political position but the rebelling against the positions of the professor, the politics are purely stripped out and made into an aesthetic. 

With the use of Kick, what was a normal rebellion for a teenager going through turmoil becomes the source of tangible harm, the Omega Gang’s actions don’t do anything to avenge Jumbo’s death. They lash out without caring to understand the violent consequences of their actions. It’s action for the sake of action, a cult of action which is most commonly known as a characteristic of fascism as identified by Umberto Eco in Ur-Fascism. However I  think that kind of methodology (or lack thereof) isn’t inherently right-wing in nature, it can be found in unguided, vague, often experienced political organizing from many groups across the political spectrum.

In “Riot at Xavier’s” Grant Morrison tells a story about adolescent angst and political posturing. In most children, this is a healthy if somewhat cringeworthy point in development. In the case of Quentin Quire, this development is derailed by a combination of Kick and his rapidly out-of-control Mutant gift. Quentin’s politics are neither left nor right-wing, they are vapid and void of political substance, if anything it’s dressed up in imagery of the left wing. While Quentin’s path does mimic that of many young men who fell into the alt-right, disenfranchised and angry looking for an outlet I don’t think that means that he needs to represent that subculture. I think that given time the character of Quentin Quire could grow and evolve out of this phase which luckily we are now seeing done masterfully in X-Force by Benjamin Percy, I’m excited to see how this character continues to grow up with his second chance, and hope that readers open themselves up to seeing how he can grow behind his original actions in Riot at Xavier’s

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