Nerd Block‘s Classic July 2015 release has arrived and here’s what you can find inside. The theme for this month is “Humanity’s Last Hope” so you can expect a lot of anime related items, including items from Buffy, Mad Max: Fury Road, Ghostbusters, Age of Ultron, and Transformers!
Tag Archives: buffy the vampire slayer
Being a teenager in the 90s was a total drag! Cell phones were only available to the elite, you couldn’t download music off the internet, and there wasn’t such thing as Facebook or Instagram. Luckily for us, we had some of the greatest movies ever made to keep us entertained. I mean, nowadays, teen movies are either based off of a sci-fi or fantasy book series or sequels from an ‘06 dance movie that just won’t die. From lowly underdogs to peppy popular girls, these movies and their characters got us through some tough times.
This isn’t your average teenage movie! Buffy was not only a pretty cheerleader, but also a butt kicking slayer. Though the movie was admittedly average, it later became a hit TV show for many years in the late 90s. Did we mention how hot Luke Perry looked in that movie?
Clueless was the ultimate teen movie of the 90s. Cher was a teenage queen in all her iconic outfits from the plaid suit to that slinky white dress. She had the coolest friends, the coolest car, went to the coolest parties, but she made us relate with her love life woes. Plus she taught all the girls around the country how to say things like, “Whatever” and “As if!”
Being the outcast has never been so cool! This movie was about four friends who are witches. Together they unlock their powers and use them to get revenge on their enemies. Trouble arises when one of the girls wants even more power. She convinces the others to join her in taking down the one who is the strongest of the bunch which ends in a dangerous showdown. Because of this movie, 90s girls everywhere were fascinated with witchcraft and the goth life whether they showed it or not!
A classic love story retold to a modern audience about teen love and angst. Sure Leonardo Di Caprio had other starring roles before, but this movie is what really turned the key to every teenage girl’s hearts. Thanks to him, it made required English reading almost worth it!
So this movie doesn’t actually feature teenagers, but there sure are enough high school flashbacks to make any teenage girl relate. Two best friends are invited back to their high school reunion, but realize how un-cool they actually were and still are. They make up some crazy lie to try to convince everyone that they’re not the same losers they used to be which backfires on them. In the end, they realize that it’s more important to be true to oneself and to be a good friend than to gain the respect of those who don’t matter, giving all the awkward girls hope for the future!
In this movie, Drew Barrymore played a nerdy teen who grew up to be a nerdy woman working at a newspaper, who was assigned to infiltrate the local high school and dig out any dirt in the teenage world. She starts out as a hopeless underdog, but with the help of her naturally cool brother, she becomes the coolest girl in school. In the end, she’s faced with making the choice between maintaining popularity and standing up for her beliefs. Her final decision is what leads her to find true love.
Another classic underdog tale, it’s a movie about the most popular boy in school who is challenged with turning the geekiest girl in school into a prom queen in just a few short weeks. However, he learns that the challenge is much more difficult when she rejects initial advances towards her. When she finally gives in, they begin to build a connection and long story short, Freddie Prinze, Jr. was hot.
Based off Shakespeare’s Taming of the Shrew, this movie features just about every type of teen from the high school social ladder. Two love stories are explored side by side when the shy kid at school seeks the help of a rebel bad boy to help him get the popular girl, whose sister is an independent feminist. It’s got JGL who is now a full-fledged hottie, and the incomparable Heath Ledger who, through this movie, lands on the radar of every teenage girl. Did we mention there’s a musical performance in it to?
The 90s sparked another indie revolution with ideologies shifting to pushing aside conformity, fighting the man, and doing what makes you happy. This popular teen film completely captures that spirit when a small record store is in the process of being purchased by a corporate chain. The teen employees begin devising a plan to make enough money to save the store while in the midst of a plethora of social and personal issues. The store makes a last ditch effort to come up with the funds by hosting a fundraiser/party at the store. In the end, the teens get to hold on to their dream and if that’s not 90s enough for you, then I don’t know what is.
If you’re feeling nostalgic, maybe it’s time to call up some old friends for a sleepover! What was your favorite 90s teen movie?
This post was written by Kelvin of Pure Costumes, the site where you can find anything and everything when it comes to dressing up as someone else.
By The Numbers: January 2015
Welcome readers for the first article in a new series at Graphics Policy! Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?
All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.
Glenn Matchett is a comic writer and editor. He’s worked in the industry for 5 years but grew up reading comics. He loves the format deeply and spends way too much time concerned that his favorite books will be cancelled. He intends to use these articles to help as therapy for his OCD. He also releases comics now and then and has a weekly column right here at Graphics Policy where he talks about whatever takes his fancy.
Ray Goldfield is a fan of comic books for going on 25 years, starting with the Death of Superman. He is a writer and editor for GrayHaven Comics, in addition to his day job. He started out as a DC Zombie, but has broadened his tastes to Marvel and indie books in recent years. He follows the comic sales charts obsessively, primarily to cheer on Magneto’s steady hold each month.
All sales figures retrieved from ICv2.com
What Went Well
Glenn: Well obviously the big debut and the big story this month is Marvel new Star Wars title which sold just over an astounding 985 thousand copies. I don’t recall a Marvel book selling that well since the Obama, Amazing issue and I don’t think it did those kind of numbers right away.
This property is obviously back at Marvel who had in initially in the 70’s after being a solid backbone of Dark Horse for 20 years or so. I don’t think the Dark Horse versions of the Star Wars comics ever broke 6 figures. Why do you think that is here?
Ray: I agree, this is just incredible. I think the Obama issue sold something in the 350K range, and that was a cultural event. This is probably the highest sales for any comic since the 90s. The big question, of course, is how it holds up from here, but the early rumors is that #2 sold over 200K. That would put it in a position to regularly be the top selling comic on the stands.
I think the big x-factor here is probably the sense of a new beginning. This is no longer expanded universe stuff, catering to an audience of die-hards following the complex continuity of the books and comics. This is the start of a new era, where the story of the original characters will continue in the movies. I think it felt much more important to the larger Star Wars fandom at large. I think the comic benefitted from that a lot, as well as the huge creative team and glut of variant covers, of course. It’s pretty much a perfect storm for massive success.
Another big success story for Marvel is Thor. This seems to be a rare case of a new status quo actually delivering a lasting sales change. The combination of buzz for the new female Thor and the continued excellence of the Aaron run has turned this into the second-highest selling Marvel Universe series, only behind Amazing Spider-man.
It’s a smaller-scale success, of course, but I feel like the debut of Jonathan Hickman’s The Dying and the Dead is noteworthy as well. Launching with 32K for a creator-owned book is pretty impressive in the superhero-dominated top 100.
I feel like the news is a bit more mixed for this month’s other four big Marvel debuts, though.
Glenn: Yeah, it seems the big media push they gave the new Thor paid off. This is likely why they have also decided to do a whole team of female Avenger’s.
It doesn’t seem like it’s paid off as well on the new Captain America but we’ll get there.
It seems like Hickman has now become a name that sells on its own. I mean he’s been one of Marvel’s big names the last few years now, he actually made the Fantastic Four sell better than it has for like…years. I’m not surprised his creator owned stuff would do well, he’s on the same level as Snyder who seemingly will get a big debut with Wytches.
Batman, Amazing and Walking Dead seem to be the reliable sellers for their respective companies. It seems that concerns that Superior sales wouldn’t carry over to a Peter Parker led book but it seems those fears at least have been quelled but I’m sure Spider-Verse has helped there.
I think it should be noted that currently, Walking Dead is the cheapest book in the top ten and two of those books in the top ten were 4.99, which to me, could be a scary sign of things to come.
A new launch this month was Ant Man which debuted at number 7 with just over 70 thousand copies sold. I’m not expected this to last up there, to be honest. Even with the movie coming out.
Ray: All-New Captain America did fall pretty hard right off the bat. I don’t think Remender’s style is really clicking with what the public expects a Cap comic to be, but this did make up for some of the slipping sales of the previous run. I think the timing of this run, with Sam Wilson debuting as Cap and then promptly being inverted to be evil, took a lot of the wind out of its sales.
Ant-Man debuted impressively for what it was, for sure. I think the critical acclaim might help it to keep some of its momentum, at least a bit longer than some books. It’s interesting that it debuted roughly in the same level as Uncanny Avengers, another big launch this month. I expect both of them to drop a good deal next month, just based on the pattern for Marvel relaunches lately.
One of Marvel’s most significant debuts this month was the weekly series “Wolverines“. This is their first foray into weeklies, as well as the first weekly comic priced at $3.99 besides the unconventional “Wednesday Comics“. It debuts in the top ten – and then promptly slips hard the same month, with #2 landing at #25 and out of the top 30 by #4. By the end of its first month – all ordered at the same time – it’s selling well below Batman: Eternal, which is almost a year in. If I was Marvel, I’d be pretty worried about what this looks like once orders get adjusted for the following months.
Glenn: Well to me, since Brubaker left and really since Bucky stopped being Captain America, the book has struggled. When you had Death Of Cap, obviously that was a big thing but then the book sold continuously well. It just seems to be one of those nuts that overall are hard to crack, like Fantastic Four or Superman. By all intents and purposes, those books SHOULD sell but for some reason or another they’re (at best) middle of the road.
Yeah no doubt. I kind of made the joke that by killing Wolverine, Marvel have only made him stronger. Overall they’re still coming out because instead of one Wolverine book that sells like 50-70 k or whatever, you have 4 so overall they’re ahead.
Squirrel Girl seems to have had a solid launch too for a D list (being generous) character. Maybe because of her exposure on Bendis Avenger’s run but I think that’ll be short lived too.
One of the big surprises is having the Star Trek/Planet Of The Apes mini do so well. I can’t remember what the Doctor Who crossover sold but I think this is a pretty solid debut.
Ray: Squirrel Girl is a big question mark. I wouldn’t be surprised if this one is closer to the mark in terms of demand than some of the other debuts, and so it starts lower but might hold better. I assume Marvel is trying for the same audience that is buying Ms. Marvel, and it’s not a bad idea. Of course, next month will tell the tale.
I’m pretty sure that is a very impressive debut for a licensed comic. One factor that might have helped it is that it’s one of the seven books that were sold on New Year’s Eve. Those tend to be ordered heavily because casual readers might take a chance on them during an unusually small week.
Steady books/books in the middle
Ray: The first thing I notice is that comedy is still doing well. Harley Quinn, of course, is probably the most surprising big hit out of DC in years, and is still hanging around just below the top ten. Not a surprise this creative team is getting a new book and a spin-off in June. And Rocket Raccoon is hanging around in the upper 30s, about 40 spots before the other Guardians spin-offs. I expect to see more of this type of book from the companies.
Wonder Woman had a brief peak when the Finches landed on the title, but now it’s selling at about the same level as the end of the Azzarello run with far weaker response. DC has to be a bit worried about that one.
I’m surprised SHIELD fell this far with its second issue, from a top ten debut. I’m less surprised by the drops for Angela and Spider-man & the X-men, as those two seemed like they were dropped with relatively little fanfare. It’s a bit surreal to see an Angela comic in the top 50 again, heh.
Glenn: I actually thought that they might be looking at the people buying Harley Quinn, the success of that book may be the oddest thing to happen in years.
Wonder Woman will be definitely one to watch, I think. I mean the Azzarello run wasn’t a best seller but it was extremely stable. Putting Finch on will definitely keep those sales but like you said, the critical response has been less than generous. If Finch can stay on schedule, it may be fine but its likely to face a creative overall after Convergence I’d say.
SHIELD is kind of something with a specific hook. It’s a kind of fringe book that don’t tend to stay stable long at the big two. It kind of makes you wonder that if the same premise and writer had been done at Image how it would have performed in the current market.
I think a lot of the success of ‘Wolverine and the X-Men’ has to attributed to Jason Aaron, now he’s gone and they’re trying to shoe horn Spider-Man in, I think this is the kind of response the current comic market will give you. I’m as big a Spidey fan as anyone but I’m not picking up this book, it seems to be a bit of a hail Mary to me.
A lot of indie/creator owned books seem to stabilize very quickly. They might not do as big number as say Amazing or Batman but the audience seems more dedicated. No one can overlook the success of Star Wars this month but as you said, its set to lose like 700 thousand sales in one issue. It seems like most Image or Dark Horse or whoever books obviously launch a lot lower but suffer less of a drop.
Green Lantern and Green Arrow have both seen better days at DC but both are stable sellers. Of course, we’ve found out recently that Green Arrow is set for another creative change which I believe is the 5th since the new 52 launch 3 years ago.
Ray: I think it’s actually six creative changes. All but one of them (the acclaimed Lemire/Sorrentino run) have only lasted one arc. And that’s not counting Judd Winick’s one-off. This title has been in creative flux since moment one. With Green Lantern, I think this is sort of course correction after they lost their A-list creator in Johns. The line will be paring back to only three books come June, which seems like a smart move.
Looking at the other weeklies for DC, it’s a world between Eternal and these books. Futures End is sort of a mid-level performer, but World’s End is really sinking fast. It probably doesn’t help that the title lost its chief architect right before the weekly began, with Tom Taylor leaving the line.
I must say, I’m sad to see three of my favorite Bat-books, Gotham Academy, Gotham By Midnight, and the short-lived Arkham Manor sinking out of the top 100 so quickly. These are clever, unique books, but they don’t seem to be reaping the benefit that Bat-titles seem to get.
This is where we start to see a lot of lower-tier books from Marvel and DC that just aren’t finding their footing, unfortunately. And I think the fact that Hulk’s main title is selling scarcely 1K more than Magneto’s solo book is testament to the diminishing returns we’re seeing with Marvel’s frequent relaunches. I’m interested to see if Secret Wars and the likely relaunch that follows will turn this around, or if we’ll continue to see the huge starts and huge drops. Marvel has developed a strategy of using tons of variant covers and mainstream press to launch huge, but it doesn’t seem to be carrying over past the first month or two.
Glenn: This to me presents two very big problems in this market at the moment. Firstly, people say they want something a little different/off-beat but when they deliver, it doesn’t seem that the market indicates the demand.
The second problem is like you mentioned, diminishing returns. Back in the day, a relaunch was a big, big deal but 30’s-50’s, especially in terms of Marvel are rare. It just seems to be relaunch, boom, sink, relaunch and so on and so on.
The Danger Zone
Glenn: This may sound a bit random but I noticed Halo on the charts, near the bottom. I remember when this property was a big deal at Marvel, it seems to have fallen in a major way.
Then again, outside of the monster hit that it was Star Wars, it seems a very bad time for properties in the industry. A lot of them are scarping around the low end of 5 figures. Most of them are even being outsold by creator owned. It doesn’t seem that properties like Star Trek, Doctor Who, Tomb Raider and more have a place in today’s market.
It also looks to me that Constantine is now down to the level ‘Hellblazer’ was at during its Vertigo days. It’s due for a rebranding following Convergence though.
I would think that Bucky would be performing better given the fact that this title is essentially a follow on from ‘Original Sin’ and he was in a movie a lot of people went to see.
Ray: I also forgot Marvel was even putting out Halo comics, to be honest. And outside of Star Wars, as you said, it seems very hard for licensed comics to get any traction. Besides that and the Star Trek/Apes crossover, the next one down is My Little Pony all the way at 119, and that’s clearly an unconventional mix of fanbases driving it. Even Buffy the Vampire Slayer and the TMNT/Ghostbusters crossover are hanging around the mid-130s. It seems like there’s a lot of problems getting a significant portion of the original fan base to check out the comic.
Constantine fell to earth rather quickly. I’m not surprised they’re relaunching it – it was the lowest-selling un-cancelled DC book for a while, before the Earth 2 tie-in briefly boosted its sales. While the relaunch should help, I wonder if the character is just a bit too unconventional to sell to a wide superhero audience.
With Bucky’s book, I think this is just a mismatch of property and comic. Original Sin was rather poorly received, and it has an odd concept with Bucky in space fighting aliens. I think if they launched a spy comic starring the Winter Soldier that resembled the movie more, they might have done better.
Two comics that jump out at me are Klarion at 225 and Star-Spangled War Stories at 245. For main-line DC comics only a few issues in, that’s shocking. It’s interesting that DC’s experiments in unconventional, non-superhero comics like these are landing with such a thud, but they seem to be doubling down on this type of book with the June relaunch. What is their plan to make things like Prez, Doomed, Bizarro, and Omega Men succeed, when they’ve had such trouble recently?
Glenn: I think they’re going to be looking to replicate the success they’ve had with Harley but to me, that might be lightning in a bottle.
Again, at least they’re trying new things, which is fans say they want but sales prove different.
It’ll be an interesting summer at both companies, for sure.
Coming up next month
Ray: Looking ahead to next month, it’s sort of the calm before the storm. Next month’s chart will have a few interesting points, though. We’ve got the launch of Grant Morrison’s first Image ongoing, The Nameless. Marvel is bringing us the next Star Wars launch in Darth Vader, plus the internet phenomenon of Spider-Gwen makes its ongoing debut. Those will probably be dueling for #1. There’s also the launch of Silk, a more controversial character that Marvel has a lot of faith in. It’ll be interesting to see how those books shake up the charts.
Glenn: It should be the debut of Wytches on the sales chart, I believe. I think this one might be one of the big winners from the company. You’re right though, the majority of books will be treading water sales wise until we get our annual huge shake up. Most of the ones to watch next month will be the indie books. I’m personally hoping that Nailbiter can gain a stronger following over time. Once upon a time, Walking Dead was down that part of the charts too.
Enjoyed what you read? Let us know and follow us on Twitter @glenn_matchett & @raygoldfield
Time is running out… for 2014. What do you think were your favorite comics of the last year? Find out ours on January 1!
Around the Tubes
The Washington Post – Nerd culture gains the world and in 2014, recovers some of its lost soul – Interesting read. Not sure if we agree with the lost soul part…
Lifehacker – Five Best Desktop Comic Book Readers – A handy list.
GamePolitics – FBI Investigating Christmas Day Attacks on PSN, Xbox Live – Good!
Around the Tubes Reviews
CBR – Batman Annual #3
Talking Comics – Rasputin #3
Sounds like there might be some pretty wild comic conventions going on in Idaho. Nicholas Brendon, who played Xander on Buffy the Vampire Slayer, was detained in Boise, Idaho on Friday night. The actor was picked up on suspicion of damaging property and resisting arrest. It all resulted in his spending several hours in jail. The actor was in town for the Tree City Comic Con which is taking place this weekend October 17 and 18.
The police received a call around 9:30pm about a disturbance in a hotel lobby. That disturbance involved Brendon and hotel staff. When the police arrive the actor showed “signs of intoxication” and “repeatedly refused officers’ commands to stay seated while officers tried to speak with witnesses.”
Brendon then tried to walk away which resulted in his being arrested for resisting and obstruction. The actor is also accused of breaking a decorative dish and they asked to press charges. All of those are misdemeanors. He was released on a $600 bond after 6 a.m. on Saturday.
This isn’t the first time the actor has been arrested. In March 2010, he was arrested on similar charges. For that he received a 1-year suspended sentence and 36 months of probation and was ordered to perform state highway work for 10 days.
Ript Apparel has three designs today for fans of Buffy the Vampire Slayer. Blood Drive 2003, Our Favorite Restaurant, and Go Hogs from TeeMagnet, thisisjonturner, and CatchABrick will be for sale on September 14, 2014 only!
It’s new comic book day! What’s everyone getting?
Around the Tubes
CBLDF – Barefoot Gen Reportedly Returned to Izumisano School Libraries – Glad it’s back!
Around the Tubes Reviews
Talking Comics – Batman/Superman Vol. 1: Cross World
The Fandom Post – Buffy Season 8 Library Edition Vol. 2
Comic Vine – Injustice: Year Two #6
The Beat – NYC Basic Tips and Etiquette
Convention season has begun and up next is Seattle’s Emerald City Comicon, Dark Horse has announced not one, not two, not even three, but four variant covers for this year’s show!
The first few months of 2014 will see some of Dark Horse’s biggest launches of the year, and we have chosen to celebrate with Emerald City variants for Serenity #1, Buffy #1, Veil #1, and a very special variant of Witcher #1.
First up is Veil, the much-talked-about new, original series by Greg Rucka and Toni Fejzula. For this year’s show, Dark Horse has tapped J. H. Williams III to create the variant cover. Limited to 500 copies, Veil #1 is sure to go quickly, especially with writer Greg Rucka in attendance!
Next, we have the hotly anticipated Season 10 premiere of Buffy the Vampire Slayer, with a variant coverby Season 9cover artist Phil Noto, limited to 1,000 copies. Look for interior artist Rebekah Isaacs at this year’s show!
Another one for Joss Whedon fans: Dark Horse brings Jenny Frison on for a special cover of Serenity: Leaves on the Wind #1, featuring none other than the lovely Inara! A few lucky fans may even get actress Morena Baccarin herself to sign their copies!
Last, and certainly not least, legendary artist Stan Sakai has done a special cover of the upcoming tie-in series The Witcher,a canonical entry in the world of the Witcher video games, which have collectively won over 250 awards and sold more than 5.5 million copies worldwide! All proceeds from the sale of this limited edition variant will benefit Stan and Sharon Sakai. Stan will be attending the show, in celebration of the thirtieth anniversary of his landmark series, Usagi Yojimbo!
Each variant-cover issue will cost five dollars and will be limited to ten copies per person, per day! A set quantity will be available at the show opening each day.
Emerald City Comicon is this weekend in Seattle, WA, on March 28–30!
It was new comic day yesterday…. what’d everyone get? What are you excited for if you haven’t gotten yours yet?
Around the Tubes
ICv2 – ‘Star Wars X-Wing: Rebel Aces Expansion Pack’ – Very cool!
Around the Tubes Reviews
Comic Vine – All-New Invaders #3
Comic Vine – American Vampire: Second Cycle #1
Comic Vine – Animal Man #29
Comic Vine – Batman and Robin #29
Comic Vine – Daredevil #1
Comic Vine – Ghosted #8
Comic Vine – Green Lantern: New Guardians #29
Comic Vine – Harbinger: Bleeding Monk #0
Comic Vine – Ms. Marvel #2
Comic Vine – New Avengers #15
Talking Comics – Sovereign #1
Comic Vine – The Superior Foes of Spider-Man #10
Comic Vine – Superior Spider-Man Annual #2
Comic Vine – Thor: God of Thunder #20
Talking Comics – Uncanny X-Men #19.NOW
Comic Vine – Winter Soldier: The Bitter March #2
Comic Vine – The Witcher #1
Comic Vine – X-O Manowar #23
Comic Vine – Zero #6
Each week comic fans face the tough choice as to what comics to get. Our job is to help you sort through the pile and narrow down some of the releases you should consider adding to this week’s buy pile. Check out below our top comic picks for the week!
Top Pick: American Vampire: Second Cycle #1 (Vertigo) – Scott Snyder’s modern vampire tale is back for a brand new volume! It’s been quite a while since we got to read up on Snyder’s spin on the vampire mythos, but we’re more than psyched to sink our fangs into the latest volume.
All-New Ghost Rider #1 (Marvel) – Marvel’s latest take on the Spirit of Vengeance begins here with a new Ghost Rider and a new ride. From what we’ve seen we’re a bit skeptical, but intrigued at the same time. As long time Ghost Rider fans, it’s hard to not check this out.
Buffy: The Vampire Slayer Season 10 #1 (Dark Horse) – It’s Buffy, c’mon, do you need another reason? Dark Horse has been on a streak with Whedon properties, and they’ve done Buffy proud in the past. Check out their latest take for what should be a good starting point for all.
Clockwork Angels #1 (BOOM! Studios) – Rush + comics = awesome. BOOM! is translating the iconic band’s concept album into comic form for what should be a rocking experience.
Daredevil #1 (Marvel) – Mark Waid’s Daredevil has been one of Marvel’s longest running consistent comics. The latest volume sees him move to the West coast to pick up his life after being disbarred and his identity revealed.
Letter 44 #5 (Oni Press) – Charles Soule is comic’s hardest working writer. This series mixes politics, sci-fi, aliens and mystery. If you haven’t hopped on this now, it’s not too late, cause I guarantee everyone will be talking about it down the road.
Ms. Marvel #2 (Marvel) – Marvel’s best launch this year, the comic sees a whole new Ms. Marvel that’s believable, easy to relate to, and just amazing. Expect another sell out.
Sovereign #1 (Image Comics) – A new fantasy series from Chris Roberson that tells the story of masked undertakers facing the undead with swords, of civil wars and cultures in collision, of ancient threats emerging from the ashes of history to menace the future.
Superior Foes of Spider-Man #10 (Marvel) – Could this be better than the main Spider-Man series? This comic focuses on Spider-Man’s C-list villains and mixes action, humor, and somehow heart.
Transformers: Regeneration One #100 (IDW Publishing) – It’s a hundredth issue that should wrap up the major storylines. For folks who have fond memories of the 80s Marvel comics.
Top Graphic Novel/Trade Paperback: Edison Rex Vol. 2 (Monkeybrain/IDW Publishing) – A collection of the fantastic digital series comes to print. The comic is a humorous take on a villain who actually defeats the hero…. and what comes next.