The Pulse #10-11 features one example of how not to write a tie-in for a company-wide and one example of how to use superheroes to tell a story about a real life situation in this case, becoming a mother. It encapsulates the uneven nature of The Pulse as a series, which didn't know if it wanted to tell Jessica Jones stories or and found a balance between both in the "Fear" arc just as it was being cancelled.